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E-grāmata: Disobedient Theatre: Alternative Ways to Inspire, Animate and Play

(Artist, UK)
  • Formāts: 264 pages
  • Sērija : Performance Books
  • Izdošanas datums: 19-Oct-2017
  • Izdevniecība: Methuen Drama
  • ISBN-13: 9781350014558
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  • Formāts: 264 pages
  • Sērija : Performance Books
  • Izdošanas datums: 19-Oct-2017
  • Izdevniecība: Methuen Drama
  • ISBN-13: 9781350014558
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Theatre is at its best when it is disobedient, when it argues back to society. But what enables it to achieve this impact? What makes it a force to be reckoned with? What are the principles and the tools of the trade that shape it to be effective, powerful and resonant? Drawing from both theory and practice, and informed by conversations with recognized practitioners from across the UK, this book provides answers and makes an impassioned call for artists to reimagine, question and disrupt.
Divided into two parts, 'In the World' and 'In the Room', the book presents a rounded picture of the possibilities of a 'disobedient' culture and includes many games and exercises for creative practitioners. In Part One the author offers a lexicon defining the spirit and impulse which characterises disobedient theatre: he describes the principles, the strategies, and the voice of the artist, before suggesting ways to survive as a creative practitioner. Part Two illustrates how these principles may be worked out in practice when creating new work, with the hands-on approaches supplemented by games and exercises to assist in generating material.
Disobedient Theatre is for all those who have an interest in what makes theatre powerful, disturbing or even life-changing. It is a book for artists, thinkers, activists and all who believe in the function of art to offer new possibilities and to change and inform the evolution of society.

Recenzijas

Following the seismic events of recent years we have possibly never had a greater need for disobedience, and this book is a timely and invaluable overview of the vital role that critical and creative thinking can play in both imagining and shaping new worlds. Through Chris Johnson's wide-ranging frames of reference and rigorous and inspirational writings we are reminded that theatre, as a practice, as a place and as a context, can be a safe space for dangerous ideas. -- Lois Keidan, Live Art Development Agency, London, UK

Papildus informācija

The book sets out what might be regarded as some fundamental principles of a progressive, radical or socially challenging theatre and argues a case for their adoption. It features a series of games and exercises for creative practitioners.
List of Games and Exercises
xi
Acknowledgements xii
Introduction xv
Part One In the World
1 Some Principles
3(40)
1 Defiance
3(6)
2 Provocation
9(7)
3 Transgression
16(4)
4 De-identification
20(7)
5 Equality
27(7)
6 Prefiguration
34(9)
2 Tactics
43(32)
1 Animation
43(8)
2 Adaptation
51(6)
3 Responsiveness
57(5)
4 Immediacy
62(6)
5 Un-timing
68(7)
3 Transmission
75(16)
1 Voice
75(4)
2 Contrariness
79(4)
3 Resonance
83(8)
4 Survival
91(38)
1 Affinity
91(6)
2 Allies
97(7)
3 Agency
104(5)
4 Scale
109(4)
5 Occupation
113(4)
6 Survival
117(12)
Part Two In the Room
5 Principles in Action
129(64)
1 Method vs Intuition
129(5)
2 A Note on Projection
134(2)
3 Working with Images
136(2)
4 Working with Improvisation
138(1)
5 The Art of Elaboration
139(4)
6 Some Notes on Style
143(2)
7 Where the Attention Is
145(4)
8 Attitude
149(6)
9 The Use of Restrictions
155(1)
10 Shifts in Attitude
156(1)
11 Tension
157(6)
12 Establish, Transform, Shift
163(6)
13 Anti-defaulting
169(5)
14 Transgressing
174(4)
15 Foolishness
178(6)
16 Ownership
184(3)
17 Casting
187(1)
18 The Price of Ownership
188(3)
19 Disobedient Theatre
191(2)
Appendix 1 Beginnings 193(6)
Appendix 2 How to Make a Living as an Artist, by Action Hero 199(6)
Notes 205(14)
Bibliography 219(6)
Index 225
Chris Johnston (19512017) was the Director of improvisation company Fluxx, and Co-Director of both Rideout and Livestock. He taught at a range of colleges and institutions including University of Warwick and Staffordshire University, UK.