Atjaunināt sīkdatņu piekrišanu

E-grāmata: Display and Disguise

Edited by , Edited by , Edited by
  • Formāts: 227 pages
  • Sērija : Modern French Identities 95
  • Izdošanas datums: 28-Jul-2011
  • Izdevniecība: Peter Lang AG, Internationaler Verlag der Wissenschaften
  • Valoda: eng
  • ISBN-13: 9783035301601
  • Formāts - PDF+DRM
  • Cena: 37,25 €*
  • * ši ir gala cena, t.i., netiek piemērotas nekādas papildus atlaides
  • Ielikt grozā
  • Pievienot vēlmju sarakstam
  • Šī e-grāmata paredzēta tikai personīgai lietošanai. E-grāmatas nav iespējams atgriezt un nauda par iegādātajām e-grāmatām netiek atmaksāta.
  • Formāts: 227 pages
  • Sērija : Modern French Identities 95
  • Izdošanas datums: 28-Jul-2011
  • Izdevniecība: Peter Lang AG, Internationaler Verlag der Wissenschaften
  • Valoda: eng
  • ISBN-13: 9783035301601

DRM restrictions

  • Kopēšana (kopēt/ievietot):

    nav atļauts

  • Drukāšana:

    nav atļauts

  • Lietošana:

    Digitālo tiesību pārvaldība (Digital Rights Management (DRM))
    Izdevējs ir piegādājis šo grāmatu šifrētā veidā, kas nozīmē, ka jums ir jāinstalē bezmaksas programmatūra, lai to atbloķētu un lasītu. Lai lasītu šo e-grāmatu, jums ir jāizveido Adobe ID. Vairāk informācijas šeit. E-grāmatu var lasīt un lejupielādēt līdz 6 ierīcēm (vienam lietotājam ar vienu un to pašu Adobe ID).

    Nepieciešamā programmatūra
    Lai lasītu šo e-grāmatu mobilajā ierīcē (tālrunī vai planšetdatorā), jums būs jāinstalē šī bezmaksas lietotne: PocketBook Reader (iOS / Android)

    Lai lejupielādētu un lasītu šo e-grāmatu datorā vai Mac datorā, jums ir nepieciešamid Adobe Digital Editions (šī ir bezmaksas lietotne, kas īpaši izstrādāta e-grāmatām. Tā nav tas pats, kas Adobe Reader, kas, iespējams, jau ir jūsu datorā.)

    Jūs nevarat lasīt šo e-grāmatu, izmantojot Amazon Kindle.

In a culture increasingly obsessed with the visual, self-image and extreme self-exposure, in which reality is constantly obscured and misrepresented through concealment and spin, the roles display and disguise play in literature, thought and visual culture are particularly prescient. This collection, developed from papers presented at a postgraduate conference in Oxford in September 2008, presents a coherent view of key developments in the notions of display and disguise in French culture and provides a thought-provoking contribution to contemporary criticism. The volume includes essays from both senior researchers and graduate students using close readings and theoretical approaches from the psychoanalytic to the postcolonial. These are arranged in four main sections, dealing with notions of performance, disclosure, illusion and concealment respectively. Drawing on new research in a wide range of periods, in fields including art, photography, theatre, travel writing and the novel, the authors consider the notions of display and disguise in relation to works by artists such as Moličre, Flaubert, Proust, Dalķ, Vinaver and Sophie Calle. This volume contains ten contributions in English and one in French.
List of Illustrations
ix
Introduction 1(10)
Manon Mathias
Maria O'sullivan
Ruth Vorstman
Part I Disguise on Display: The Masked Self in Performance
11(54)
Concealing and Revealing the Truth: A Study of Lying in Tartuffe, La Celimene and Iphis et Iante
13(18)
Emilia Wilton-Godberfforde
Disguises and Social Masks in Yasmina Reza's Trois versions de la vie and Dieu du carnage
31(18)
Elizabeth Lindley
`Be it so; what shall I tell you first? What shall I leave for last?' Duplicity and Intrigue in Homer's Odyssey and Proust's A la Recherche du Temps Perdu
49(16)
Catherine Burke
Part II Displays of Difference Through Art and Illustration
65(62)
Postcolonial Display/Early Modern Disguise: Looking Back at the Savage
67(20)
Vincent Bruyere
Quand le roman se cache derriere une image: fiction et illustration au Xviiie siecle
87(20)
Nathalie Ferrand
Dali, Surrealism and the Problem of Postmodern Camp
107(20)
Klemens James
Part III Authenticity in Times of Change: Writers in Disguise
127(36)
Machines, Modernity and Masquerades in Flaubert's Salammbo
129(16)
Kate Rees
Dangerous Disguise: An Approach to the Relation Between Kitsch and the Arts
145(18)
Christine Knoop
Part IV Responses to Twenty-First-Century Life: Disguising Reality
163(60)
Mortality, Art and Disguise: On Sophie Calle's Pas pu saisir la mort (2007)
165(18)
Emma Wilson
The Secret is in the Surface: Media Representation of 9/11 and Michel Vinaver's II September 2001
183(22)
Clare Finburgh
Hoaxer's Voyage: Pierre Huyghe's A Journey that wasn't
205(18)
Olga Smith
Index 223
Manon Mathias has recently completed her doctoral thesis on conceptions of vision in the works of George Sand at the University of Oxford. Her research focuses on the nineteenth-century novel, art-text relations, literary history and relations between literature and the natural sciences. Maria OSullivan has recently completed her doctoral thesis on the critical work of Roland Barthes at the University of Oxford. Her research interests include literary theory and contemporary French fiction. Ruth Vorstman has recently completed her doctoral thesis on female dramatists in seventeenth-century France at the University of Oxford. Her research interests include womens writing and culture, the development of proto-feminist ideas, and the processes of adaptation and dramatization.