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Dissens and Sensibility: Why Art Matters [Hardback]

(University of Agder)
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Citas grāmatas par šo tēmu:
An introduction to pedagogy of dissensus.





A pedagogy of dissensus is informed by the dissensual characteristics of art. The book includes both theoretical foundations and examples of how the theory is unfolded in different contexts ranging from educational practice to arts-based research. Motivated by the authors long-held interest in the role of art in society in general and education in particular, it is a vital new contribution to arts-based approaches to education.





Referencing philosophers and theorists such as Jacques Rancičre, Gert Biesta, Dennis Atkinson, and Helga Eng, Lisbet Skregelid demonstrates why art matters because of its ability to create necessary disturbance and resistance in education. In this book, she argues that art has something to offer education because it challenges existing norms, has no definitive answers, and contributes to new ways of seeing both oneself, others, and ones surroundings. Placing art at the center and enabling dissensus in education can contribute as a contrast to the dominating policy led by economic ambition and competition.
Acknowledgements



Foreword



   Anette Göthlund



 



Introduction: The Role of Art in School and Society  



      My motivation for arts in education  



      The situation for arts in education in Norway  



      Why does art matter? A contested question  



      Art to see ourselves and the world in new ways  



      Outline of the book  



Chapter 1: Towards a Pedagogy of Dissensus 



      Equality  



      Emancipation  



      Aesthetics between autonomy and instrumentality  



      Poetic translation and aesthetic participation  



      Dissensus  



      Events of subjectification  



      More concepts and approaches of relevance  



Chapter 2: Dissensus in Museum Education 



      Scene One: Obscura  



      Scene Two: Flegma  



      Scene Three: Morten Viskum   



      Scene Four: Dry Joy  



      Scene Five: Encountering art with art 



      The museum as a democratic space  



Chapter 3: Dissensus in Teacher Education 



      Disturbances in teacher education  



      Teiporama: A dissensual third space?  



      Workshop for teacher students  



      Students experiences with Teiporama  



      Third space in teacher education  



Chapter 4: Dissensus in Education Involving Artists  



      Art into academic structures Dissensus affecting the form   



      Moments of ethical questioning and doubts  



      Ethical questioning and arrivals of the I 



      The middle ground as third space  



Chapter 5: Dissensus in Arts-Based Research Practice  



      Lockdown  



      The running, the films and the filming  



      Dissensus and running as an educational space  



      My stunning stream and ecological awareness 



      Affect and dissensuality  



      Research? Art? Activism? Or only running?  



Chapter 6: A Call for Dissensus in Education 



      Helga Eng  



      The importance of teaching and time  



      The importance of resistance  



      The importance of artistic approaches to teaching  



      The importance of sensibility and affect 



      Why teachers and teacher education matters  



      Why art matters 



 



References 
Lisbet Skregelid is a professor at the Faculty of Fine Arts at the University of Agder, Norway. She is engaged in questions regarding why art matters in society generally and in education particularly.