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Dogs in Athenian Sculpture and Vase Painting of the Archaic and Classical Periods [Mīkstie vāki]

(Department of Classics of the University of Reading)
  • Formāts: Paperback / softback, 422 pages, height x width: 290x205 mm, weight: 971 g, 305 figures, 2 tables
  • Izdošanas datums: 15-May-2025
  • Izdevniecība: Archaeopress Archaeology
  • ISBN-10: 1803279974
  • ISBN-13: 9781803279978
  • Mīkstie vāki
  • Cena: 87,23 €
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  • Formāts: Paperback / softback, 422 pages, height x width: 290x205 mm, weight: 971 g, 305 figures, 2 tables
  • Izdošanas datums: 15-May-2025
  • Izdevniecība: Archaeopress Archaeology
  • ISBN-10: 1803279974
  • ISBN-13: 9781803279978
This book analyses the iconography of dogs in Athenian art, highlighting their roles as companions, hunters, pets, and status symbols. It explores their presence in various aspects of ancient Greek life, their association with gods and heroes, and their depiction in funerary reliefs, reflecting the deep human-canine bond.

Having earned the title of 'man's best friend' through their millennia-long relationship with humans, dogs have been constantly present in human life. The great number of textual and artistic representations of canines attests to the popularity of these animals in ancient Greece, where the existence of domesticated dogs has been traced back to the early Neolithic period. Dogs appear in more than 2,000 painted and sculpted scenes of Athenian art, serving a variety of roles: they are the faithful companions of warriors and riders, valuable collaborators in the hunt, cherished pets, and status symbols. They are present in the gymnasium, the symposium, and in domestic scenes. They are shown happily playing with children, providing protection and companionship for women, and accompanying males in various aspects of their everyday lives. They are associated with gods and mythical heroes and are even depicted on funerary reliefs, accompanying their humans in death. This book offers a thorough study and analysis of the iconography of dog depictions in Athenian sculpture and vase painting, employing an interdisciplinary approach to explore their multifarious function and the extent to which they were influenced by the human-canine bond.
Introduction


Chapter 1: The dog in Ancient Greece


Chapter 2: Depicting the dog in Athenian sculpture and vase painting


Chapter 3: Dogs in war


Chapter 4: Dogs in the hunt


Chapter 5: Dogs and horses, riders and chariots


Chapter 6: Dogs, athletics, music and education


Chapter 7: Dogs in the symposium and komos


Chapter 8: Dogs and eros


Chapter 9: Dogs and death


Chapter 10: Dogs and humans


Chapter 11: Dogs, deities and rituals


Chapter 12: Dogs of myth


Conclusions


Catalogue


References / Bibliography


Bibliographical Notes


Tables (I: breeds, II: Athenian dog names)


Graphs (1: Vase shapes, 2: Themes, 3: Vase painters)


Images


Index
Katia Margariti has a PhD in Classical Archaeology and is a Research Associate of the Department of Classics of the University of Reading. Having published three books and peer-reviewed articles in leading academic journals, she is currently co-authoring two books and co-editing a conference proceedings volume. She is co-founder and administrator of the online group for the study of animals in Greco-Roman Antiquity (Zoa Animals in Greco-Roman Antiquity), co-organizer of two major international conferences on animals in the ancient Mediterranean. Her research interests focus on Greek art and iconography with special emphasis on ancient Athens, funerary art (especially funerary sculpture) and animals in antiquity.