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E-grāmata: Dont Forget The Pierrots!'' The Complete History of British Pierrot Troupes & Concert Parties: The Complete History of British Pierrot Troupes & Concert Parties [Taylor & Francis e-book]

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This volume is the first authoritative historical textbook to look at the origins, development and evolution of seaside pierrot troupes and concert parties and their popular performance heritage.

It will provide, for the first time, a definition of the pierrot troupe and its evolution from the roots of European popular traditions such as the commedia dellarte and minstrelsy, to links between music hall and contemporary popular culture. Tony Lidington will explore how pierrot troupes grew from a single idea into a major international cultural industry and how it boosted morale and national identity during the two World Wars, before sublimating into contemporary pop music and comedy. Tonys continuing practice as research provides an experiential framework for the historical and ethnographic analysis of the form.

This book will be of vital interest to students, researchers, and performers of outdoor (al fresco) arts, clowning and comedy, minstrelsy, vernacular music-making and music hall.
List of figures
ix
Thanks xviii
Support for writing and illustrations xix
Acknowledgements xx
Note about cover images xxi
Preface: "The Pierrot fable" xxii
Introduction 1(8)
1 "Here we are again!": Current practice
9(22)
2 "Trope to troupe": The origins of Pierrot in Britain
31(11)
3 Minstrels: White and black
42(28)
4 "The Seaside Minstrels"
70(39)
5 Proliferation
109(49)
6 "Bringing Blighty to the Boys with troupes for the troops": Pierrot troupes and concert parties in the First World War
158(23)
7 Ambiguities in the evolution of the form and its developments during the inter-war years
181(50)
8 Khaki-clad pierrot heroes: British concert parties/pierrot troupes in the Second World War
231(25)
9 "It's that troupe again ...": Concert party adaptations for the airwaves and post-war British pop culture
256(33)
10 "Impacts and reverberations": The ways in which the seaside troupe format has directly affected contemporary culture
289(24)
11 Conclusion: Pierrots and concert parties provide a portal to past, present and future popular culture
313(4)
Appendices
317(63)
Appendix 1 Timeline of pierrot/'concert-party projects by Tony Lidington
319(1)
Appendix 2 Programme for Moore & Burgess Minstrels, April 14th 1877
320(2)
Appendix 3 Early members of Clifford Essex's troupe
322(4)
Appendix 4 Table illustrating the date of the first connections to seaside resorts by steamer and railway
326(1)
Appendix 5 Spreadsheet of troupes with the words "Royal" or "Imperial" in the title
327(2)
Appendix 6 List of troupes formed prior to the First World War
329(15)
Appendix 7 Song books & publishers for pierrot troupes and concert parties
344(2)
Appendix 8 List of troupes operating in the First World War
346(7)
Appendix 9 Pierrot troupe list for 1918---1939
353(11)
Appendix 10 Numbers of ENSA performances (from information provided by Basil Dean)
364(3)
Appendix 11 Annual budgetary expenditures for ENSA
367(1)
Appendix 12 List of seaside shows opening 1946---1961
368(7)
Appendix 13 The Roosters
375(5)
Glossary of terms 380(4)
References 384(8)
Index 392
Tony Lidington is associate lecturer of Drama at the University of Exeter, UK. Tony has been a professional showman for 40 years researching and implementing British popular entertainment forms in a wide variety of contexts throughout the country. He is founder and performer of the last-remaining professional seaside pierrot troupe the "Pierrotters" and has performed at countless resorts and events as his alter ego "Uncle Tacko!"