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E-grāmata: Download! How The Internet Transformed The Record Business

3.71/5 (12 ratings by Goodreads)
  • Formāts: EPUB+DRM
  • Izdošanas datums: 20-Nov-2012
  • Izdevniecība: Omnibus Press
  • Valoda: eng
  • ISBN-13: 9780857128034
  • Formāts - EPUB+DRM
  • Cena: 10,52 €*
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  • Formāts: EPUB+DRM
  • Izdošanas datums: 20-Nov-2012
  • Izdevniecība: Omnibus Press
  • Valoda: eng
  • ISBN-13: 9780857128034

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Download chronicles of the making of the new record industry, from the boom years of the CD revolution of the late 1980s to the crisis of the present day, with particular stress on the last decade.

This fascinating book chronicles the making of the new record industry, from the boom years of the CD revolution of the late 1980s to the crisis of the present day, with particular stress on the last decade.

It follows the actions and reactions of the major international record companies - five at the beginning of the story, now four - as they plowed their way through the digital slough of despond, bewildered by the fleet-of-foot digital innovators far more responsive to the changing marketing conditions through which recorded music was consumed and valued.

These all have their significant place in Download but the real story is the structural change that has, almost surreptitiously, taken place within the music business. This change, for reasons author Phil Hardy will explain in detail, has left the captains of the record industry as unable to act as they were unwilling to act. In effect they became little but very well paid observers of the shrinking of their domains.


This fascinating book chronicles the making of the new record industry, from the boom years of the CD revolution of the late 1980s to the crisis of the present day, with particular stress on the last decade.

It follows the actions and reactions of the major international record companies - five at the beginning of the story, now four - as they plowed their way through the digital slough of despond, bewildered by the fleet-of-foot digital innovators far more responsive to the changing marketing conditions through which recorded music was consumed and valued.

These all have their significant place in Download but the real story is the structural change that has, almost surreptitiously, taken place within the music business. This change, for reasons author Phil Hardy will explain in detail, has left the captains of the record industry as unable to act as they were unwilling to act. In effect they became little but very well paid observers of the shrinking of their domains.

Acknowledgements v
Beginnings vii
Chapter 1 The CD Boom
1(9)
Chapter 2 Seeking To Monetize Intellectual Property: The First Rise And Fall Of EMI
10(16)
Chapter 3 The Creation Of WMG
26(17)
Chapter 4 Would You Like To Dance? EMI And WMG
43(21)
Chapter 5 Bertelsmann Gets Itchy Feet
64(12)
Chapter 6 Profit Warnings From EMI
76(19)
Chapter 7 Mostly Digital
95(19)
Chapter 8 A Revolution In Retailing
114(16)
Chapter 9 Digital Problems Galore
130(16)
Chapter 10 The Conglomerates Think Again About The Music Business
146(15)
Chapter 11 The Rise And Fall Of Sony BMG
161(22)
Chapter 12 WMG, The Bronfman Era
183(21)
Chapter 13 EMI Finds Independence Lonely
204(13)
Chapter 14 Transforming EMI: The Hands Era, Part One
217(26)
Chapter 15 Battling Citigroup, The Hands Era, Part Two
243(19)
Chapter 16 Hopes For The Future, Legislation And New Business Plans
262(28)
Chapter 17 Rush To Market: The Sale Of WMG And EMI
290(26)
Chapter 18 Battling The Regulators
316(28)
Endings 344
Phil Hardy is a noted music industry journalist. He has written for Time Out, Variety and other publications and acted as a consultant on music business issues for bodies such as the Greater London Enterprise Board and the World Bank. He was the founding editor of Music and Copyright, offering news and analysis on the international music industry.