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E-grāmata: Dramatising Disaster: Character, Event, Representation

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  • Formāts: 180 pages
  • Izdošanas datums: 14-Feb-2013
  • Izdevniecība: Cambridge Scholars Publishing
  • ISBN-13: 9781443846486
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Dramatising Disaster: Character, Event, RepresentationPalielināt
  • Formāts: 180 pages
  • Izdošanas datums: 14-Feb-2013
  • Izdevniecība: Cambridge Scholars Publishing
  • ISBN-13: 9781443846486
Citas grāmatas par šo tēmu:

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The imagining of disaster has intensified across a wide range of media entertainment formats and genres in recent years and themes of disaster are regularly deployed in fictional films, television drama series, drama-documentaries, comic books and video games. This being the case, it is therefore vital that film and media scholars pay attention to the ways in which disaster is presented to us, to the figurative strategies employed, to the representational history of disaster in media, to the metaphorical resonances of disaster themes, and even to the ways in which entertainment media texts might be understood as part of a broader discourse of disaster within certain historical and cultural contexts. Dramatising Disaster presents new and innovative research from both early career and more established academics. Some of the chapters in this edited collection are based upon papers originally presented at a highly successful conference study day held by the School of Film, Television and Media at the University of East Anglia in 2011, while others are specifically solicited contributions. Distinct from previous, more particularised film and media studies in this area, this edited collection is focused not upon a specific disaster or specific disaster context, but upon the wider topic of disaster in popular culture.
Editors' Acknowledgments vii
Introduction 1(7)
Discourses of Disaster
Christine Cornea
Part I Personal Identity, Trauma and Disaster
Introduction
8(2)
Chapter One Diagnosis Disaster: Cultural Narratives of Cancer and Femininity in Stepmom and The Family Stone
10(13)
Liz Powell
Chapter Two Trauma and the Technological Accident in Atom Egoyan's The Sweet Hereafter
23(16)
Rob Bullard
Chapter Three "High School is a Battlefield for your Heart": Teen Networks' Obsession with Apocalyptic Drama
39(17)
Hannah Ellison
Part II Representing the Aftermath: New York and New Orleans
Introduction
56(2)
Chapter Four Re-constructing "Le Coup": Man on Wire, Derrida's Event, and Cinematic Representation
58(14)
Ruth Mackay
Stephen Mitchell
Chapter Five "Catastrophic Beauty": New York City as a Site of Urban Warfare in Contemporary Video Games
72(14)
Sophie Halliday
Chapter Six After the Deluge: Everyday Tactics and Representational Strategies in a Time of Crisis
86(16)
Nina Mickwitz
Chapter Seven Duelling and Jamming: Hurricane Katrina, Everyday New Orleans, and the Satisfactions of Treme
102(16)
Ed Clough
Part III End Times: The Politics of Disaster
Introduction
118(2)
Chapter Eight "The Greatest Mass Murderer Since Adolf Hitler": Nuclear War and the Nazi Past in Dr. Strangelove
120(16)
Peter Kramer
Chapter Nine Queering Disaster: Recategorising Life and Death in Torchwood: Miracle Day
136(15)
Rhys Owain Thomas
Chapter Ten Post-Apocalyptic Narrative and Environmental Documentary: The Case of Life After People
151(16)
Christine Cornea
Editor and Contributor Biographies 167(3)
Index 170
Christine Cornea is a Lecturer at the School of Film, Television and Media Studies at the University of East Anglia. She is the author of Science Fiction Cinema: Between Fantasy and Reality (co-published by Edinburgh University Press/Rutgers University Press, 2007) and has published widely on science fiction in film and television. Her work has appeared in the journals Velvet Light Trap, Genders, and Quarterly Review of Film and Video. She has also published on the topic of screen performance, including her recent edited volume, Genre and Performance: Film and Television (Manchester University Press, 2010).Rhys Owain Thomas is a PhD candidate at the University of East Anglia. His thesis explores recent developments in American science fiction television, specifically in relation to the concept of liminality. His work has appeared in the journal Celebrity Studies, and he has recently published a special "Telefantasy" issue of MeCCSA's Networking Knowledge (co-edited with Sophie Halliday).
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