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Drawn from Life: Issues and Themes in Animated Documentary Cinema [Mīkstie vāki]

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  • Formāts: Paperback / softback, 272 pages, height x width x depth: 234x156x18 mm, weight: 395 g, 30 black and white illustrations
  • Sērija : Edinburgh Studies in Film and Intermediality
  • Izdošanas datums: 25-Aug-2020
  • Izdevniecība: Edinburgh University Press
  • ISBN-10: 1474431828
  • ISBN-13: 9781474431828
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  • Mīkstie vāki
  • Cena: 40,40 €
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  • Formāts: Paperback / softback, 272 pages, height x width x depth: 234x156x18 mm, weight: 395 g, 30 black and white illustrations
  • Sērija : Edinburgh Studies in Film and Intermediality
  • Izdošanas datums: 25-Aug-2020
  • Izdevniecība: Edinburgh University Press
  • ISBN-10: 1474431828
  • ISBN-13: 9781474431828
Citas grāmatas par šo tēmu:

Documentary cinema has always drawn from real life, but an increasing number of contemporary filmmakers are going further still, drawing onscreen images of reality through a range of animated filmmaking techniques. Drawn from Life is the first book to explore the field of animated documentaries from a diverse range of scholarly and practice-based perspectives, exploring and proposing answers to a range of questions that preoccupy twenty-first-century film artists and audiences alike:

  • Why use animation to document?
  • How do such images reflect and influence our understanding and experience of reality, whether public or private, psychological or political?

From early cinema to present-day scientific research, military uses, digital art and gaming, this book casts new light on the capacity of the moving image to act as a record of the world around us, challenging the orthodox definitions of documentary cinema.



Drawn from Life is the first book to explore the field of animated documentaries from a diverse range of scholarly and practice-based perspectives.

List of Figures
vii
The Contributors viii
Editors' Introduction 1(14)
Nea Ehrrlich
Jonathan Murray
Part 1 Past and Present
1 From Contextualisation to Categorisation of Animated Documentaries
15(16)
Pascal Lefevre
2 Before Sound, there was Soul: The Role of Animation in Silent Nonfiction Cinema
31(16)
Mihaela Mibailova
3 Indeterminate and Intermediate or Animated Nonfiction: Why Now?
47(22)
Nea Ehrlich
Part 2 Defining Terms and Contexts
4 Animated Documentary, Recollection, `Re-enactment' and Temporality
69(15)
Paul Ward
5 The Documentary Attraction: Animation, Simulation and the Rhetoric of Expertise
84(22)
Leon Gurevitch
6 Never Mind the Bollackers: Here's the Repositories, Sites and Archives in Nonfiction Animation
106(23)
Paul Wells
Part 3 Films and Filmmakers
7 Drawings to Remember
129(14)
Nanette Kraaikamp
8 Adorno, Lewis Klahr and the Shuddering Image
143(15)
Andrew Warstat
9 The Reasons for Animating Reality: Animated Documentary and Re-enactment in the Work of Jonas Odell
158(14)
Lawrence Thomas Martinelli
10 Memory Drawn into the Present: Walt% with Bashir and Animated Documentary
172(19)
Jonathan Murray
Part 4 Practice-based Perspectives
11 Making The Trouble with Love and Sex
191(15)
Jonathan Hodgson
12 `Does this look right?' Working Inside the Collaborative Frame
206(15)
Samantha Moore
13 Creative Challenges in the Production of Documentary Animation
221(14)
Sheila M. Sofian
Index 235