Atjaunināt sīkdatņu piekrišanu

Early Avant-Garde in Twentieth-Century Literature and Art [Hardback]

Citas grāmatas par šo tēmu:
  • Hardback
  • Cena: 178,26 €
  • Grāmatu piegādes laiks ir 3-4 nedēļas, ja grāmata ir uz vietas izdevniecības noliktavā. Ja izdevējam nepieciešams publicēt jaunu tirāžu, grāmatas piegāde var aizkavēties.
  • Daudzums:
  • Ielikt grozā
  • Piegādes laiks - 4-6 nedēļas
  • Pievienot vēlmju sarakstam
Citas grāmatas par šo tēmu:

This book focuses on avant-garde literature and art in Europe and America during the first quarter of the twentieth century. It examines five movements that shaped our response to the demands of the modern age and contributed to the creation of a modern sensibility: Cubism, Futurism, the Metaphysical School, Dada, and Surrealism. Each of these arose in response to recent scientific, technological, and/or philosophical developments that drastically affected modern civilization. In turn, each was responsible for a major paradigm shift that altered the way in which we view—and respond to--the world around us. The final chapter is comparative in nature and studies the role of the mannequin in literature and art during the same period.

List of Illustrations
ix
Acknowledgments xi
Introduction 1(3)
1 Inventing Cubism
4(29)
Pablo Picasso
5(6)
Gertrude Stein
11(5)
Guillaume Apollinaire
16(5)
Pierre Reverdy and the Ascetic Muse
21(12)
2 Initiating Futurism
33(28)
F. T. Marinetti
33(4)
Other Futurist Poets
37(24)
3 The Metaphysical Imagination
61(23)
Giorgio de Chirico's French Poems
61(13)
Giorgio de Chirico's Italian Poems
74(10)
4 Dada Gambits
84(32)
Visualizing Women in 291
84(14)
Creating Dada Poetry
98(18)
5 Conceiving Surrealism
116(20)
Magnetic Fields
116(5)
Two Surrealist Heroes
121(7)
Three Surrealist Women
128(8)
6 Mannequins and Faceless Mannequins
136(29)
Birth of the Faceless Mannequin
137(2)
Metaphysical Mannequins
139(4)
Dada Mannequins
143(11)
Surrealist Mannequins
154(11)
Conclusion 165(2)
Bibliography 167(8)
Index 175
Willard Bohn is Distinguished Professor Emeritus of French and Comparative Literature at Illinois State University. He received his Ph. D. in French from the University of California at Berkeley and has been a visiting Research Fellow at Oxford University, the University of Cambridge,and Durham University among others. In 2005 he was elected Oliver Smithies Lecturer, Balliol College, Oxford University. An active scholar, Professor Bohn has published 158 scholarly articles and seventeen books including The Aesthetics of Visual Poetry, The Rise of Surrealism, and The Avant-Garde Imperative.