Acknowledgements |
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ix | |
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xi | |
Photograph credits |
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xiv | |
Introduction: geography of the dogma and the Christian Orient |
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1 | (13) |
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1 Compounds at Old St. Peter's |
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14 | (28) |
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History, setting and function |
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14 | (6) |
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Architecture, decoration, administration and inhabitants |
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20 | (1) |
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20 | (5) |
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The Ethiopian compound with S. Stefano Maggiore |
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25 | (3) |
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The Hungarian compound with S. Stefano Minore |
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28 | (3) |
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The German "compound" and the Campo Santo Teutonico |
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31 | (3) |
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Administration and inhabitants of the compounds |
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34 | (8) |
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2 Armenia between "East" and "West" |
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42 | (18) |
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Character of Armenian arts |
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44 | (3) |
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Current state of research and problem definition: brief overview |
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47 | (13) |
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60 | (32) |
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Armenians as Europe's intermediaries |
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61 | (1) |
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Geography: centre and borders |
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61 | (2) |
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Christendom's longest frontier |
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63 | (1) |
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Silk Road trading colonies |
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64 | (1) |
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Cilician Silk Road trade and a church union with Rome |
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64 | (1) |
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Armeno-French society and culture of Cilicia |
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65 | (2) |
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67 | (1) |
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Rome's missionaries in the new heart of the Mongol empire |
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68 | (1) |
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Luxury trade and the Kingdom of Cilicia |
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69 | (1) |
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Dominicans' most successful missions of the Latin Middle Ages |
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69 | (1) |
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70 | (1) |
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Rome criticises the Armenian dogma |
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71 | (1) |
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Ayas, the safest harbour in southern Anatolia and the Levant |
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71 | (1) |
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Armenians as specialists in long-distance East-West trade |
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72 | (1) |
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Armenians and luxury trade |
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72 | (1) |
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Armenian merchants' family palaces |
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73 | (1) |
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Organisation of an Armenian merchants' family firm |
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74 | (1) |
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Trade with China and central Asia from the second century BCE |
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75 | (2) |
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Armenian position in international silk trade |
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77 | (2) |
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Trading privileges and the Latins in Cilicia |
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79 | (1) |
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Silks and the Armenian production of luxury textiles and dye, vordan karmir |
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79 | (2) |
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Mutual cultural knowledge |
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81 | (3) |
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84 | (1) |
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Furnishing the Armenian churches |
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85 | (1) |
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Armenians well-acquainted with Italian book illumination style |
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86 | (6) |
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92 | (22) |
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A mercantile "colonisation" |
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92 | (10) |
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"Obedient ornament to the Roman Church" |
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102 | (12) |
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114 | (38) |
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Crossroads of languages and alphabets |
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114 | (12) |
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126 | (2) |
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Fabrics, silks and patterns |
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128 | (1) |
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129 | (3) |
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Armenian nobility and their garments |
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132 | (1) |
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Garments, fabrics and their meaning in Cilicia and Italy |
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133 | (10) |
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Christian Oriental or Muslim fabrics? |
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143 | (2) |
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145 | (1) |
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Furnished with international taste and style |
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145 | (7) |
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152 | (53) |
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153 | (1) |
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New image creations in Armenian manuscript illuminations in Rome |
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153 | (3) |
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156 | (1) |
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Contemporaries: Momik and Giotto |
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156 | (10) |
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166 | (1) |
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Latin-Armenian illumination made in Italy |
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167 | (5) |
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Armenian Latin illuminators borrow Latin elements for the decoration of initials |
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172 | (2) |
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174 | (2) |
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The (Latin) Armenian dominican scriptoria |
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176 | (1) |
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Western maps adjusting biblical geography of Armenia. Saints |
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177 | (3) |
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180 | (1) |
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Florence, Santa Maria Novella |
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180 | (2) |
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182 | (3) |
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185 | (4) |
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189 | (1) |
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190 | (1) |
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Armenian Renaissance woodcuts |
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190 | (4) |
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Armenian-made gift for the Doge of Venice |
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194 | (3) |
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Armenian "Silk Road Painting": Jughayets'i, Michelangelo, Durer and Italy |
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197 | (8) |
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205 | (7) |
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Excursus: Ethiopia and Italy |
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205 | (3) |
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Renaissance, periodisation and "International" style |
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208 | (4) |
Conclusion |
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212 | (2) |
Bibliography |
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214 | (7) |
Index |
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221 | |