With the help of University of Oregon professors, as well as professors from CU Boulder and University of Cincinnati, this book ties together the author's personal experiences and interviews of members of the New Hollywood and those that influenced them, such as the Merry Pranksters and their film crew, Poetic Cinema Filmmakers, still living members of the Beat Generation, and through academic articles and books, from Plato to Yeats and the time's literary theory deconstructionists, answers the question of what created them.
| Aeonic Emanation |
|
ix | |
| Foreword |
|
1 | (4) |
|
|
| Introduction |
|
5 | (26) |
|
0) The Archetype of the '60s Generation |
|
|
15 | (16) |
|
1) The Subversive Shadows of the '60s Underground (1957-1966) |
|
|
31 | (20) |
|
2) The Widening Gyre of Yeats & The Summer of Love (1967) |
|
|
51 | (32) |
|
3) The Year of Revolt World-Wide (-1968) |
|
|
83 | (22) |
|
4) A Vortex and a Matrix of the "Sphere of Influence" (1969) |
|
|
105 | (20) |
|
5) The New Western's "John Wayne" is Jack Nicholson (1970) |
|
|
125 | (16) |
|
6) Speaking Archtypes into Moving Images (1971) |
|
|
141 | (16) |
|
7) Stripped Down Moral Universe (~1972) |
|
|
157 | (18) |
|
8) Bearer of Meaning (~1973) |
|
|
175 | (22) |
|
9) Neither Earth or Air or Fire or Water (~1974) |
|
|
197 | (20) |
|
10) Downward Causation of the Word (~1975) |
|
|
217 | (18) |
|
11) The Wound of Khora (~1976) |
|
|
235 | (18) |
|
12) Parody Not Pastiche (~1977) |
|
|
253 | (18) |
| Afterword |
|
271 | (4) |
| Appendix 1) Khora Terminology |
|
275 | (2) |
| Appendix 2) Live Links to Content |
|
277 | (2) |
| Bibliography |
|
279 | (8) |
| Filmography |
|
287 | (2) |
| EndNotes |
|
289 | (12) |
| Index |
|
301 | |
Katherine Wilson works as an editor, writer, researcher and tinkerer. She also teaches in the university sector, where she has a PhD in cultural studies. Her feature articles have appeared in the Age, Sydney Morning Herald, Conversation, Australian, Courier-Mail, Art Monthly, Crikey.com, New Matilda, the Law Institute Journal and Good Weekend. Her essays have appeared in journals including Griffith Review, Meanjin, Eyeline, Eureka Street and Overland. She edited Overland between 2002 and 2007 and has worked in advocacy roles for non-profit and environmental bodies.
