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E-grāmata: Effective Protagonist in the Nineteenth-Century British Novel: Scott, Bronte, Eliot, Wilde

(Independent scholar, teaching in UK and Singapore)
  • Formāts: 312 pages
  • Izdošanas datums: 23-Mar-2016
  • Izdevniecība: Routledge
  • Valoda: eng
  • ISBN-13: 9781317034537
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  • Bibliotēkām
  • Formāts: 312 pages
  • Izdošanas datums: 23-Mar-2016
  • Izdevniecība: Routledge
  • Valoda: eng
  • ISBN-13: 9781317034537

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The Effective Protagonist in the Nineteenth-Century British Novel is an experiment in post-Jungian literary criticism and methodology. Its primary aim is to challenge current views about the correlation between narrative structure, gender, and the governing psychological dilemma in four nineteenth-century British novels. The overarching argument is that the opening situation in a novel represents an implicit challenge facing not the obvious hero/heroine but the individual that Terence Dawson defines as the "effective protagonist." To illustrate his claim, Dawson pairs two sets of novels with unexpectedly comparable dilemmas: Ivanhoe with The Picture of Dorian Gray and Wuthering Heights with Silas Marner. In all four novels, the effective protagonist is an apparently minor figure whose crucial function in the ordering of the events has been overlooked. Rereading these well-known texts in relation to hitherto neglected characters uncovers startling new issues at their heart and demonstrates innovative ways of exploring both narrative and literary tradition.

Recenzijas

'In unusually strong, jargon-free prose, Dawson offers an innovative model for psychological approaches to literary interpretation, a new look at gender-based criticism, and startlingly original readings of four canonical British novels.' George P. Landow, Professor of English and Art History, Brown University 'In this provocative book, Dawson offers exciting new readings of four nineteenth-century British novels... Dawson's careful employment of Jungian analysis yields fascinating new interpretations of these works and encourages readers to use similar strategies in examining the psychological and structural complexities of the novel.' ELT 'The Effective Protagonist is a very impressive work of post-Jungian literary criticism. It deserves to be adopted as a key model for the development of the Jungian treatment of literature. Moreover, Dawson's pioneering work ought to be recognised by the whole discipline of literary studies as a major advance in the understanding of literary form. This book is an important addition to post-Jungian studies and an 'effective' argument for the greater inclusion of Jung in the humanities.' Harvest, International Journal for Jungian Studies

List of Figures vii
Acknowledgements ix
The Nineteenth Century General Editors' Preface xi
Introduction 1(28)
On Critical Assumptions
2(1)
On the Adjective 'Jungian'
3(3)
A Post-Jungian Methodology
6(10)
Anima/Animus Possession
16(3)
The Effective Protagonist in the Nineteenth-Century British Novel
19(4)
Objectives
23(6)
PART ONE: ANIMA POSSESSION
1. 'A Victim of his Own Contending Passions': Ivanhoe, Cedric of Rotherwood and the Logic of Romance
29(38)
The Argument
31(2)
England and the Temple
33(2)
Cedric as Effective Protagonist
35(2)
Cedric as Thrall to his own Dream
37(2)
Rotherwood: Cedric and Bois-Guilbert
39(4)
Ashby-de-la-Zouche: The Nature and Function of Coincidence
43(3)
The Siege of Torquilstone: Aspects of the Shadow
46(11)
Aftermath in the Forest: Reluctance to Learn
57(3)
The Trial at Templestowe: The Glory and Limitations of Chivalry
60(3)
The Epilogue: Rowena and Rebecca
63(2)
Conclusions
65(2)
2. 'Man's Deeper Nature is Soon Found Out': Psychological Typology, the Puer Aeternus, and Fear of the Feminine in The Picture of Dorian Gray
67(64)
The Argument
67(64)
(1) A Portrait of Basil Hallward
69(23)
(2) The Psychology of the Puer Aeternus
92(18)
(3) The Fear of the Feminine
110(21)
PART TWO: ANIMUS POSSESSION
3. 'An Oppression Past Explaining': Wuthering Heights and the Struggle for Deliverance from the Father
131(122)
The Present and the Past
133(3)
The Argument
136(117)
(1) An Oppression Past Explaining
139(17)
(2) The Myth (I): Escape from Wuthering Heights
156(15)
(3) The Myth (II): Inability to Settle at Thrushcross Grange
171(28)
(4) Catherine's History (I): The Evolution of a Father-Complex
199(36)
(5) Catherine's History (II): A Tentative Deliverance
235(13)
(6) Conclusion
248(5)
4. 'Light Enough To Trusten By': Structure and Experience in Silas Marner
253(28)
The Argument
255(3)
The Parallels Between the Two Plots
258(4)
Nancy, the Animus, and the Shadow
262(6)
Nancy and Animus Possession
268(3)
'Light Enough to Trusten By'
271(5)
Conclusions
276(5)
Bibliography 281(14)
Index 295


Terence Dawson, NTU, Singapore