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E-grāmata: Electronic and Experimental Music: Technology, Music, and Culture

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  • Formāts: 672 pages
  • Izdošanas datums: 09-Mar-2020
  • Izdevniecība: Routledge
  • Valoda: eng
  • ISBN-13: 9780429758430
  • Formāts - EPUB+DRM
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  • Formāts: 672 pages
  • Izdošanas datums: 09-Mar-2020
  • Izdevniecība: Routledge
  • Valoda: eng
  • ISBN-13: 9780429758430

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Electronic and Experimental Music: Technology, Music, and Culture, Sixth Edition, presents an extensive history of electronic music—from its historical beginnings in the late nineteenth century to its everchanging present—recounting the musical ideas that arose in parallel with technological progress. In four parts, the author details the fundamentals of electronic music, its history, the major synthesizer innovators, and contemporary practices. This examination of the music’s experimental roots covers the key composers, genres, and techniques used in analog and digital synthesis, including both art and popular music, Western and non-Western.

New to this edition:

  • A reorganized and revised chapter structure places technological advances within a historical framework.
  • Shorter chapters offer greater modularity and flexibility for instructors.
  • Discussions on the elements of sound, listening to electronic music, electronic music in the mainstream, Eurorack, and more.
  • An appendix of historically important electronic music studios around the globe.

Listening Guides throughout the book provide step-by-step annotations of key musical works, focusing the development of student listening skills. Featuring extensive revisions and expanded coverage, this sixth edition of Electronic and Experimental Music represents an comprehensive accounting of the technology, musical styles, and figures associated with electronic music, highlighting the music’s deep cultural impact.



Electronic and Experimental Music: Technology, Music, and Culture, Sixth Edition, presents an extensive history of electronic music—from its historical beginnings in the late nineteenth century to its everchanging present—recounting the musical ideas that arose in parallel with technological progress.

Recenzijas

"Electronic and Experimental Music: Technology, Music, and Culture is one of the most comprehensive and up-to-date references for teaching experimental computer music. This work provides an incisive overview of the field, to understand the history and current practice of computer music."

Terence M. Pender, Associate Director, Computer Music Center, Columbia University

Illustrations
x
Listening Guides
xviii
Preface xix
Acknowledgments xxii
Part 1 Electronic Music Fundamentals
1(142)
1 What is Electronic Music?
3(10)
2 Listening to Electronic Music
13(12)
3 How Electronic Music is Composed
25(20)
4 Electronic Music Composition by Process
45(9)
5 The Physics of Musical Sound
54(21)
6 Analog and Digital Synthesis Basics
75(13)
7 Computer Music Basics
88(18)
8 Tape Composition and Sound Editing
106(22)
9 MIDI, Noise Reduction, and Audio Compression Technologies
128(15)
Part 2 History of Electronic and Computer Music
143(282)
10 Earliest Experiments in Electronic Music (Pre-1920)
145(18)
11 Electronic Music Performance Instruments (1920--40)
163(24)
12 The History of Audio Recording Technology
187(12)
13 Edgard Varese and The Listener's Experiment
199(13)
14 Musique Concrete in France
212(19)
15 Elektronische Musik in Germany
231(22)
16 Other European Electronic Music Studios
253(16)
17 John Cage in the United States
269(17)
18 The Columbia-Princeton Electronic Music Center, New York
286(22)
19 The Cooperative Studio for Electronic Music, Ann Arbor
308(8)
20 The Experimental Music Studio, University of Illinois
316(8)
21 The San Francisco Tape Music Center
324(10)
22 Electronic Music in Canada
334(13)
23 Radiophonic Music in the United Kingdom
347(13)
24 Electronic Music in Latin America
360(12)
25 Electronic Music in Asia and Australia
372(17)
26 Early Computer Music (1950--69)
389(17)
27 Computer Music (1970--85)
406(19)
Part 3 Makers of Vintage Analog and Digital Synthesizers
425(92)
28 Moog Analog Synthesizers
427(31)
29 Buchla Analog Synthesizers
458(14)
30 EMS Analog Synthesizers
472(10)
31 ARP Analog Synthesizers
482(13)
32 Other Analog Synthesizers
495(11)
33 Digital Synthesizers and Samplers
506(11)
Part 4 Live Electronic Music and Contemporary Practices
517(70)
34 Live Electronic Music---Foundations
519(20)
35 Live Electronic Music---Historical Practices
539(11)
36 Modern Turntablism
550(9)
37 Contemporary Software and Synthesis
559(19)
38 Eurorack
578(9)
Appendix I Historic Studios of Electronic Music by World Region, 1948--10 587(16)
Appendix II Milestones 603(14)
Credits for Audio on Companion Website 617(2)
Glossary 619(14)
Index 633
Thom Holmes is a music historian and composer. He studied composition with Paul Epstein in Philadelphia, published the magazine Recordings of Experimental Music (197985), and worked with John Cage. He has recently been a member of Composers Inside Electronics, an electronic music performing ensemble dedicated to the realization of works by David Tudor. Holmes produces a personal blog, Noise and Notations, writes the blog Moog: A History in Recordings for the Bob Moog Foundation, and originated and maintains the Holmes Archive of Electronic Music, a curated collection of vintage electronic music recordings spanning the years 1930-85.