| Acknowledgements |
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vii | |
| Series Preface |
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ix | |
| Introduction |
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xi | |
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PART I PRODUCTION, PERFORMANCE AND AESTHETICS |
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1 `When Sound Meets Movement: Performance in Electronic Dance Music', Leonardo Music Journal, 18, pp. 17-20 |
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3 | (4) |
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2 `From Refrain to Rave: The Decline of Figure and the Rise of Ground', Popular Music, 13, pp. 209-22 |
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7 | (14) |
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3 `Conceptualizing Rhythm and Meter in Electronic Dance Music', in Unlocking the Groove: Rhythm, Meter, and Musical Design in Electronic Dance Music, Bloomington: Indiana University Press, pp. 76-116 |
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21 | (44) |
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4 `Producing Kwaito: Nkosi Sikelel' iAfrika after Apartheid', World of Music, 50, pp. 103-20 |
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65 | (18) |
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5 `The Disc Jockey as Composer, or How I Became a Composing DJ', Current Musicology, 67, pp. 93-98 |
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83 | (6) |
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6 `On the Process and Aesthetics of Sampling in Electronic Music Production', Organized Sound, 8, pp. 313-20 |
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89 | (8) |
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7 `The Aesthetics of Failure: "Post-Digital" Tendencies in Contemporary Computer Music', Computer Music Journal, 24, pp. 12-18 |
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97 | (8) |
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8 `"A Pixel is a Pixel. A Club is a Club": Toward a Hermeneutics of Berlin Style DJ & VJ Culture', To the Quick, 5, pp. 28-41 |
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105 | (16) |
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PART II THE BODY, THE SPIRIT AND (THE REGULATION OF) PLEASURE |
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9 `In Defence of Disco', Gay Left (Summer), pp. 20-23 |
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121 | (8) |
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10 `In the Empire of the Beat: Discipline and Disco', Microphone Fiends: Youth Music & Youth Culture, New York: Routledge, pp. 147-57 |
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129 | (12) |
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11 `"I Want to See All My Friends at Once": Arthur Russell and the Queering of Gay Disco', Journal of Popular Music Studies, 18, pp. 144-66 |
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141 | (24) |
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12 `I Feel Love: Disco and its Discontents', Criticism, 50, pp. 101-12 |
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165 | (12) |
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13 `Sampling Sexuality: Gender, Technology and the Body in Dance Music', Popular Music, 12, pp. 155-76 |
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177 | (22) |
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14 `Sampling (Hetero)sexuality: Diva-ness and Discipline in Electronic Dance Music', Popular Music, 20, pp. 349-57 |
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199 | (10) |
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15 `Dancing with Desire: Cultural Embodiment in Tijuana's Nor-tec Music and Dance', Popular Music, 25, pp. 383-99 |
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209 | (18) |
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16 `The Spiritual Economy of Nightclubs and Raves: Osho Sannyasins as Party Promoters in Ibiza and Pune/Goa', Culture and Religion, 7, pp. 61-75 |
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227 | (16) |
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17 `Electronic Dance Music Culture and Religion: An Overview', Culture and Religion, 7, pp. 1-26 |
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243 | (26) |
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18 `Soundtrack to an Uncivil Society: Rave Culture, the Criminal Justice Act and the Politics of Modernity', New Formations, 31, pp. 5-22 |
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269 | (20) |
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PART III IDENTITIES, BELONGINGS AND DISTINCTIONS |
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19 `Genres, Subgenres, Sub-Subgenres and More: Musical and Social Differentiation within Electronic/Dance Music Communities', Journal of Popular Music Studies, 13, pp. 59-75 |
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289 | (18) |
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20 `Exploring the Meaning of the Mainstream (or why Sharon and Tracy Dance around their Handbags)', in Club Cultures: Music, Media, and Subcultural Capital, Cambridge: Polity Press, pp. 87-115 |
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307 | (32) |
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21 `Women and the Early British Rave Scene', Back to Reality: Social Experience and Cultural Studies, Manchester: Manchester University Press, pp. 152-69 |
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339 | (18) |
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22 `Roomful of Asha: Gendered Productions of Ethnicity in Britain's "Asian Underground"', Transnational South Asians: The Making of a Neo-Diaspora, New York: Oxford University Press, pp. 215-43 |
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357 | (30) |
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23 `"I Want Muscles": House Music, Homosexuality and Masculine Signification', Popular Music, 20, pp. 359-78 |
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387 | (20) |
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24 `Mr. Mesa's Ticket: Memory and Dance at the Body Positive T-Dance', in Impossible Dance: Club Culture and Queer World-Making, Middletown, CT: Wesleyan University Press, pp. 159-83 |
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407 | (26) |
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25 `The Death of the Dance Party', Australian Humanities Review, 30, http://www.australianhumanitiesreview.org/archive/Issue-October-2003/race.html |
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433 | (12) |
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26 `Post-Soul Futurama: African American Cultural Politics and Early Detroit Techno', European Journal of American Culture, 24, pp. 131-52 |
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445 | (22) |
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27 `Music Tourism and Factions of Bodies in Goa', Tourist Studies, 2, pp. 43-62 |
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467 | (20) |
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28 `The Dancer from the Dance: The Musical and Dancing Crowds of Clubbing', in Clubbing: Dancing, Ecstasy, and Vitality, London: Routledge, pp. 70-104 |
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487 | (40) |
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| Name Index |
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527 | |
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