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Eleven Exercises in the Art of Architectural Drawing: Slow Food for the Architect's Imagination [Mīkstie vāki]

4.67/5 (12 ratings by Goodreads)
(Carleton University, Canada)
  • Formāts: Paperback / softback, 224 pages, height x width: 246x189 mm, weight: 624 g, 119 Illustrations, color
  • Izdošanas datums: 25-Feb-2011
  • Izdevniecība: Routledge
  • ISBN-10: 041577926X
  • ISBN-13: 9780415779265
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  • Mīkstie vāki
  • Cena: 67,71 €
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  • Formāts: Paperback / softback, 224 pages, height x width: 246x189 mm, weight: 624 g, 119 Illustrations, color
  • Izdošanas datums: 25-Feb-2011
  • Izdevniecība: Routledge
  • ISBN-10: 041577926X
  • ISBN-13: 9780415779265
Citas grāmatas par šo tēmu:
Eleven Exercises in the Art of Architectural Drawing

This book offers eleven servings of "slow food" for the architectural imagination as opposed to the tasteless "fast food" that dominates many drawing tables or digital tablets. The implementation of "fast drawing" has generated the present graphic obesity and indigestive architecture, thus the eleven slow exercises presented in the book aim to make the facture of architecture a much leaner and digestible process.

Organized around eleven exercises, this book does not emphasize speed, nor incorporate many timesaving tricks typical of drawing books, but rather proposes a slow, meditative process for construing drawings and for drawing constructing thoughts. Detailing the critical nature and crucial role of architectural drawings, this book is a manual which is essentially not a manual; it is an elucidation of an elegant manner for practising architecture. The book identifies the inauguration of architectural theory within the craftsmanship of architectural drawings and emphasises a non-division between the mind and the hand in the facture of drawings.

Highly illustrated throughout, with the author's own original drawings, this book is an indispensable reference text and an effective textbook for students seeking to advance their appreciation of the nature and exercise of architectural drawings.

Recenzijas

"Profound humanism is vividly evident on the pages of this book, humanism in two senses: a body of ancient and modern learning, and a philosophy of human existence. Each of Frascaris drawings and discussions sparkles with wit, acute insight, and humane wisdom. For architects and other readers who are concerned with our built environment it is a work that should be carefully studied and pleasurably savored."

David Leatherbarrow, University of Pennsylvania

"Woven among the poetic sketches of these eleven lessons is a simple but profound message. Drawing is an embodied act of imagination and a creative way of thinking. It is a metaphoric power that has seduced architects since the first fragment of a design idea was drawn with a stick in the sand. While architecture schools today scurry to add still another software to their visual media, Frascari reminds us that what is being lost is quite possibly the capacity of the architect to think."

Harry Francis Mallgrave, College of Architecture, Illinois Institute of Technology

"Reminding us of the fact that architects (for the most part) make architectural images rather than buildings, Frascari sets about re-establishing the embodied act of drawing as the primary locus of architectural thinking providing an urgent corrective to the too-often uncritical adoption of ever more disembodied digital design technologies. The culinary master-metaphor offers up a rich diet of historical dishes, resulting in an intellectual banquet of almost Bacchanalian proportions."

Jonathan Hale, Reader in Architectural Theory, University of Nottingham, UK

Acknowledgements ix
Preface 1(12)
1 Architectural Iconoclasm
13(8)
2 The Cosmopoiesis of Architectural Drawings
21(8)
Exercise 1 Food Colors
23(6)
3 Festina Lente
29(6)
Exercise 2 Tools
33(2)
4 Drawings as Loci for Thought
35(10)
5 The Pregnancy of Drawings
45(12)
6 Nullo die sine linea
57(8)
Exercise 3 Improper Drawing
60(5)
7 Architectural Consciousness
65(22)
Exercise 4 Spolia
73(11)
Exercise 5 Scale Figures
84(3)
8 Architectural Brouillons: work intended to be recopied
87(6)
9 Cosmopoiesis and Elegant Drawings
93(16)
Exercise 6 The Mosaic
107(2)
10 Traces and Architecture
109(8)
Exercise 7 Hybrids
113(4)
11 Tools for Architectural Thinking
117(12)
12 Disegnare Designare
129(12)
Exercise 8 Blind Drawing
133(8)
13 The Light of Drawing Imagination
141(10)
Exercise 9 The Single Drawing
148(3)
14 Cosmopoiesis and World-Making
151(24)
Exercise 10 Icons
164(5)
Exercise 11 Verso-Recto
169(6)
Postface 175(8)
Appendix: Scamozzi on tools and drawings 183(8)
Notes and References 191(18)
Index 209
Marco Frascari is Professor of Architecture at Carleton University, Canada. He studied and worked with Carlo Scarpa at IUAV and received his PhD in Architecture from the University of Pennsylvania. He taught for several years at the University of Pennsylvania, and as Visiting Professor at Columbia and Harvard. He then became a G. Truman Ward Professor of Architecture at Virginia Tech and is currently director of the David Azrieli School of Architecture and Urbanism in Ottawa, Canada.