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E-grāmata: Encyclopedia of Sexism in American Films

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  • Sērija : National Cinemas
  • Izdošanas datums: 29-Nov-2019
  • Izdevniecība: Rowman & Littlefield Publishers
  • Valoda: eng
  • ISBN-13: 9781538115527
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  • Formāts: EPUB+DRM
  • Sērija : National Cinemas
  • Izdošanas datums: 29-Nov-2019
  • Izdevniecība: Rowman & Littlefield Publishers
  • Valoda: eng
  • ISBN-13: 9781538115527

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The treatment--and mistreatment--of women throughout history continues to be a necessary topic of discussion, in order for progress to be made and equality to be achieved. While current articles and books expose troubling truths of the gender divide, modern cinema continues to provide problematic depictions of such behavior--with a few heartening exceptions. The Encyclopedia of Sexism in American Films closely examines the many, pervasive forms of sexism in contemporary productions--from clueless comedies to superhero blockbusters. In more than 130 entries, this volume explores a number of cinematic grievances including: the objectification of women's bodies, the limited character types available for female performers, the lack of sexual diversity on thescreen, the limited range of desirable traits for female performers, the use of gratuitous sex, the narrow focus on heteronormative depictions of courtship and romance. The films discussed here include As Good as It Gets (1999), Beauty and The Beast (2017), The Devil Wears Prada (2006), Do the Right Thing (1989), Easy A (2010), The Forty-Year-Old Virgin (2005), Hidden Figures (2016), Lost in Translation (2003), Mulholland Drive (2001), Showgirls (1995), The Silence of the Lambs (1991), Star Wars (1977), Thelma & Louise (1991), Tootsie (1982), The Witches of Eastwick (1987), and 9 to 5 (1980). By digging deeply into more insidious forms of sexual/gender discrimination, this book illuminates one more aspect of women's lives that deserves to be understood. Offering insights and analysis from more than fifty contributors, The Encyclopedia of Sexism in American Films will appeal to scholars of cinema, gender studies, women's studies, and cultural history. --

The Encyclopedia of Sexism in Film discusses sexism on screen—both blatant and subtle—in more than 150 motion pictures. This volume, examine the images, scenes, and dialogue that both reflect and shape the ongoing struggles with gender roles, sex, and orientation across decades and genres, in films ranging from 9 to 5 to The X-Men.



The treatment—and mistreatment—of women throughout history continues to be a necessary topic of discussion, in order for progress to be made and equality to be achieved. While current articles and books expose troubling truths of the gender divide, modern cinema continues to provide problematic depictions of such behavior—with a few heartening exceptions.

The Encyclopedia of Sexism in American Films closely examines the many, pervasive forms of sexism in contemporary productions—from clueless comedies to superhero blockbusters. In more than 130 entries, this volume explores a number of cinematic grievances including:

  • the objectification of women’s bodies
  • the limited character types available for female performers
  • the lack of sexual diversity on the screen
  • the limited range of desirable traits for female performers
  • the use of gratuitous sex
  • the narrow focus on heteronormative depictions of courtship and romance

The films discussed here include As Good as It Gets (1999), Beauty and The Beast (2017), The Devil Wears Prada (2006), Do the Right Thing (1989), Easy A (2010), The Forty-Year-Old Virgin (2005), Hidden Figures (2016), Lost in Translation (2003), Mulholland Drive (2001), Showgirls (1995), The Silence of the Lambs (1991), Star Wars (1977), Thelma & Louise (1991), Tootsie (1982), The Witches of Eastwick (1987), and 9 to 5 (1980).

By digging deeply into more insidious forms of sexual/gender discrimination, this book illuminates one more aspect of women’s lives that deserves to be understood. Offering insights and analysis from more than fifty contributors, The Encyclopedia of Sexism in American Films will appeal to scholars of cinema, gender studies, women’s studies, and cultural history.
Acknowledgments xi
Introduction xiii
ENCYCLOPEDIA
All the Boys Love Mandy Lane
1(2)
American Mary
3(2)
Another Woman
5(2)
As Good as It Gets
7(3)
Atomic Blonde
10(3)
Baby Mama
13(4)
Bad Teacher
17(3)
Basic Instinct
20(1)
Batman Franchise
21(9)
Batman v Superman: Dawn of Justice
30(3)
Beauty and the Beast
33(4)
The Beguiled
37(2)
The Birds
39(2)
Body Double
41(4)
Body of Evidence
45(3)
Buffy the Vampire Slayer
48(3)
Carrie Films
51(4)
Charlie's Angels Films
55(3)
Clueless
58(2)
The Color Purple
60(5)
Crazy, Stupid, Love
65(2)
Crimson Peak
67(3)
The Darjeeling Limited
70(5)
The Devil Wears Prada
75(3)
Dick Tracy
78(3)
Do the Right Thing
81(5)
Dolores Claiborne
86(3)
Donnie Darko
89(4)
Drag Me to Hell
93(3)
Easy A
96(5)
Edward Scissorhands
101(3)
Election
104(3)
The Exorcist
107(3)
Eyes Wide Shut
110(5)
Fantastic Mr. Fox
115(4)
Fast Times at Ridgemont High
119(3)
Fight Club
122(2)
(500) Days of Summer
124(4)
47 Ronin
128(1)
The 40-Year-Old Virgin
129(4)
Friday the 13th Franchise
133(5)
Fried Green Tomatoes
138(4)
Ghostbusters
142(4)
The Goonies
146(3)
The Graduate
149(2)
Guardians of the Galaxy Franchise
151(5)
Halloween Franchise
156(5)
Hard Candy
161(3)
The Hateful Eight
164(5)
Her
169(3)
Hidden Figures
172(3)
The Hunger
175(3)
Interstellar
178(3)
Jennifer's Body
181(3)
The Joy Luck Club
184(3)
Jupiter Ascending
187(2)
Jurassic World
189(4)
Kill Bill Films
193(5)
The Killer inside Me
198(4)
L.A. Confidential
202(2)
The Last House on the Left Films
204(3)
The Last Samurai
207(2)
The Last Seduction
209(3)
Lost in Translation
212(6)
Loverboy
218(4)
Mad Max: Fury Road
222(4)
Maleficent
226(3)
Mean Girls
229(3)
Memoirs of a Geisha
232(2)
Million Dollar Baby
234(2)
Monster
236(3)
Ms. 45
239(3)
Mulholland Drive
242(4)
National Lampoon's Animal House
246(4)
Natural Born Killers
250(2)
Never Been Kissed
252(4)
Night of the Living Dead Franchise
256(4)
9 to 5
260(2)
Nocturnal Animals
262(2)
Oblivion
264(3)
Once upon a Time in America
267(6)
Passengers
273(2)
Peeping Tom
275(2)
The People vs. Larry Flint
277(4)
Pitch Perfect
281(3)
Pixar Films
284(9)
Point of No Return
293(2)
Precious
295(2)
Professor Marston and the Wonder Women
297(4)
Psycho
301(5)
Rear Window
306(5)
The Ring
311(2)
The Ring Two
313(2)
Rings
315(1)
Risky Business
316(4)
Rosemary's Baby
320(2)
The Royal Tenenbaums
322(3)
Rushmore
325(7)
Saw Franchise
332(5)
Sayonara
337(2)
Scream Franchise
339(4)
Secretary
343(3)
Sex, Lies, and Videotape
346(2)
She's Out of My League
348(2)
Showgirls
350(3)
The Silence of the Lambs
353(4)
Something's Gotta Give
357(3)
Soylent Green
360(1)
Spring Breakers
361(3)
Star Trek into Darkness
364(3)
Star Wars Franchise
367(11)
Steei Magnolias
378(3)
Stoker
381(3)
Straight Outta Compton
384(3)
Sucker Punch
387(5)
Sudden Impact
392(5)
Suicide Squad
397(7)
Teeth
404(3)
Texas Chainsaw Massacre Films
407(5)
That's My Boy
412(2)
Thelma & Louise
414(2)
To Die For
416(3)
Tootsie
419(5)
Transformers Films
424(6)
27 Dresses
430(4)
U Turn
434(2)
Unfaithful
436(3)
Vertigo
439(2)
Vicky Cristina Barcelona
441(3)
The Virgin Suicides
444(5)
Watchmen
449(3)
Whiskey Tango Foxtrot
452(3)
White Chicks
455(2)
Who Framed Roger Rabbit
457(3)
The Witch: A New England Folktale
460(4)
The Witches of Eastwick
464(3)
X-Men Franchise
467(7)
You're Next
474(3)
Index 477(8)
About the Editors, Project Manager, and Contributors 485
Salvador Jimenéz Murguķa, Ph.D., is an associate professor of sociology. He is the co-editor of Encyclopedia of Spanish Cinema (2018) and A Cuban Cinema Companion (2019) as well as the editor of Encyclopedia of Japanese Horror Films (2016) and Encyclopedia of Racism in American Films (2018), all published by Rowman & Littlefield.

Erica Joan Dymond, Ph.D., is an assistant professor at East Stroudsburg University and a consulting editor for the academic journal The Explicator. Her research has been published in The Journal of Popular Culture as well numerous books such as The Encyclopedia of Japanese Horror Films and The Encyclopedia of Cuban Cinema.

Dr. Kristina Fennelly teaches at Kutztown University in Kutztown, Pennsylvania. She has served as a book reviewer for Composition Studies, as an associate editor to The Best of the Independent Journals in Rhetoric and Composition, and as a contributor to the professional blog The Assembly for Expanded Perspectives on Learning.