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vii | |
Acknowledgments |
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viii | |
Introduction |
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1 | (8) |
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Structure of the book and some caveats |
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5 | (3) |
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8 | (1) |
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9 | (30) |
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Matters of form in the twentieth century |
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9 | (5) |
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Terry Eagleton: the Marxist critic as public intellectual |
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14 | (4) |
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Fredric Jameson: committing to form and history |
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18 | (5) |
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Franco Moretti: maps, graphs, and distant reading |
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23 | (4) |
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Engaging with classic literature: Jane Austen's Mansfield Park |
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27 | (3) |
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Engaging with contemporary literature: Ian McEwan's Atonement |
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30 | (2) |
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Engaging with film and new media: Austen on the big screen |
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32 | (3) |
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35 | (4) |
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39 | (33) |
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Matters of discourse in modernity |
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39 | (6) |
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Jean Baudrillard: prophet of the postmodern |
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45 | (5) |
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Giorgio Agamben: a genealogy of biopolitics |
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50 | (5) |
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Rey Chow: entangling ethnicity, visuality, and language |
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55 | (5) |
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Engaging with classic literature: Emily Bronte's Wuthering Heights |
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60 | (2) |
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Engaging with contemporary literature: Hari Kunzru's White Tears |
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62 | (3) |
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Engaging with film and new media: Easy |
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65 | (3) |
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68 | (4) |
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3 Subjectivities and embodiments |
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72 | (41) |
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72 | (8) |
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Slavoj Zizek: theorizing with psychoanalysis and Marxism |
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80 | (5) |
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Judith Butler: beyond gender performativity |
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85 | (7) |
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Catherine Malabou: philosophy, plasticity, neuroscience |
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92 | (6) |
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Engaging with classic literature: Daniel Defoe's The Adventures of Robinson Crusoe |
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98 | (4) |
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Engaging with contemporary literature: Donna Tartt's The Goldfinch |
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102 | (4) |
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Engaging with film and new media: The Fall |
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106 | (3) |
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109 | (4) |
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4 Media, networks, machines |
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113 | (43) |
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Toward our contemporary media moment |
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113 | (7) |
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Jacques Ranciere: aesthetics for everyone |
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120 | (5) |
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Bruno Latour: from networks to modes of existence and beyond |
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125 | (9) |
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N. Katherine Hayles: defining the posthuman |
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134 | (7) |
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Engaging with classic literature: Bram Stoker's Dracula |
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141 | (4) |
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Engaging with contemporary literature: Gwyneth Jones's Proof of Concept |
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145 | (4) |
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Engaging with film and new media: Ryan Coogler's Black Panther |
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149 | (3) |
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152 | (4) |
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5 Animals, affects, objects, environments |
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156 | (40) |
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156 | (5) |
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Donna Haraway: cyborgs, companion species, Chthulucene |
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161 | (7) |
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Sara Ahmed: affects, objects, and feminist killjoys |
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168 | (7) |
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Timothy Morton: being ecological with object-oriented ontology |
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175 | (7) |
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Engaging with classic literature: Mary Shelley's Frankenstein |
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182 | (4) |
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Engaging with contemporary literature: Jeff VanderMeer's Annihilation |
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186 | (3) |
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Engaging with film and new media: Margaret Atwood's Angel Catbird |
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189 | (3) |
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192 | (4) |
Index |
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196 | |