Atjaunināt sīkdatņu piekrišanu

E-grāmata: Engaging Film: Geographies of Mobility and Identity

3.50/5 (6 ratings by Goodreads)
Edited by , Contributions by , Contributions by , Contributions by , Contributions by , Contributions by , Contributions by , Contributions by , Contributions by , Edited by
  • Formāts: PDF+DRM
  • Izdošanas datums: 20-Mar-2002
  • Izdevniecība: Rowman & Littlefield Publishers
  • Valoda: eng
  • ISBN-13: 9780742578357
Citas grāmatas par šo tēmu:
  • Formāts - PDF+DRM
  • Cena: 70,13 €*
  • * ši ir gala cena, t.i., netiek piemērotas nekādas papildus atlaides
  • Ielikt grozā
  • Pievienot vēlmju sarakstam
  • Šī e-grāmata paredzēta tikai personīgai lietošanai. E-grāmatas nav iespējams atgriezt un nauda par iegādātajām e-grāmatām netiek atmaksāta.
Engaging Film: Geographies of Mobility and IdentityPalielināt
  • Formāts: PDF+DRM
  • Izdošanas datums: 20-Mar-2002
  • Izdevniecība: Rowman & Littlefield Publishers
  • Valoda: eng
  • ISBN-13: 9780742578357
Citas grāmatas par šo tēmu:

DRM restrictions

  • Kopēšana (kopēt/ievietot):

    nav atļauts

  • Drukāšana:

    nav atļauts

  • Lietošana:

    Digitālo tiesību pārvaldība (Digital Rights Management (DRM))
    Izdevējs ir piegādājis šo grāmatu šifrētā veidā, kas nozīmē, ka jums ir jāinstalē bezmaksas programmatūra, lai to atbloķētu un lasītu. Lai lasītu šo e-grāmatu, jums ir jāizveido Adobe ID. Vairāk informācijas šeit. E-grāmatu var lasīt un lejupielādēt līdz 6 ierīcēm (vienam lietotājam ar vienu un to pašu Adobe ID).

    Nepieciešamā programmatūra
    Lai lasītu šo e-grāmatu mobilajā ierīcē (tālrunī vai planšetdatorā), jums būs jāinstalē šī bezmaksas lietotne: PocketBook Reader (iOS / Android)

    Lai lejupielādētu un lasītu šo e-grāmatu datorā vai Mac datorā, jums ir nepieciešamid Adobe Digital Editions (šī ir bezmaksas lietotne, kas īpaši izstrādāta e-grāmatām. Tā nav tas pats, kas Adobe Reader, kas, iespējams, jau ir jūsu datorā.)

    Jūs nevarat lasīt šo e-grāmatu, izmantojot Amazon Kindle.

Engaging Film is a creative, interdisciplinary volume that explores the engagements among film, space, and identity and features a section on the use of films in the classroom as a critical pedagogical tool. Focusing on anti-essentialist themes in films and film production, this book examines how social and spatial identities are produced (or dissolved) in films and how mobility is used to create different experiences of time and space. From popular movies such as 'Pulp Fiction,' 'Bulworth,' 'Terminator 2,' and 'The Crying Game' to home movies and avant-garde films, the analyses and teaching methods in this collection will engage students and researchers in film and media studies, cultural geography, social theory, and cultural studies.

Recenzijas

This is a remarkable book. It is a very readable volume of essays that substantiates the importance of film study in geography and geographic study of film. * Annals of the Association of American Geographers * Singularly smart, these essays excavate the dense spatialitiesboth fixed and destabilizedat work in the moving image. Cresswell and Dixon have compiled what is surely a landmark volume in cultural geography. -- John Paul Jones III, University of Kentucky

Chapter 1 Introduction: Engaging Film
Part 2 Engaging Mobility
Chapter 4 Rethinking the Observer: Film, Mobility, and the Construction of the Subject
Chapter 5 Spectacular Violence, Hypergeography, and the Question of Alienation in Pulp Fiction
Chapter 6 Telling Travelers' Tales: The World through Home Movies
Part 7 Engaging Identity
Chapter 9 Lacan: The Movie
Chapter 10 Chips off the Old Ice Block: Nanook of the North and the Relocation of Cultural Identity
Chapter 11 Masculinity in Conflict: Geopolitics and Performativity in The Crying Game
Chapter 12 Smoke Signals: Locating Sherman Alexie's Narratives of American Indian Identity
Chapter 13 Pax Disney: The Annotated Diary of a Film Extra in India
Chapter 14 Modern Identities in Early German Film: The Cabinet of Dr. Caligari
Part 15 Engaging Pedagogy
Chapter 17 Practicing Film: The Autonomy of Images in Les Amants du Pont-Neuf
Chapter 18 The Real Thing? Contesting the Myth of Documentary Realism through Classroom Analysis of FIlms on Planning and Reconstruction
Chapter 19 On Location: Teaching the Western American Urban Landscape through Mi Vida Loca and Terminator 2
Chapter 20 "We Just Gotta Eliminate 'Em": On Whiteness and Film in Matewan, Avalon, and Bulworth
Chapter 21 Using Film as a Tool in Critical Pedagogy: Reflections on the Experience of Students and Lecturers
Tim Cresswell and Deborah Dixon both teach in the Institute of Geography and Earth Sciences at the University of Wales, Aberystwyth.
Biežāk uzdotie jautājumi par e-grāmatām Biežāk uzdotie jautājumi par e-grāmatām
Permanent link: https://www.kriso.lv/db/97807425783572e.html
Keywords: