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Engineering the Guitar: Theory and Practice 2009 ed. [Hardback]

4.07/5 (25 ratings by Goodreads)
  • Formāts: Hardback, 266 pages, height x width: 235x155 mm, weight: 1270 g, 100 Illustrations, black and white; XII, 266 p. 100 illus., 1 Hardback
  • Izdošanas datums: 23-Oct-2008
  • Izdevniecība: Springer-Verlag New York Inc.
  • ISBN-10: 0387743685
  • ISBN-13: 9780387743684
  • Hardback
  • Cena: 60,29 €*
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  • Standarta cena: 70,94 €
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  • Formāts: Hardback, 266 pages, height x width: 235x155 mm, weight: 1270 g, 100 Illustrations, black and white; XII, 266 p. 100 illus., 1 Hardback
  • Izdošanas datums: 23-Oct-2008
  • Izdevniecība: Springer-Verlag New York Inc.
  • ISBN-10: 0387743685
  • ISBN-13: 9780387743684
A uniquely engaging description of the mechanics of the guitar, for engineers and craftsmen alike. Clearly written in a conceptual language, it provides readers with an understanding of the dynamic behavior of the instrument, including structural and component dynamics, and various analytical models, such as discrete, finite element, and boundary element models. The text also covers manufacturing processes, including both handmade and mass produced instruments.

Engineering the Guitar: Theory and Practice uniquely describes the mechanics of the guitar for engineers and craftsmen alike. Complete with informative illustrations, this popular musical volume describes the underlying mechanical concepts behind the guitar, supported by theory and test. A detailed description of guitar electronics paired with an analysis of sound quality appeals to scientific audiences as well as musicians technically apt. Readers will gain an understanding of the technical behavior of the instrument with respect to structural and component dynamics, in addition to the informative treatment of analytical models. Hand made and mass produced techniques are also examined in a chapter devoted to manufacturing processes.Audiences interested in mechanics, acoustics, and instrument making will find Engineering the Guitar: Theory and Practice an informative and enjoyable read.

Recenzijas

From the reviews: [ This is the only book] that deals with the engineering aspects of guitars. Thus it serves a real need for scientifically-oriented guitar makers and aficionados as well as those interested in a broad overview of the world of guitars The overall broad view of the book makes good reading for those interested in the myriad details involve in constructing a string instrument and then evaluating it scientifically, as the authors personal building experience and knowledge of a wide variety of guitar construction techniques are put to good use a significant, commendable addition to the guitar literature in a very broad-ranging book on a very important string instrument."

George Bissinger, East Carolina University, EXPERIMENTAL TECHNIQUES (May-June 2009)

French discusses whether the math models are sufficient to capture the features of acoustic responses that are highly correlated with good sound quality. In conclusion this book will help luthiers at all levels think more clearly about how to successfully manufacture guitars of high sound quality. The book particularly valuable to students of guitar construction and repair. For the rest of us, this book makes interesting reading. (Leo Beranek, International Journal of Acoustics and Vibration, Vol. 14 (2), 2009)

Why do guitars sound like they do, and how do you set about making one? These are central questions addressed in this attractive new book. The book is well written, and generously illustrated with interesting graphs. a unique and special addition to the literature, and it deserves to be widely read. For anyone contemplating construction of a guitar it will surely be indispensible. Physicists and engineers with musical inclinations, as well as guitar players are likely to be fascinated. (Peter V. E. McClintock, Contemporary Physics, Vol. 51 (6), 2010)

History of the Guitar
1(8)
Development of the Classical Guitar
1(3)
The Modern Guitar
4(5)
Acoustics and Musical Theory
9(34)
Basics of Music
9(6)
Scales and Temperament
15(10)
Quantifying Sound
25(1)
Sound Radiation
26(3)
Human Perception of Sound
29(7)
Graphical Representations of Sound
36(7)
Structure of the Guitar
43(52)
Basic Components
43(46)
Classical Guitar
58(19)
Steel String Acoustic Guitar
77(4)
Solid Body Electric Guitar
81(2)
Archtop Jazz Guitar
83(5)
Hybrid Instruments
88(1)
Static and Dynamic Loads
89(4)
Materials
93(2)
Dynamic Behavior
95(36)
Structural Dynamics
95(3)
Strings
98(19)
Analyzing String Dynamics
100(7)
Experimental Results from Vibrating String
107(7)
Real Strings and Intonation
114(3)
Acoustic Guitar Bodies
117(10)
Complete Instrument
127(4)
Analytical Models
131(28)
Discrete Models
132(14)
Two Degree of Freedom Model
134(3)
Two DOF Example
137(3)
Three DOF Model
140(1)
Three DOF Example
141(4)
Calculating the Effects of Design Changes
145(1)
Finite Difference Models
146(3)
Finite Difference Acoustic Models
146(3)
Finite Element Models
149(1)
Boundary Element Models
150(1)
Geometry Models
151(8)
Manufacturing Processes
159(22)
Small Batch Instruments
159(4)
Mass Produced Instruments
163(5)
Build Variation
168(8)
Materials and Construction
168(3)
Response Variation Testing
171(3)
Test Method Verification
174(2)
Building in Good Tone
176(5)
Sound Quality
181(28)
Elements of Sound Quality
182(12)
Time Domain Descriptions
182(4)
Frequency Domain Descriptions
186(4)
Psychoacoustic Descriptions
190(3)
Subjective Rankings
193(1)
Structural Characteristics
194(7)
Acoustic Characteristics
201(5)
Predicting Sound Quality
206(3)
Guitar Electronics
209(24)
Inductive Pickups
209(14)
Piezoelectric Pickups
223(2)
Seismic Pickups
225(2)
Pre-Amplifiers
227(3)
Grounding and Isolation
230(3)
Unique Characteristics
233(24)
Classical Guitars
233(12)
Steel String
245(3)
Solid Body Electric Guitars
248(6)
Semi-Hollow Body Electric Guitars
254(1)
Jazz Guitars
255(2)
References 257(6)
Index 263