Series Editors' Preface |
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viii | |
Acknowledgements |
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ix | |
Notes on the Text |
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xi | |
Introduction |
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1 | (18) |
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Current Critical Approaches and the Aims of This Study |
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4 | (4) |
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Lawrence Humphrey and the Duties of a Translator |
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8 | (11) |
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1 The Search for a Lofty British Virgil: The Early Elizabethan Aeneids of Thomas Phaer, Thomas Twyne and Richard Stanyhurst |
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19 | (36) |
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The English Renaissance Aeneid |
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19 | (4) |
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Thomas Phaer and the `Privilege Vertue Gives' |
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23 | (8) |
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Thomas Twyne and the `Unperfect' Aeneid: Reverence, Continuity and Change |
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31 | (6) |
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Aeneas the Martyr: Richard Stanyhurst and the Lofty Irish Virgil |
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37 | (12) |
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The Highpoint of Humanist Aeneids |
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49 | (6) |
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2 `Sound this Angry Message in Thine Eares': Sympathy and the Translations of the Aeneid in Marlowe's Dido Queene of Carthage |
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55 | (23) |
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Marlowe's Dido and the Renaissance Aeneid |
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57 | (6) |
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Translations of the Aeneid in Dido |
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63 | (7) |
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Dramatic and Epic Voices in Dido |
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70 | (8) |
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3 Courteous Virgil: The Manuscript Translations of an Anonymous Poet, Sir John Harington and Sir William Mure of Rowallan |
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78 | (38) |
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An Anonymous Manuscript Translation and Dido's Passionate Complaint |
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79 | (9) |
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Virgil Corrected: Sir John Harington and Book 6 of the Aeneid |
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88 | (12) |
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Virgil Interrupted: Sir William Mure's `Dido and Æneas' |
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100 | (16) |
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4 Virginian Virgil: The Single-Book Translations of Sir Thomas Wroth, Sir Dudley Digges and George Sandys |
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116 | (33) |
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The Spectre of Creusa: Prophetic Closure in Sir Thomas Wroth's Destruction of Troy |
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118 | (1) |
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Eyes of Judgment: The Two Dedications in The Destruction of Troy |
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118 | (3) |
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`Translated Hence Out of This Mortall Life': Rewriting the Role of Creusa |
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121 | (4) |
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The `Schoole of Virtue': Sir Dudley Digges's Didos Death |
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125 | (1) |
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Antique Discipline: The Martial Virgil of the Foure Paradoxes |
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126 | (4) |
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From November to December 1621: The Genesis of Digges's Translation |
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130 | (3) |
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`What Hercules Would Be': George Sandys's Essay upon the Aeneid |
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133 | (2) |
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The Leaves of the Sibyl: Virgilian Credibility in A Relation of a Journey |
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135 | (4) |
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`The Two Maine Columnes of a Common-wealth': Virgilian Politics in the 1632 Ovids Metamorphosis |
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139 | (10) |
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5 Rome at War: The Military Virgils of John Vicars, Robert Stapylton and Robert Heath |
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149 | (38) |
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A Horrible Travesty in Earnest? Providence and Parliament in John Vicars' The XII Aeneids (1632) |
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150 | (2) |
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`Virgiliae Vindiciae' in Bodleian MS. Ashmole 38 |
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152 | (1) |
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Englands Hallelu-jah: The Context of Vicars' XII Aeneids, 1617--31 |
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153 | (4) |
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Providence and Parliament in The XII Aeneids of Virgil |
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157 | (8) |
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Arms and the Man, or Merchandise and the Woman? Robert Stapylton's Dido and Aeneas |
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165 | (6) |
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`Drad Wars, and that Brave Hero's Fame': Robert Heath's Manuscript `Æneis' (1645--6) |
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171 | (1) |
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`Girt a la mode with Skins': The Attribution to Robert Heath |
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172 | (2) |
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A Song Sung in a Siege: Robert Heath's `Æneis' |
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174 | (13) |
Conclusion |
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187 | (7) |
Bibliography |
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194 | (14) |
Index |
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208 | |