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E-grāmata: English Poetry and Old Norse Myth: A History

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(Vigfśsson Rausing Reader in Old Norse, University of Oxford)
  • Formāts: 256 pages
  • Izdošanas datums: 17-Jul-2014
  • Izdevniecība: Oxford University Press
  • Valoda: eng
  • ISBN-13: 9780191034367
  • Formāts - PDF+DRM
  • Cena: 90,71 €*
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  • Bibliotēkām
    • Oxford Scholarship Online e-books
  • Formāts: 256 pages
  • Izdošanas datums: 17-Jul-2014
  • Izdevniecība: Oxford University Press
  • Valoda: eng
  • ISBN-13: 9780191034367

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English Poetry and Old Norse Myth: A History traces the influence of Old Norse myth -- stories and poems about the familiar gods and goddesses of the pagan North, such as Odin, Thor, Baldr and Freyja -- on poetry in English from Anglo-Saxon times to the present day. Especial care is taken to determine the precise form in which these poets encountered the mythic material, so that the book traces a parallel history of the gradual dissemination of Old Norse mythic texts.

Very many major poets were inspired by Old Norse myth. Some, for instance the Anglo-Saxon poet ofBeowulf, or much later, Sir Walter Scott, used Old Norse mythic references to lend dramatic colour and apparent authenticity to their presentation of a distant Northern past. Others, like Thomas Gray, or Matthew Arnold, adapted Old Norse mythological poems and stories in ways which both responded to and helped to form the literary tastes of their own times. Still others, such as William Blake, or David Jones, reworked and incorporated celebrated elements of Norse myth - valkyries weaving the fates of men, or the great World Tree Yggdrasill on which Odin sacrificed himself - as personal symbols in their own poetry. This book also considers less familiar literary figures, showing how a surprisingly large number of poets in English engaged in individual ways with Old Norse myth. English Poetry and Old Norse Myth: A History demonstrates how attitudes towards the pagan mythology of the north change over time, but reveals that poets have always recognized Old Norse myth as a vital part of the literary, political and historical legacy of the English-speaking world.

Recenzijas

although both specialists in Old Norse and scholars of post-medieval English poetry will learn much from this wide-ranging, sensitive, and readable study, it is readers who think that they are more interested in English poetry than in Norse myth who may find their preconceptions most fruitfully challenged. * Carl Phelpstead, Review of English Studies *

Introduction 1(15)
Prologue---Earliest Contacts: Medieval Poetry and Old Norse Myth 16(12)
1 Antiquarians and Poets: The Discovery of Old Norse Myth in the Seventeenth and Eighteenth Centuries
28(37)
2 Preromantic Responses: Gray, Blake, and the Northern Sublime
65(39)
3 Parallel Romantics: The Alternative Norse-Influenced Tradition
104(44)
4 Paganism and Christianism: The Victorians and Their Successors
148(52)
Epilogue---New Images: Contemporary Poetry and Old Norse Myth 200(15)
Bibliography 215(16)
Index 231
Heather O'Donoghue is Vigfśsson Rausing reader in Old Icelandic Literature and Antiquities at the University of Oxford, and a Professorial Fellow of Linacre College.