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Enigma of Shadow Weave Illuminated: Understanding Classic Drafts for Inspired Weaving Today [Hardback]

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  • Formāts: Hardback, 192 pages, height x width: 279x216 mm, weight: 1433 g, 350 color images, diagrams, and drafts
  • Izdošanas datums: 28-Feb-2023
  • Izdevniecība: Schiffer Publishing Ltd
  • ISBN-10: 0764362046
  • ISBN-13: 9780764362040
  • Hardback
  • Cena: 62,51 €
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  • Formāts: Hardback, 192 pages, height x width: 279x216 mm, weight: 1433 g, 350 color images, diagrams, and drafts
  • Izdošanas datums: 28-Feb-2023
  • Izdevniecība: Schiffer Publishing Ltd
  • ISBN-10: 0764362046
  • ISBN-13: 9780764362040
Everything handweavers need to understand and create shadow weave fabric that shimmers and glows with color. 





The unusual structure of shadow weave creates works that shimmer and glow with multifaceted dark-and-light color. How and why did the legendary weavers Mary Meigs Atwater and Marian Powell develop it? And how, exactly, does it work? Even better, how do you write shadow weave drafts of your own design?





This guide provides the answers, with a focus on Marian Powells method of weave drafting. With master weaver Rebecca Winter, learn the history of the intricacies of shadow weave and understand the weave structure and how it functions as a color-and-weave effect. The book takes up where the much-respected (and hard to find) 1976 classic by Marian Powell, 1000 (+) Patterns in 4, 6, and 8 Harness Shadow Weaves, leaves off, offering the translation and explanation that today's handweavers have been waiting for. It includes valuable resources that bring history and today's weavers together: the drafting system developed by Mary Meigs Atwater, the drafting system developed by Marian Powell, and how the the Powell method functions within block theory.





Expand your weaving with included draftsthe five original drafts developed in 1942 by Mary Meigs Atwater, as well as 10 original drafts developed by the author. Handweavers of all levels, on eight or fewer shafts, can be confident this book will provide everything they need to know to advance their skills toward a clear understanding of shadow weave. Get ready to create your shadow weave gems.
Preface: The Enigma of Shadow Weave 12(3)
Acknowledgments 15(2)
Chapter 1 Introduction to Shadow Weave
17(10)
The Beginnings of Shadow Weave and Historical References
18(5)
Atwater Drafting-Method Reference Summary
23(1)
Powell Drafting-Method Reference Summary
24(3)
Chapter 2 What Is Shadow Weave?
27(8)
The Two Main Defining Shadow Weave Characteristics
28(4)
Shadow Weave Characteristics List
32(3)
Chapter 3 Basic Design Considerations
35(16)
Defining Color-and-Weave
35(1)
Value---a Color Theory Element
36(1)
Hue, Color, and Contrast of Hue
37(1)
Optical Mixing
38(1)
Simultaneous Contrast
38(1)
Scale
38(1)
Distance
39(1)
Draft Conventions
39(2)
Valid Cloth Definition
41(1)
Sett for Shadow Weave
41(1)
Distinction between Rising and Sinking Shed Tie-Ups
41(2)
Management of Selvages
43(3)
No Possible Plain Weave in Atwater or Powell Shadow Weave
46(2)
Parallel Shadow Weave
48(1)
Extended Twill
48(3)
Chapter 4 Designing Shadow Weave with the Atwater Method
51(22)
How to Draft Shadow Weave with the Atwater Method
51(4)
Atwater's First Drafts from the Shuttle-Craft Guild Bulletin
55(18)
Chapter 5 Powell Conversion and Drafting
73(8)
Chapter 6 Block Theory and Shadow Weave
81(18)
Profile Drafts
82(2)
Atwater Shadow Weave Units
84(1)
Powell Shadow Weave Units
85(1)
A Unidirectional Draft
86(1)
Symmetrical Drafts and Point Twill Fashion Adjustments
86(1)
Shared Units
87(2)
Asymmetrical Drafts
89(2)
The Design Blocks Weave Together
91(4)
The Order of the Colors within the Units
95(1)
The Rules for Shadow Weave within Block Theory
96(1)
The Trouble with Shadow Weave as a Block Weave---Ahh! The Enigma
97(2)
Chapter 7 Designing Shadow Weave
99(26)
Extending Shadow Weave
100(2)
Switch Draft
102(3)
Designing with Profile Drafts
105(2)
Options for Changing and Working with Units
107(6)
Multiple-Shaft Shadow Weave
113(1)
Does Shadow Weave Make Lace?
114(2)
Using Other Types of Design Contrast
116(9)
Chapter 8 Doubleweave?
125(6)
Is There Doubleweave in Shadow Weave?
126(2)
From What Structure Did Atwater Derive Shadow Weave?
128(3)
Chapter 9 Shadow Weave Projects
131(30)
Words of Wisdom
132(1)
My Profile Drafts
133(1)
Projects: Three Scarves and Three Towels
134(25)
Coral Challenge Scarf
136(4)
Gray & Brown Scarf
140(4)
8/2 Tencel Scarf
144(4)
Kitchen Towel
148(4)
Fingertip Towel
152(4)
Tea Towel
156(3)
Once More about Finishing Shadow Weave
159(2)
Chapter 10 A Shadow Weave Synopsis
161(3)
The Lists
162(1)
Atwater or Powell?
162(1)
The Structure of Shadow Weave
162(2)
Conclusion 164(2)
Bibliography 166(2)
Appendixes 168(1)
Appendix A Shadow Weave Sett Chart 168(2)
Appendix B Additional Atwater Drafts 170(18)
Appendix C Three Methods of Creating the Same Exact Cloth 188(3)
Index 191
Rebecca Winter holds two Master Weaver Certificates, a high honor awarded by the Handweavers Guild of America. Her articles have been published in Handwoven Magazine, Shuttle Spindle & Dyepot, and Weavers Magazine. She lives in Meridian, Idaho.