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E-grāmata: Environment on Stage: Scenery or Shapeshifter? [Taylor & Francis e-book]

(both at UBS Investment Bank, UK)
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The Environment on Stage: Scenery or Shapeshifter? investigates a pertinent voice of theatrical performance within the production and reception of ecotheatre. Theatre ecologies, unavoidably enmeshed in the environment, describe the system of sometimes perverse feedback loops running through theatrical events, productions, performances and installations. This volume applies an ecoaware spectatorial lens to explore live theatre as a living ecosystem in a literal sense. The vibrant chemistry between production and reception, and the spiralling ideas and emotions this generates in some conditions, are unavoidably driven by flows of matter and energy, thus, by the natural environment, even when human perspectives seem to dominate. The Environment on Stage is an intentionally eclectic mix of observation, close reading and qualitative research, undertaken with the aim of exploring ecocritical ideas embedded in ecotheatre from a range of perspectives. Individual chapters identify productions, performances and installations in which the environment is palpably present on stage, as it is in natural disasters such as floods, storms, famine, conflict and climate change. These themes and others are explored in the context of site-specificity, subversive spectators, frugal modes of narrative, the shifting ‘stuff’ of theatre productions, and imaginative substitutions. Ecotheatre is nothing less than vibrant matter that lets the environment speak for itself
List of Figures
ix
List of Tables
xi
Acknowledgements xiii
Introduction: Setting the Ecotheatrical Scene 1(13)
1 The Environment on Stage in Production and Reception
14(27)
2 Natural Disasters as Ecotheatrical Shapeshifters
41(21)
3 An Ecotheatrical Perspective on Dearth in Performance
62(23)
4 The Environment in Performance: Stage Invasion or Deus ex Machina?
85(21)
5 Environmental Theatre, Site Specificity and Theatre Ecologies
106(24)
6 Frugal Modes of Storytelling as Ecotheatre
130(21)
7 Bicycles on Stage -- Shapeshifters or Scenery?
151(24)
8 Reperforming Reception -- The Skriker in 1994 and 2015
175(23)
9 On the Importance of Intrinsic Environmental Responsibility
198(13)
Index 211
Julie Hudson is an independent writer in the field of ecocriticism. She was awarded her PhD in English and Comparative Literary Studies (Warwick University) in 2018. Her main research interests include the environment and cultural change, ecotheatre, live theatrical events and audience research. Previous publications include: Are We Performing Dearth, or is Dearth Performing Us, in Modern Productions of William Shakespeares "Coriolanus", in A Cultural History of Famine: Food Security and the Environment in Britain and India, ed. by Ayesha Mukherjee (Routledge, 2018, forthcoming); Food Policy and the Environmental Credit Crunch: From Soup to Nuts (Abingdon: Routledge, 2014), and From Red to Green: How the Environmental Could Bankrupt The Environment (Abingdon: Earthscan, 2011), both co-authored with economist Paul Donovan.