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Environmental Communication and the Wild: Image, Industry, and Technology [Hardback]

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  • Formāts: Hardback, 360 pages, height x width x depth: 229x152x25 mm, weight: 454 g, 15 bw illus and 1 table
  • Izdošanas datums: 10-Jul-2025
  • Izdevniecība: Rowman & Littlefield Publishers
  • ISBN-10: 1666954640
  • ISBN-13: 9781666954647
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Environmental Communication and the Wild: Image, Industry, and TechnologyPalielināt
  • Formāts: Hardback, 360 pages, height x width x depth: 229x152x25 mm, weight: 454 g, 15 bw illus and 1 table
  • Izdošanas datums: 10-Jul-2025
  • Izdevniecība: Rowman & Littlefield Publishers
  • ISBN-10: 1666954640
  • ISBN-13: 9781666954647
Citas grāmatas par šo tēmu:
Permanent link: https://www.kriso.lv/db/9781666954647.html
This book explores the representation, exploitation, and commodification of primitive and wild natural areas in contemporary media and technology.

This edited volume brings together scholars, teachers, journalists, activists, and filmmakers engaged in environmental communication and media studies to explore the constructions of primitive and wild spaces in our cultural creations of film, television, advertising, social media, infrastructure, and new technologies, among other media. Contributors present close analyses of a number of examples - including Indigenous social media activism, National Geographic, #VanLife content, Japanese haikyo, and more - to examine the representation, commodification, exploitation, and politicization of primitive and wild natural areas in contemporary media and technology. Ultimately, this collection demonstrates that, while the media of wild representations have significantly changed since the days of our ancestors, the same themes of reverence, fear, beauty, power, and awe are still reflected and coopted. Scholars of environmental studies, communication, popular culture, technology studies, and media studies will find this book of particular interest.

Recenzijas

From the metaphorical resonance between wilderness and cyberspace to utopian and dystopian ecological imaginaries in film, television, and branding, Derek Moscato and Phillip D. Duncan have brought together an exceptional collection of diverse scholarly work that frames ways to think about how the wild is constructed through contemporary mediascapes and virtual technologies. Readers will come away with not only an understanding of how the mediation of wilderness is tied to deeply embedded colonial epistemologies, but also ways to critically engage damaging tropes and narratives in environmental messaging. * Patrick D. Murphy, Professor of Media and Communication, Temple University, USA, and Author of The Media Commons: Globalization and Environmental Discourses (2017) * What might wild forms of agency look like or mean for environmental communication? Tracing shifting relationships of human, technology, and nature across an array of subjects, including lost cats, the authors pose pressing questions about the proliferating forms of wild animating our communication environment. * Chris Russill, Professor of Communication, Carleton University, Canada *

Papildus informācija

This book explores the representation, exploitation, and commodification of primitive and wild natural areas in contemporary media and technology.
Acknowledgments
Introduction

Part I: Techno Wilds

Chapter 1: On Conserving Cyberspace: The Metaphorical Wild and Digital
Networks
Christopher Lee Adamczyk
Chapter 2: Visualizing the Future of AR Environmental Communication
Kailan Sindelar
Chapter 3: Nature as Vanishing Wilderness: Mobile Communication Technologies
and Colonial Epistemologies
Stephen B. Crofts Wiley

Part II: Performative Wilds

Chapter 4: Environment as its Own Movie Director: Anti-Representationalism as
More-Than-Human Cinema
Hugo Picado de Almeida and Adalberto Fernandes
Chapter 5: "We Shall Remain Men": Masculinity, Nature, and Environmentalism
in YETI Presents Films
Brandon Robert Green
Chapter 6: Born in China and the International Political Economy of
Disneynature
Phillip D. Duncan, Janet Wasko, and Zak Roman

Part III: Mediated Wilds

Chapter 7: Wilderness, Constructed: The Dystopian Imaginaries of Lori Nix and
Kathleen Gerber
Kathleen M. Ryan and David Staton
Chapter 8: From Sacred Lands to Social Media: Indigenous Sovereignty
Digitized
Nii Mahliaire
Chapter 9: Transition in Translation: Haikyo, The Wild, and the Mediation of
Material Decay on Instagram
Evan R. Jones
Chapter 10: Framing Wildlife through National Geographic: Animal Logic in the
Anthropocene
Minos-Athanasios Karyotakis

Part IV: Experiential Wilds

Chapter 11: Driving Discourses of Ecotopia: The Wild and the Winding Road of
#VanLife
Derek Moscato
Chapter 12: The Pennsylvania Wilds and the Rhetorical Construction of
Wilderness
Casey R. Schmitt
Chapter 13: Traces of Extraction: Finding and Forgetting Environmental
Destruction in "Wild and Wonderful" West Virginia
Ryan McCullough
Chapter 14: Losing Raymond: Digital Rescue Technologies, Social Media, and
The Wild
JV Fuqua

About the Contributors
Philip D. Duncan is Assistant Professor of Communication and Media Studies at Eureka College.

Derek Moscato is Professor of Journalism at Western Washington University.