This book offers a detailed analysis of Chinas original view of literature and art theory and critical practice from the ancient to the modern period, providing views on dancing, image making, the circulation of artifacts, critical theory, creative writing, art design, aesthetic, cyber arts, photography, etc. This book makes visible the traditional Chinese ideas, philosophy and practices on literature and art in the world and contributes to the diversity of current international literary and art studies. All 15 chapters are translations of selected high-quality original theoretical contributions on Chinese literary and art theory published in prestigious peer-reviewed Chinese journals, whose authors are established scholars in Chinese academia.
1. An Overview of Chinas Recent Developments in Art and Literature.-
2. The Chinese Turn in Modern Art.- 3. The Model and Path of Constructing a
Chinese School of Critical Discourse.- 4. Live Streaming and the Circulation
of Traditional Culture and Art.- 5. Who Is the Judge of Poetry?" Exploring
the Role of Ancient Literary and Art Critics.- 6. The Breaking Down and
Establishment in Guochao Dancing.- 7. The Reception and Circulation of
Contemporary Art and Literary Criticism in the English Speaking World.-
8. Image Composition and the Construction of Artistic Conception.- 9. Design
2022: The Continuous Construction of Design Capability and Design Spirit.-
10. On the Transformation of Aesthetic Studies from Literary and Art
Aesthetics to Art Aesthetics.- 11. Literary and Art AestheticsThe Unique
Terminologies and Complex Relations in Chinas Interaction with the World.-
12.Internet Literature and Art in 2022Building the Path and Lighting the
Sky.- 13. The Path to Building Modern Literature and Art on the Basis of
Chinese Tradition.- 14. Imagined Folk: On the Story World and Cultural
Implications of Chinese Network Costume Drama.- 15. On The Discourse Practice
of Localizing Photography and Its Displaced Relations with Art Revolution.
Xu Yuechun is at China Federation of Literary and Art Circles, Center for Literature and Art Criticism, Beijing, China.
Wang Ning is at Shanghai Jiao Tong University, School of Humanities, Shanghai, China.
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