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Eternity's Sunrise: A Way of Keeping a Diary [Mīkstie vāki]

3.50/5 (25 ratings by Goodreads)
  • Formāts: Paperback / softback, 248 pages, height x width: 198x129 mm, weight: 320 g, 12 Illustrations, black and white
  • Sērija : The Collected Works of Marion Milner
  • Izdošanas datums: 24-Mar-2011
  • Izdevniecība: Routledge
  • ISBN-10: 0415550742
  • ISBN-13: 9780415550741
Citas grāmatas par šo tēmu:
  • Mīkstie vāki
  • Cena: 36,50 €
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  • Formāts: Paperback / softback, 248 pages, height x width: 198x129 mm, weight: 320 g, 12 Illustrations, black and white
  • Sērija : The Collected Works of Marion Milner
  • Izdošanas datums: 24-Mar-2011
  • Izdevniecība: Routledge
  • ISBN-10: 0415550742
  • ISBN-13: 9780415550741
Citas grāmatas par šo tēmu:

Following on from A Life of One’s Own and An Experiment in Leisure, Eternity’s Sunrise explores Marion Milner’s way of keeping a diary. Recording small private moments, she builds up a store of ‘bead memories.’ A carved duck, a sprig of asphodel, moments captured in her travels in Greece, Kashmir and Israel, circus clowns, a painting - each makes up a 'bead' that has a warmth or glow which comes in response to asking the simple question: What is the most important thing that happened yesterday?

From these beads – sacred, horrific, profane, funny – grows a sense of an ‘answering activity’, the result of turning one’s attention inwards to experience real joy. What Marion Milner conveys so vividly and inspirationally is her lifelong intention to live as completely as possible in the moment.

With a new introduction by Hugh Haughton, Eternity’s Sunrise will be essential reading for all those interested in reflecting on the nature of their own happiness – whether readers from a literary, an artistic, a historical, an educational or a psychoanalytic/psychotherapeutic background.

Recenzijas

"The book is the culmination of Milners own literary journey, a final conjunction between her maverick take on psychoanalytic theory and her interest in art as it is created by or seen by people who are not artists, art historians or psycho-analysts. No-one can read the book, I think, without wondering about their own equivalent of Milners glass bead game or what mysteries lie concealed in the memories and souvenirs we bring back from our trips away from home and visits to galleries, as from our dreams." Hugh Haughton, from the new introduction.

Acknowledgements viii
Chronology ix
New introduction xi
Hugh Haughton
Introduction xxxii
PART ONE Diary keeping on holidays
1(94)
1 A first visit to Greece
3(13)
2 A second visit to Greece
16(11)
3 A third visit to Greece
27(8)
4 Telling the beads
35(13)
5 The gypsy and the soldier
48(7)
6 The nature of the `Answering Activity'
55(8)
7 `And Answer Came There None'
63(4)
8 The dancing girl of Mykonos
67(11)
9 A fourth visit to Greece
78(5)
10 Other beads from other places
83(8)
11 `Not Seeing the Mountains'
91(4)
PART TWO Diary keeping between holidays (A-Z)
95(52)
PART THREE A visit to Israel
147(10)
PART FOUR Work and play
157(39)
1 Further meditations on the beads and some new ones
159(12)
2 A moment of eternity
171(14)
3 The source of transformation
185(5)
4 The place of transformation
190(6)
Postscript 196
Marion Milner (1900-1998) was a distinguished British psychoanalyst, educationalist, autobiographer and artist.