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Ethical Futures and Global Science Fiction 2020 ed. [Hardback]

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  • Formāts: Hardback, 335 pages, height x width: 210x148 mm, weight: 591 g, XX, 335 p., 1 Hardback
  • Sērija : Studies in Global Science Fiction
  • Izdošanas datums: 28-Jan-2020
  • Izdevniecība: Springer Nature Switzerland AG
  • ISBN-10: 3030278921
  • ISBN-13: 9783030278922
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  • Formāts: Hardback, 335 pages, height x width: 210x148 mm, weight: 591 g, XX, 335 p., 1 Hardback
  • Sērija : Studies in Global Science Fiction
  • Izdošanas datums: 28-Jan-2020
  • Izdevniecība: Springer Nature Switzerland AG
  • ISBN-10: 3030278921
  • ISBN-13: 9783030278922
Citas grāmatas par šo tēmu:

Ethical Futures and Global Science Fiction explores the ethical concerns and dimensions of representations of the future of global science fiction, focusing on the issues that dominate utopian, dystopian and science fiction literature. The essays examine recent visions of the future in science fiction and re-examine earlier texts through contemporary lenses. Across fourteen chapters, the collection considers authors from Algeria, Australia, Canada, China, Egypt, France, Germany, Haiti, India, Jamaica, Macedonia, Mexico, Russia, South Africa, the UK and USA. The volume delves into a range of ethical questions of immediate contemporary relevance, including environmental ethics, postcolonial ethics, social justice, animal ethics and the ethics of alterity. 


Part I Ethics and the Other
1(74)
1 Science Fiction's Ethical Modes: Totality and Infinity in Isaac Asimov's Foundation Trilogy and Yevgeny Zamyatin's Mbi (We)
3(26)
Zachary Kendal
2 Inversion and Prolepsis: Begum Rokeya Sakhawat Hossain's Feminist Utopian Strategies
29(20)
Sreejata Paul
3 Better Societies for the Ethical Treatment of Animals: Vegetarianism and the Utopian Tradition
49(26)
Joshua Bulleid
Part II Environmental Ethics
75(88)
4 Eutopia, Dystopia and Climate Change
77(22)
Andrew Milner
5 Evolving a New, Ecological Posthumanism: An Ecocritical Comparison of Michel Houellebecq's Lcs Particules elementaires and Margaret Atwood's MaddAddnm Trilogy
99(20)
Rachel Fetherston
6 The Perverse Utopianism of Willed Human Extinction: Writing Extinction in Liu Cixin's The Three-Body Problem
119(22)
Thomas Moran
7 Ecopocalyptic Visions in Haitian and Mexican Landscapes of Exploitation
141(22)
Giulia Champion
Part III Postcolonial Ethics
163(70)
8 Postcolonial Science Fiction and the Ethics of Empire
165(22)
Bill Ashcroft
9 The Postcolonial Cyborg in Amitav Ghosh's Tlie Calcutta Chromosome
187(24)
Nudrat Kamal
10 Wagering the Future: Split Collectives and Decolonial Praxis in Assia Djebar's Ombre sultane and Nalo Hopkinson's Midnight Robber
211(22)
Lara Choksey
Part IV Ethics and Global Politics
233(96)
11 Rewriting France's Future: From Louis-Sebastien Mercier's Pre-Revolutionary Projections to Michel islamic Agendas via Secular State Ethics
235(26)
Jacqueline Dutton
12 The Appearance of Dystopian Fiction in Macedonia and its Ethical Concerns
261(22)
Kalina Maleska
13 Cairo in 2015 and in 2023: The Dreadful Fates of the Egyptian Capital in Jamil Nasir's Tower of Dreams and Ahmed Khaled Towfik's Utopia
283(20)
Anna Madoeufand Delphine Pages-El Karoui
14 Post-Capitalist Futures: A Report on Imagination
303(26)
Nick Lawrence
Index 329
Zachary Kendal is a librarian in Rare Books at Monash University Library, Australia. He was recently an editor-in-chief of Colloquy: Text, Theory, Critique and is completing a PhD in Literary and Cultural Studies at Monash University, researching ethics and literary representation in science fiction.





Aisling Smith is a teaching associate in literary studies at Monash University and Deakin University, Australia. Her PhD examined affect theory and the works of David Foster Wallace. She is also a creative writer, former editor-in-chief of Colloquy: Text, Theory, Critique and an editor of the Verge: Chimera (2017) anthology.





Giulia Champion is completing her doctoral thesis at the University of Warwick, UK. Her research investigates postcolonial literature in original languages and aims to theorise literary cannibalism as a set of practices through the world ecology framework and historical materialism.





Andrew Milner is Emeritus Professor of English and Comparative Literature at Monash University, Australia, and Honorary Professor at University of Warwick, UK. He is the author of numerous books including, most recently, Locating Science Fiction (2012), Again, Dangerous Visions: Essays in Cultural Materialism (2018) and, with J. R. Burgmann, Science Fiction and Climate Change (in press).