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E-grāmata: Everyday Practice of Public Art: Art, Space, and Social Inclusion [Taylor & Francis e-book]

Edited by (University of Leeds, UK), Edited by (Emily Carr University of Art & Design, Canada)
  • Formāts: 272 pages, 41 Halftones, black and white
  • Izdošanas datums: 30-Nov-2015
  • Izdevniecība: Routledge
  • ISBN-13: 9781315737881
  • Taylor & Francis e-book
  • Cena: 155,64 €*
  • * this price gives unlimited concurrent access for unlimited time
  • Standarta cena: 222,34 €
  • Ietaupiet 30%
  • Formāts: 272 pages, 41 Halftones, black and white
  • Izdošanas datums: 30-Nov-2015
  • Izdevniecība: Routledge
  • ISBN-13: 9781315737881
The Everyday Practice of Public Art: Art, Space, and Social Inclusion is a multidisciplinary anthology of analyses exploring the expansion of contemporary public art issues beyond the built environment.It follows the highly successful publication The Practice of Public Art (eds. Cartiere and Willis), and expands the analysis of the field with a broad perspective which includes practicing artists, curators, activists, writers and educators from North America, Europe and Australia, who offer divergent perspectives on the many facets of the public art process.The collection examines the continual evolution of public art, moving beyond monuments and memorials to examine more fully the development of socially-engaged public art practice. Topics include constructing new models for developing and commissioning temporary and performance-based public artworks; understanding the challenges of a socially-engaged public art practice vs. social programming and policymaking; the social inclusiveness of public art; the radical developments in public art and social practice pedagogy; and unravelling the relationships between public artists and the communities they serve.The Everyday Practice of Public Art offers a diverse perspective on the increasingly complex nature of artistic practice in the public realm in the twenty-first century.
List of illustrations
viii
Acknowledgements x
List of contributors
xi
Introduction 1(10)
Cameron Cartiere
Martin Zebracki
PART I The social practice of public art
11(72)
1 Through the lens of social practice: considerations on a public art history in progress
13(14)
Cameron Cartiere
2 Politicizing publics: a social framework for public artworks
27(18)
Andrew Hewitt
Mel Jordan
3 Placing murals in Belfast: community, negotiation and change
45(18)
Lesley Murray
4 The everyday agonistic life after the unveiling: lived experiences from a public art World Cafe
63(20)
Martin Zebracki
PART II The education of a public artist
83(76)
5 Creating the global network: developing social and community practice in higher education
85(18)
Dean Merlino
Susan Stewart
6 Throwing stones in the sea: Georg Simmel, social practice and the imagined world
103(17)
Ted Purves
7 Open Engagement: accessible education for socially engaged art
120(21)
Jen Delos Reyes
8 "Context is half the work": developing doctoral research through arts practice in culture
141(18)
Anne Douglas
PART III The spatial fabric of public art and social practice
159(64)
9 Public art as a function of urbanism
161(16)
John Bingham-Hall
10 Listening in certain places: public art for the post-regenerate age
177(16)
Elaine Speight
11 Antagonistic spaces: on small, interventionist and socially engaged public art
193(15)
Justin Langlois
Danielle Sabelli
12 Why public art? Urban parks and public art in the twenty-first century
208(15)
Joni Palmer
PART IV Visual timeline
223(19)
13 A collective timeline of socially engaged public art practice 1950--2015
225(17)
Cameron Cartiere
Sophie Hope
Anthony Schrag
Elisa Yon
Martin Zebracki
References 242(12)
Index 254
Cameron Cartiere is an Associate Professor at Emily Carr University of Art + Design. She is author of RE/Placing Public Art, co-author of the Manifesto of Possibilities: Commissioning Public Art in the Urban Environment, and co-editor of The Practice of Public Art (with Shelly Willis).









Martin Zebracki is a Lecturer (Assistant Professor) in Critical Human Geography at the University of Leeds. He has published various academic articles, journal issues and book chapters on public art and social engagement. He is author of Public Artopia: Art in Public Space in Question.