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E-grāmata: Experimental Coasts in Mixed Media

  • Formāts: EPUB+DRM
  • Izdošanas datums: 10-Jun-2021
  • Izdevniecība: Batsford
  • Valoda: eng
  • ISBN-13: 9781849947244
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  • Formāts: EPUB+DRM
  • Izdošanas datums: 10-Jun-2021
  • Izdevniecība: Batsford
  • Valoda: eng
  • ISBN-13: 9781849947244
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Acclaimed mixed-media artist Mike Bernard has been at the forefront of collage painting for decades, and his work has a sought-after vitality. He brings his latest guidance, ideas, and techniques on a subject about which he is passionate: coastal painting. From his home near the Devon coast, he and coauthor (art writer) Susie Hodge cover all aspects of mixed-media painting: from considering composition and looking for contrasts to reducing elements for greater impact (and even moving towards abstraction); from working with limited palettes to including imaginary colors to a painting; from collaging with torn magazines, tin foil, plastic, and newsprint to combining inks, oil pastels, PVA, acrylic, and watercolors; from playing with proportion to create mood to using thick and thin oils for effect. And, of course, how to capture the mood and atmosphere of coastal life, from quiet stretches to busy harbors around the world. The authors include several step-by-step projects to demonstrate techniques, plus a series of experimental exercises helps the reader try something new.

A master class from a popular artist with stunning artwork of coasts from around the globe.

Acclaimed mixed-media artist Mike Bernard has been at the forefront of collage painting for decades, and his work has a sought-after vitality. He brings his latest guidance, ideas, and techniques on a subject about which he is passionate: coastal painting. From his home near the Devon coast, he and coauthor (art writer) Susie Hodge cover all aspects of mixed-media painting: from considering composition and looking for contrasts to reducing elements for greater impact (and even moving towards abstraction); from working with limited palettes to including imaginary colors to a painting; from collaging with torn magazines, tin foil, plastic, and newsprint to combining inks, oil pastels, PVA, acrylic, and watercolors; from playing with proportion to create mood to using thick and thin oils for effect. And, of course, how to capture the mood and atmosphere of coastal life, from quiet stretches to busy harbors around the world. The authors include several step-by-step projects to demonstrate techniques, plus a series of experimental exercises helps the reader try something new.

Recenzijas

Impressively thorough, completely understandable and an absorbingly good read  -- Henry Malt, The Artist Looking deep into these complex paintings is a joy!

  -- Devon Life

Foreword 6(2)
Developing a style 8(4)
1 Before You Paint 12(24)
Motivation
17(3)
Inspiration
20(2)
Location
22(3)
Focal point and other considerations
25(2)
Colour and contrast
27(2)
Identification of shapes and pattern
29(1)
Simplification
30(1)
Investigation
31(1)
Experimental exercises
32(4)
2 Palette: Materials and Combining Media 36(24)
Honing things down
41(2)
Materials and tools
43(1)
Paints and palettes
44(3)
Collage
47(1)
Releasing the inner child
48(2)
Trialling and investigation
50(2)
Experimental exercise
52(1)
Modification
53(2)
Pattern
55(1)
Project - Riomaggiore
56(4)
3 Creative Techniques 60(24)
Sketching and photography
64(2)
Experimental exercise
66(1)
Intuition and confidence
67(1)
Repetition
68(3)
Starting with collage
71(1)
Achieving spontaneity
72(2)
Using collage effectively
74(2)
Interaction of collage materials
76(3)
Being adventurous
79(1)
A free technique
80(1)
Project - Devon Beach
81(3)
4 Atmosphere and Mood 84(20)
Colour and light
87(1)
Experimental exercises
88(2)
Evoking mood
90(2)
Contrast and viewpoint
92(4)
Design
96(1)
Thick and thin paint
96(2)
Applying paint inventively
98(1)
Texture and underpainting
99(2)
Project - Polperro
101(3)
5 Going Further - Towards Abstraction 104(20)
Progression
110(6)
Some practical advice
116(3)
Imagination
119(3)
When things go wrong
122(1)
Experimentation
123(1)
Index 124
Mike Bernard's various art studies includes time at the Royal Academy schools. He has exhibited at the Royal Festival Hall and the Royal Academy Summer Exhibition in London and was elected member of the Royal Institute of Painters in Watercolour in 1997. His awards and prizes include the Stowells Trophy, the Elizabeth Greenshields Fellowship, the Silver Longboat Award and the Laing Award.Mike Bernard's various art studies includes time at the Royal Academy schools. He has exhibited at the Royal Festival Hall and the Royal Academy Summer Exhibition in London and was elected member of the Royal Institute of Painters in Watercolour in 1997. His awards and prizes include the Stowells Trophy, the Elizabeth Greenshields Fellowship, the Silver Longboat Award and the Laing Award.