Atjaunināt sīkdatņu piekrišanu

E-grāmata: Explorations in Schenkerian Analysis

Contributions by , Contributions by , Edited by , Contributions by , Contributions by , Contributions by , Contributions by , Contributions by , Contributions by , Edited by
  • Formāts: 372 pages
  • Sērija : Eastman Studies in Music
  • Izdošanas datums: 01-Dec-2016
  • Izdevniecība: University of Rochester Press
  • Valoda: eng
  • ISBN-13: 9781782048633
Citas grāmatas par šo tēmu:
  • Formāts - PDF+DRM
  • Cena: 37,56 €*
  • * ši ir gala cena, t.i., netiek piemērotas nekādas papildus atlaides
  • Ielikt grozā
  • Pievienot vēlmju sarakstam
  • Šī e-grāmata paredzēta tikai personīgai lietošanai. E-grāmatas nav iespējams atgriezt un nauda par iegādātajām e-grāmatām netiek atmaksāta.
Explorations in Schenkerian AnalysisPalielināt
  • Formāts: 372 pages
  • Sērija : Eastman Studies in Music
  • Izdošanas datums: 01-Dec-2016
  • Izdevniecība: University of Rochester Press
  • Valoda: eng
  • ISBN-13: 9781782048633
Citas grāmatas par šo tēmu:

DRM restrictions

  • Kopēšana (kopēt/ievietot):

    nav atļauts

  • Drukāšana:

    nav atļauts

  • Lietošana:

    Digitālo tiesību pārvaldība (Digital Rights Management (DRM))
    Izdevējs ir piegādājis šo grāmatu šifrētā veidā, kas nozīmē, ka jums ir jāinstalē bezmaksas programmatūra, lai to atbloķētu un lasītu. Lai lasītu šo e-grāmatu, jums ir jāizveido Adobe ID. Vairāk informācijas šeit. E-grāmatu var lasīt un lejupielādēt līdz 6 ierīcēm (vienam lietotājam ar vienu un to pašu Adobe ID).

    Nepieciešamā programmatūra
    Lai lasītu šo e-grāmatu mobilajā ierīcē (tālrunī vai planšetdatorā), jums būs jāinstalē šī bezmaksas lietotne: PocketBook Reader (iOS / Android)

    Lai lejupielādētu un lasītu šo e-grāmatu datorā vai Mac datorā, jums ir nepieciešamid Adobe Digital Editions (šī ir bezmaksas lietotne, kas īpaši izstrādāta e-grāmatām. Tā nav tas pats, kas Adobe Reader, kas, iespējams, jau ir jūsu datorā.)

    Jūs nevarat lasīt šo e-grāmatu, izmantojot Amazon Kindle.

Displays the range and diversity of Schenkerian studies today in fifteen essays covering music from Bach through Debussy and Strauss.

Explorations in Schenkerian Analysis is a collection of fifteen essays dedicated to the memory of Edward Laufer, an influential advocate of Schenker's method. The chapters are presented in chronological order by composer, opening with Charles Burkhart's contribution, which is presented as a letter to Edward Laufer (written before his death), and ending with excerpts from Stephen Slottow's 2003 interview with Laufer (in an appendix).

Whilethe unifying focus is Schenkerian analysis, there is considerable variety in the approaches taken by the contributors. There is also variety in the composers represented, ranging from Bach to Debussy and Strauss. The volume thusdisplays the scope and diversity of Schenkerian studies today.

CONTRIBUTORS: Mark Anson-Cartwright, David Beach, Matthew Brown, Charles Burkhart, L. Poundie Burstein, Timothy L. Jackson, Roger Kamien, Leslie Kinton, SuYin Mak, Ryan McClelland, Don McLean, Boyd Pomeroy, William Rothstein, Frank Samarotto, Stephen Slottow, Lauri Suurpää

David Beach is professor emeritus and former dean of the Faculty of Music, University of Toronto. SuYin Mak is associate professor of music at the Chinese University of Hong Kong.

Recenzijas

[ E]xpands the literature on Schenker studies in important and fascinating ways. It belongs on the bookshelf of any Schenkerian but would also be a wonderful resource for intermediate and advanced classes in Schenkerian analysis. * NOTES: JOURNAL OF THE MUSIC LIBRARY ASSOCIATION * The analyses in the book are of a high quality [ and treat] form and structure, the role of motif (a trademark of Laufer), and the relationship between voice-leading structure and musical meaning. Just as aspects of form and design can influence voice-leading structures, Schenkerian studies such as these have much to contribute to form studies. A welcome contribution to the Schenkerian analytical corpus. * MUSIC & LETTERS *

Preface
A Letter about the C-Major Fugue from The Well-Tempered Clavier, Book 1 -
Charles Burkhart
The Opening Tonal Complex of Bach's St. Matthew Passion: A Linear View - Mark
Anson-Cartwright
Recurrence and Fantasy in C. P. E. Bach's Rondo in G Major - Frank Samarotto
Voice-Leading Procedures in Galant Expositions - L. Poundie Burstein
The First Movements of Anton Eberl's Symphonies in E-flat Major and D Minor,
and Beethoven's Eroica: Toward "New" Sonata Forms? - Timothy Jackson
Schubert's "Unfinished" Symphony: Analytical Observations - David W. Beach
Structural and Form-Functional Ambiguities in the First Movement of
Schubert's Octet in F Major, D. 803 - Su Yin Mak
The Form of Chopin's Prelude in B-flat Major, Op. 28, No. 21 - Roger Kamien
"All That Is Solid Melts into Air": Schumann's Overture to Manfred - William
Rothstein
Endings without Resolution: The Slow Movement and Finale of Schumann's Second
Symphony - Lauri Suurpää
Half-Diminished-Seventh Openings in Brahms's Lieder - Ryan McClelland
Motivic Enlargement in Dvorįk's Symphony Op. 70 - Leslie Kinton
Deliverance and Compositional Design in the "Libera me" of Verdi's Messa da
Requiem - Donald R. McLean
Polyphony and Cacophony? A Schenkerian Reading of Strauss's "Dance of the
Seven Veils" - Matthew Brown
A Force of Nature: Debussy and the Chromatically Displaced Dominant - Boyd
Pomeroy
Appendix: An Interview with Edward Laufer - Stephen Slottow
Matthew Brown is Professor of Music Theory at the Eastman School of Music.
Biežāk uzdotie jautājumi par e-grāmatām Biežāk uzdotie jautājumi par e-grāmatām
Permanent link: https://www.kriso.lv/db/97817820486332e.html
Keywords: