The instalments of Ezra Pound's life-project, The Cantos, composed during his incarceration in Washington after the Second World War were to have served as a "Paradiso" for his epic. Beautiful and tormented, enigmatic and irascible by turns, they express the poet's struggle to reconcile his striving for justice with his extreme Right politics. In heavily coded language, Pound was writing activist political poetry. Through an in-depth reading of the "Washington Cantos" this book reveals the ways in which Pound integrated into his verse themes and ideas that remain central to American far-right ideology to this day: States' Rights, White-supremacy and racial segregation, the usurpation of the Constitution by the Supreme Court, and history as racial struggle.
Pound's struggle was also personal. These poems also celebrate his passion for his muse and lover, Sheri Martinelli, as he tries to teach her his politics and, in the final poems, mount his legal defence against the unresolved treason charges hanging over his head.
Reading the poetry alongside correspondence and unpublished archival writings, Ezra Pound's Washington Cantos and the Struggle for Light is an important new work on a poet who stands at the heart of 20th-century Modernism. Building on his previous book John Kasper and Ezra Pound: Saving the Republic (Bloomsbury, 2015), Alec Marsh explores the way the political ideas revealed in Pound's correspondence manifested themselves in his later poetry.
Papildus informācija
Drawing on archival material and close readings, this book explores how Ezra Pound's adoption of far right political ideas manifested itself in his later poetry.
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xi | |
Editoral Preface to Historicizing Modernism |
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xii | |
Acknowledgments |
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xiii | |
A Note on the Text and Permissions |
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xv | |
Abbreviations |
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xvi | |
Intro to a Sequel |
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1 | (8) |
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1 The Washington Cantos: Anagogy, Metapolitics, and the Warren Court |
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9 | (24) |
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Rock-Drill de los Cantares (1955) and Thrones (1959) |
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9 | (8) |
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Metapolitics and Politics |
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17 | (7) |
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"Four Steps to the Bughouse" |
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24 | (3) |
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27 | (6) |
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2 Obstacles to Understanding the Washington Cantos |
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33 | (18) |
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Aesopian Language and Its Problems |
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36 | (4) |
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Pound's Reading and the Poverty of Philology |
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40 | (5) |
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45 | (1) |
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45 | (2) |
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47 | (4) |
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3 Aesopian Language and States' Rights: Two Fables-John Randolph of Roanoke and Canto 103 |
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51 | (26) |
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52 | (5) |
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57 | (20) |
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4 The Aryanist Vortex: Pound's Metapolitics and White Supremacy |
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77 | (18) |
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Pound's Taxonomy of Human Types |
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84 | (3) |
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87 | (8) |
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5 Raising Cain: The Aryan Origins of Civilization |
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95 | (18) |
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"Alfalfa Bill" Murray's Adam and Cain |
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96 | (3) |
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Waddell, Egypt, and the Aryan Makers of Civilization |
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99 | (5) |
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Pound's "Egyptian Problem" |
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104 | (9) |
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6 Sheri Martinelli and the Paradise of Venus |
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113 | (22) |
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Ezra Pound: "a ballin' angel..." |
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114 | (8) |
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122 | (13) |
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7 Sheri Martinelli: Right-Wing Muse |
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135 | (14) |
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149 | (12) |
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9 Canto 97: Nummulary Moving toward Paradise |
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161 | (16) |
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Canto 97: Obverse: History as a Monetary System |
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163 | (7) |
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170 | (7) |
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10 Pound's Agrarian Bent: Physiocracy against Degradation |
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177 | (16) |
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11 The Coke Cantos 107-109 as an Argument for the Defense |
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193 | (22) |
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201 | (2) |
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Pound and Catherine Drinker Bowen |
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203 | (6) |
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209 | (6) |
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12 Pound at Colonus: The Poet as Oedipus |
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215 | (14) |
Afterword |
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229 | (5) |
Appendix A A Primer of Poundian Economics |
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234 | (11) |
Appendix B "Homage to Grandpa" |
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245 | (2) |
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Bibliography |
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247 | (10) |
Index |
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257 | |
Alec Marsh is Professor of English at Muhlenberg College, Pennsylvania, USA. He is the author of John Kasper and Ezra Pound (Bloomsbury, 2015), and Money & Modernity: Pound, Williams and the Spirit of Jefferson (1998).