Atjaunināt sīkdatņu piekrišanu

E-grāmata: Facial Choreographies: Performing the Face in Popular Dance

(Professor of Dance, Temple University)
  • Formāts: PDF+DRM
  • Izdošanas datums: 28-Nov-2023
  • Izdevniecība: Oxford University Press Inc
  • Valoda: eng
  • ISBN-13: 9780197620380
  • Formāts - PDF+DRM
  • Cena: 25,77 €*
  • * ši ir gala cena, t.i., netiek piemērotas nekādas papildus atlaides
  • Ielikt grozā
  • Pievienot vēlmju sarakstam
  • Šī e-grāmata paredzēta tikai personīgai lietošanai. E-grāmatas nav iespējams atgriezt un nauda par iegādātajām e-grāmatām netiek atmaksāta.
  • Formāts: PDF+DRM
  • Izdošanas datums: 28-Nov-2023
  • Izdevniecība: Oxford University Press Inc
  • Valoda: eng
  • ISBN-13: 9780197620380

DRM restrictions

  • Kopēšana (kopēt/ievietot):

    nav atļauts

  • Drukāšana:

    nav atļauts

  • Lietošana:

    Digitālo tiesību pārvaldība (Digital Rights Management (DRM))
    Izdevējs ir piegādājis šo grāmatu šifrētā veidā, kas nozīmē, ka jums ir jāinstalē bezmaksas programmatūra, lai to atbloķētu un lasītu. Lai lasītu šo e-grāmatu, jums ir jāizveido Adobe ID. Vairāk informācijas šeit. E-grāmatu var lasīt un lejupielādēt līdz 6 ierīcēm (vienam lietotājam ar vienu un to pašu Adobe ID).

    Nepieciešamā programmatūra
    Lai lasītu šo e-grāmatu mobilajā ierīcē (tālrunī vai planšetdatorā), jums būs jāinstalē šī bezmaksas lietotne: PocketBook Reader (iOS / Android)

    Lai lejupielādētu un lasītu šo e-grāmatu datorā vai Mac datorā, jums ir nepieciešamid Adobe Digital Editions (šī ir bezmaksas lietotne, kas īpaši izstrādāta e-grāmatām. Tā nav tas pats, kas Adobe Reader, kas, iespējams, jau ir jūsu datorā.)

    Jūs nevarat lasīt šo e-grāmatu, izmantojot Amazon Kindle.

The face contributes a vital, yet often overlooked, component of dance performance. Facial Choreographies: Performing the Face in Popular Dance examines what the face does in dance and what it may mean. Author Sherril Dodds focuses on popular presentational dance, which permits the face to be one of excess and spectacle, as well as disclosure or deception. The concept of facial choreography resists the idea that the expressive countenance in dance is simply by chance, and instead conceives its movement as purposeful, creative, and communicative.

The book centers on three facial case studies: global celebrity Michael Jackson, whose face has occupied a site of fervent controversy; Maddie Ziegler, child star of the reality television series Dance Moms and de facto face of pop star Sia; and a community of hip hop dancers who engage in fiercely contested dance battles. Chapters are organized according to action-expressions, actively working even in times of stillness: SMILE, LOOK, FROWN, CRY, SCREAM, and LAUGH. Across each case study, the book explores pedagogies of facial composition, the purpose of codified expressions, and how dancers re-choreograph their faces as a critical unworking of what a dancing visage might represent. Facial choreographies engender opportunity for startling creativity, the articulation of identity, a cathartic expression of emotions and attitudes, and the capacity to dismantle previously held assumptions. As the dancing face tauntingly slips between visual, sensory, and kinetic registers it ensures that nothing can be taken at face value.

The face contributes a vital, yet often overlooked, component of dance performance. Facial Choreographies: Performing the Face in Popular Dance examines what the face does in dance and what it may mean. The book centers on three facial case studies: global celebrity Michael Jackson, whose face has occupied a site of fervent controversy; Maddie Ziegler, child star of the reality television series Dance Moms and de facto face of pop star Sia; and a community of hip hop dancers who engage in fiercely contested dance battles.

Recenzijas

"Professor Dodd's luminous and incisive imagination makes us think seriously about that most emotive part of the dancing body: the face. This book is a major and original contribution to Dance studies and should open up a bountiful new area of scholarship in the field." * Pallabi Chakravorty, Stephen Lang Professor of Performing Arts, Department of Music and Dance, Swarthmore College * Facial Choreographies delivers on its promise of the "hyperbolic and hypermobile" face in presentational popular dance whose meaning in motion is both the realm of the visual and semiotic as well as the sensorial and experiential on the part of the dancer. * Hannah Schwadron, Dance Chronicle *

About Face
The Face in Performance
Performing the Habitual Face
The Work of Facial Choreography

SMILE
Michael Jackson and the Pedagogy of a Smile
The Tenacity of the Minstrel Smile
Maddie Ziegler and the Billion-Dollar Smile
Smiling Towards Happiness

LOOK
(En)Visioning the World
Performances of Looking in Hip Hop
Feeling the Gaze in Battles
Check out the B-Girls

FROWN
Michael Jackson and The Intention to be Bad
Frowning and Facial Signifyin(g)
Mythologies of Mean Mugging in Breaking
Mugsy, Bugsy, and Keeping it Real

CRY
The Surrogate Face of a Reluctant Celebrity
Sia and Big Girls Cry
Maddie Ziegler and her Affective Cry
A Cry of Outrage

SCREAM
Re-Facing Michael Jackson
Defacement, Freakery, And Race
A Choreographic Scream
Michael Jackson: The Commodity and the Cut

LAUGH
The Viral Face of Maddie Ziegler
Maddie, Eddie, and a Wookie
Laughter and Derision in Hip Hop Battles
Tickling the Cypher Crowd
Face the Facts

Bibliography
Index
Sherril Dodds is Professor of Dance at Temple University. Her books include Dance on Screen, Dancing on the Canon, Bodies of Sound (co-edited with Susan C. Cook), The Oxford Handbook of Dance and Competition, and The Bloomsbury Companion to Dance Studies. She has been a visiting scholar at Trondheim University in Norway, Griffith University in Australia, Stanford University in the USA, and Blaise-Pascal University in France. She was awarded the 2015 Gertrude Lippincott prize for her article, The Choreographic Interface: Dancing Facial Expression in Hip Hop and Neo-burlesque Striptease.