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E-grāmata: Facing the Music: Shaping Music Education from a Global Perspective

4.38/5 (21 ratings by Goodreads)
(Director, Griffith University, Brisbane)
  • Formāts: PDF+DRM
  • Izdošanas datums: 15-Dec-2009
  • Izdevniecība: Oxford University Press Inc
  • Valoda: eng
  • ISBN-13: 9780199701933
  • Formāts - PDF+DRM
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  • Formāts: PDF+DRM
  • Izdošanas datums: 15-Dec-2009
  • Izdevniecība: Oxford University Press Inc
  • Valoda: eng
  • ISBN-13: 9780199701933

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Facing the Music investigates the practices and ideas that have grown from some five decades of cultural diversity in music education, developments in ethnomusicology, and the rise of 'world music'. Speaking from rich, hands-on experience of more than thirty years at various levels of music education (music in schools, community organizations and professional training courses), Huib Schippers makes a powerful case for the crucial role of learning music in shaping rich and diverse musical environments for the 21st century, both in practical terms and at a conceptual level: "what we hear is the product of what we believe about music."
Advocating a contemporary, positive and realistic approach to cultural diversity in music education and transmission, Schippers advocates taking into account and celebrating the natural dynamics of music. He argues that "most music travels remarkably well", and regards every musical act as an expression of the 'here and now', as do many of the musicians and scholars he quotes. In this way, he challenges stifling directives to recreate 'authentic contexts', which in fact constantly change (and have always changed) in the cultures of origin as well. This liberates music educators to seek with integrity appropriate ways of presenting music at all levels of education: in schools, community settings, and professional training.
In seven succinct chapters that each approach the issues from a different angle, Schippers gradually unfolds the complexities of learning and teaching music 'out of context' in an accessible manner, and presents a coherent model to approach these, as well as lucid suggestions for translating the resulting ideas in practice. While mapping the various factors that determine all acts of music transmission, he also comes to surprising insights into the nature and preconceptions underlying much formal music education settings across the world, including those focusing on western classical music. Facing the Music provides a rich resource for reflection and practice for all those involved in teaching and learning music, from policy maker to classroom teacher.

Recenzijas

Schippers writes beautifully, so the mere process of absorbing the structure of his sentences, his wit and insight is, in itself, a rewarding experience * Music Forum * A new publcation dedicated to musical diversity in music education gets rid of prejudices, questions common terminology and gives practical examples and insight into music education for, through, and with music from all over the world. * Sounds in Europe *

Foreword vii
Patricia Shehan Campbell
Prologue: Facing the Music xv
1. Journeys in Music: An Auto-Ethnography 3
2. Positioning "World Music" in Education: A Conceptual History 15
The Term World Music
17
Cultural Diversity and Multiculturalism
28
Cultural Diversity in Music Education
32
Ethnomusicology
36
Conclusion
39
3. The Myth of Authentic Traditions in Context: A Deconstruction 41
Tradition
42
Authenticity
47
Context
53
4. Global Perspectives on Learning and Teaching Music: An Analysis 61
Explicit and Implicit Foci
65
Approaches to Learning and Teaching
75
Conclusion
87
5. Communities, Curricula, and Conservatories: A Critique 89
Informal Music Learning and Teaching
92
Formal Music Education
101
Conclusion
116
6. Toward a Global Understanding of Learning and Teaching Music: A Framework 119
Applications of the Framework
125
Conclusion
136
7. Music Cultures in Motion: A Case Study 137
World Music Education in the Netherlands
138
Example 1: Djembe for Western Amateurs
142
Example 2: Balinese Gamelan in Teacher Training
151
Example 3: Indian Music As a Degree Course in a Conservatory
158
Conclusion
165
Epilogue: Shaping Music Education from a Global Perspective 167
Appendix A: Emergency Guidelines in Case of World Music 171
Appendix B: Sample Questions for Interviewing World Musicians on Learning and Teaching 173
Appendix C: Example of a Series of Classes on World Music with a Thematic Approach 175
Appendix D: Five Domains of Musical Sustainability in Contemporary Contexts 180
Appendix E: The World Music Adventures of Primary Teacher Ms. Benson 182
Patricia Shehan Campbell
Glossary 185
Notes 189
Bibliography 199
Index 215
Schippers is Director of Queensland Conservatorium Research Centre at Griffith University, Brisbane; Deputy Chair of the Music Council of Australia