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Fame Amid the Ruins: Italian Film Stardom in the Age of Neorealism [Mīkstie vāki]

  • Formāts: Paperback / softback, 384 pages, height x width: 229x152 mm, Bibliography; Index; 30 Illustrations
  • Izdošanas datums: 01-Jan-2025
  • Izdevniecība: Berghahn Books
  • ISBN-10: 1805397443
  • ISBN-13: 9781805397441
Citas grāmatas par šo tēmu:
  • Mīkstie vāki
  • Cena: 44,24 €
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  • Formāts: Paperback / softback, 384 pages, height x width: 229x152 mm, Bibliography; Index; 30 Illustrations
  • Izdošanas datums: 01-Jan-2025
  • Izdevniecība: Berghahn Books
  • ISBN-10: 1805397443
  • ISBN-13: 9781805397441
Citas grāmatas par šo tēmu:

Italian cinema gave rise to a number of the best-known films of the postwar years, from Rome Open City to Bicycle Thieves. Although some neorealist film-makers would have preferred to abolish stars altogether, the public adored them and producers needed their help in relaunching the national film industry. This book explores the many conflicts that arose in Italy between 1945 and 1953 over stars and stardom, offering intimate studies of the careers of both well-known and less familiar figures, shedding new light on the close relationship forged between cinema and society during a time of political transition and shifting national identities.

Recenzijas

This elegantly produced [ and exceptionally attractive] book, complete with a lavish choice of illustrations all supplied by the author, confirms Stephen Gundles status as the leading historian of Italian cinema in the English-speaking world. Historical Journal of Film, Radio and Television





This book will be of great interest to scholars of Italian cinema. Its clear and direct prose makes it particularly suitable for students.  European History Quarterly





Fame amid the Ruins is a comprehensive study with an impressive scope and great relevance for questions of history, politics, and intellectual life in postwar Italy. In clear and direct prose, it encompasses a variety of important topics and approaches, including individual biographies, stars roles within the wider industry, performance, and film style. Louis Bayman, University of Southampton





Stephen Gundle admirably devotes close and sustained attention to the stardom phenomenon by providing profiles of stars rarely examined and, most importantly, by looking at the sum of their impact on Italian culture. This is a tour de force for its range and argumentative depth. Giorgio Bertellini, author of The Divo and The Duce: Promoting Film Stardom and Political Leadership in 1920s America

List of Illustrations

Acknowledgements



Introduction



PART I: ITALIAN CINEMA AND SOCIETY, 1945-52



Chapter
1. Postwar Cinema and the Challenges of Democracy

Chapter
2. The Film Industry from Fascism to the Cold War

Chapter
3. The Transformation of the Star System

Chapter
4. The Public, Film-Going and the Stars



PART II: STARDOM, ANTI-FASCISM AND NEOREALISM



Chapter
5. Massimo Girotti: Proletarian Apollo

Chapter
6. Clara Calamai: The Suspension of Glamour

Chapter
7. Aldo Fabrizi: Nostalgia and Popular Culture

Chapter
8. Anna Magnani: Authenticity and the Star Persona

Chapter
9. Andrea Checchi: Shadows of Defeat



PART III: POPULAR IDOLS FOR NEW TIMES



Chapter
10. Totņ: Jester of the Republic

Chapter
11. Silvana Mangano: Beauty and Stardom

Chapter
12. Amedeo Nazzari: The Hero Domesticated

Chapter
13. Silvana Pampanini:  Dream Girl of the Masses

Chapter
14. Raf Vallone: The Physiognomy of Fame



PART IV: RECONFIGURATIONS OF STARDOM



Chapter
17. The Non-Professional Actor and Low Definition Stardom

Chapter
18. Co-productions and the International Stardom



Conclusion



Bibliography
Stephen Gundle is Professor of Film and Television Studies at the University of Warwick. He is the author of several books and many articles about modern and contemporary Italy. His most recent volumes are Death and the Dolce Vita: The Dark Side of Rome in the 1950s (Canongate, 2011) and Mussolinis Dream Factory: Film Stardom in Fascist Italy (Berghahn, 2013).