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E-grāmata: Fashion: A Canadian Perspective

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  • Formāts: 406 pages
  • Izdošanas datums: 11-Nov-2004
  • Izdevniecība: University of Toronto Press
  • Valoda: eng
  • ISBN-13: 9781442674806
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  • Formāts: 406 pages
  • Izdošanas datums: 11-Nov-2004
  • Izdevniecība: University of Toronto Press
  • Valoda: eng
  • ISBN-13: 9781442674806
Citas grāmatas par šo tēmu:

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How does a country dress itself? From Montreal's 'Retail Mile,' to Ontario's millinery trade, to how war and television can effect the garment industry or whether tailoring can make a cultural impact, Alexandra Palmer gathers together some of the top curators, designers, fashion writers, historians, and artists in the country to create a truly dynamic and thought-provoking collection of essays. Controversial and unconventional, Fashion: A Canadian Perspective challenges readers to consider aspects of Canadian identity in terms of what its citizenship has chosen to wear for the last three centuries, and the internal and external influences of those socio-cultural decisions. Covering a broad range of topics ? such as the iconic Hudson Bay Blanket Coats, garment factories of the late 1800s, specific Canadian fashion couturiers whose influences reach international stages, and the contemporary role of fashion journalists and their effect on trends ? this collection breaks new ground in producing multiple perspectives on fashion and fashion dress. In a country that has given birth to such global fashion corporations as Club Monaco, Roots, and MAC, Fashion: A Canadian Perspective develops the first intriguing and readable historiography that links past to future, couture vision to trade trends, and heritage costuming to FashionTelevision.

Recenzijas

"'This book is important, timely, and immensely relevant. Alexandra Palmer has put together a rich and varied collection that will contribute to Canadian cultural history and undoubtedly initiate further projects and debates. The content of each essay is excellent and the collection is outstanding in its complementary diversity. It moves this rapidly expanding and exciting field into the area of Canadian Studies, to which it contributes as significantly as it does to the study of dress and fashion, media studies, cultural history, and the history of consumption.' Janice Helland, Department of Art and Department of Women's Studies, Queen's University"

List of Illustrations
ix
Acknowledgments xi
Introduction 3(14)
Alexandra Palmer
Fashion and Identity
`Very Picturesque and Very Canadian': The Blanket Coat and Anglo-Canadian Identity in the Second Half of the Nineteenth Century
17(24)
Eileen Stack
Dressing Up: A Consuming Passion
41(27)
Cynthia Cooper
Defrocking Dad: Masculinity and Dress in Montreal, 1700--1867
68(22)
Jan Noel
The Association of Canadian Couturiers
90(23)
Alexandra Palmer
Fashion, Trade, and Consumption
Shop and Factory: The Ontario Millinery Trade in Transition, 1870--1930
113(26)
Christina Bates
`The Work Being Chiefly Performed by Women': Female Workers in the Garment Industry in Saint John, New Brunswick, in 1871
139(27)
Peter J. Larocque
Three Thousand Stitches: The Development of the Clothing Industry in Nineteenth-Century Halifax
166(16)
M. Elaine MacKay
Enduring Roots: Gibb and Co. and the Nineteenth-Century Tailoring Trade in Montreal
182(21)
Gail Cariou
Montreal's Fashion Mile: St Catherine Street, 1890--1930
203(26)
Elizabeth Sifton
Fashion and Transition
Dress Reform in Nineteenth-Century Canada
229(20)
Barbara E. Kelcey
Fashion and War in Canada, 1939--1945
249(21)
Susan Turnbull Caton
Fashion and Refuge: The Jean Harris Salon, Montreal, 1941--1961
270(21)
Lydia Ferrabee Sharman
Fashion and Journalism
Laced In and Let Down: Women's Fashion Features in the Toronto Daily Press, 1890--1900
291(24)
Barbara M. Freeman
The Fashion of Writing, 1985--2000: Fashion-Themed Television's Impact on the Canadian Fashion Press
315(24)
Deborah Fulsang
A Little on the Wild Side: Eaton's Prestige Fashion Advertising Published in the Montreal Gazette, 1952--1972
339(26)
Katherine Bosnitch
Contributors 365(6)
Index 371


Alexandra Palmer is the fashion and costume curator at the Royal Ontario Museum and an adjunct professor in the Graduate Program in Art History at York University.