Atjaunināt sīkdatņu piekrišanu

E-grāmata: Fate of Anatomical Collections

  • Formāts - PDF+DRM
  • Cena: 50,08 €*
  • * ši ir gala cena, t.i., netiek piemērotas nekādas papildus atlaides
  • Ielikt grozā
  • Pievienot vēlmju sarakstam
  • Šī e-grāmata paredzēta tikai personīgai lietošanai. E-grāmatas nav iespējams atgriezt un nauda par iegādātajām e-grāmatām netiek atmaksāta.

DRM restrictions

  • Kopēšana (kopēt/ievietot):

    nav atļauts

  • Drukāšana:

    nav atļauts

  • Lietošana:

    Digitālo tiesību pārvaldība (Digital Rights Management (DRM))
    Izdevējs ir piegādājis šo grāmatu šifrētā veidā, kas nozīmē, ka jums ir jāinstalē bezmaksas programmatūra, lai to atbloķētu un lasītu. Lai lasītu šo e-grāmatu, jums ir jāizveido Adobe ID. Vairāk informācijas šeit. E-grāmatu var lasīt un lejupielādēt līdz 6 ierīcēm (vienam lietotājam ar vienu un to pašu Adobe ID).

    Nepieciešamā programmatūra
    Lai lasītu šo e-grāmatu mobilajā ierīcē (tālrunī vai planšetdatorā), jums būs jāinstalē šī bezmaksas lietotne: PocketBook Reader (iOS / Android)

    Lai lejupielādētu un lasītu šo e-grāmatu datorā vai Mac datorā, jums ir nepieciešamid Adobe Digital Editions (šī ir bezmaksas lietotne, kas īpaši izstrādāta e-grāmatām. Tā nav tas pats, kas Adobe Reader, kas, iespējams, jau ir jūsu datorā.)

    Jūs nevarat lasīt šo e-grāmatu, izmantojot Amazon Kindle.

Almost every medical faculty possesses anatomical and/or pathological collections: human and animal preparations, wax- and other models, as well as drawings, photographs, documents and archives relating to them. In many institutions these collections are well-preserved, but in others they are poorly maintained and rendered inaccessible to medical and other audiences. This volume explores the changing status of anatomical collections from the early modern period to date. It is argued that anatomical and pathological collections are medically relevant not only for future generations of medical faculty and future research, but they are also important in the history of medicine, the history of the institutions to which they belong, and to the wider understanding of the cultural history of the body. Moreover, anatomical collections are crucial to new scholarly inter-disciplinary studies that investigate the interaction between arts and sciences, especially medicine, and offer a venue for the study of interactions between anatomists, scientists, anatomical artists and other groups, as well as the display and presentation of natural history and medical cabinets. In considering the fate of anatomical collections - and the importance of the keeper’s decisions with respect to collections - this volume will make an important methodological contribution to the study of collections and to discussions on how to preserve universities’ academic heritage.

Recenzijas

"This is among the best collections available on the history of anatomy. It is organized in ways that promote thematic and theoretical readings while also allowing historical and geographical comparisons to be made. It is worth a seri-ous, cover-to-cover read by historians of medicine, natural history, and anatomy who are interested in the state of their field." - Carin Berkowitz, Chemical Heritage Foundation, Bulletin of the History of Medicine

"One of the strongest aspects of this book is its ability to furnish the reader with some fabulously random pieces of knowledge." - Heidi Nicholl, independent scholar

List of Figures
ix
List of Plates
xiii
Notes on Contributors xv
A Museum of My Own: Notes on the Cover Image Lisa Temple Cox xix
Acknowledgements xxi
PART I INTRODUCTION
1 Setting the Stage
3(8)
Rina Knoeff
Robert Zwijnenberg
2 Organ Music
11(12)
Ruth Richardson
PART II FATED COLLECTIONS
3 Quis custodiet ipsos custodes? Or, What Richard Owen did to John Hunter's Collection
23(30)
Andrew Cunningham
4 Gender, Fate and McGill University's Medical Collections: The Case of Curator Maude Abbott
53(20)
Cindy Stelmackowich
5 Resilient Collections: The Long Life of Leiden's Earliest Anatomical Collections
73(20)
Tim Huisman
6 Inside the Charnel House: The Display of Skeletons in Europe, 1500--1800
93(20)
Anita Guerrini
PART III PREPARATIONS, MODELS AND USERS
7 Adieu Albinus: How the Preparations in the Nineteenth-Century Leiden Anatomical Collections Lost their Past
113(16)
Hieke Huistra
8 User-Developers, Model Students and Ambassador Users: The Role of the Public in the Global Distribution of Nineteenth-Century Anatomical Models
129(14)
Anna Maerker
9 Mapping Anatomical Collections in Nineteenth-Century Vienna
143(18)
Tatjana Buklijas
10 Fall and Rise of the Roca Museum: Owners, Meanings and Audiences of an Anatomical Collection from Barcelona to Antwerp, 1922--2012
161(18)
Alfons Zarzoso
Jose Pardo-Tomas
PART IV PROVENANCE AND FATE
11 The Fate of the Beaded Babies: Forgotten Early Colonial Anatomy
179(16)
Marieke Hendriksen
12 `Not Everything that Says Java is from Java': Provenance and the Fate of Physical Anthropology Collections
195(16)
Fenneke Sysling
13 Cataloguing Collections: The Importance of Paper Records of Strasbourg's Medical School Pathological Anatomy Collection
211(20)
Tricia Close-Koenig
PART V MUSEUM AND COLLECTION PRACTICES TODAY
14 Anatomical Craft: A History of Medical Museum Practice
231(16)
Samuel J.M.M. Alberti
15 Restoration Reconsidered: The Case of Skull Number 1-1-2/27 at the Anatomy Museum of the University of Basel
247(16)
Flavio Haner
16 From Bottled Babies to Biobanks: Medical Collections in the Twenty-First Century
263(16)
Karin Tybjerg
17 Ball Pool Anatomy: On the Public Veneration of Anatomical Relics
279(14)
Rina Knoeff
Appendix: The Leiden Declaration 293(4)
Index 297
Rina Knoeff is a University Lecturer at the Faculty of Arts at the University of Groningen. She is particularly interested in the cultural history of medicine and chemistry. Previous work has centred on the Boerhaave school and on early modern Dutch anatomy and anatomical collections. Robert Zwijnenberg is Professor of Art and Science Interactions at Leiden University. He has published on Renaissance culture and art theory, philosophy of art, and on the relation between the arts and the life sciences. Zwijnenberg is one of the founding directors of The Arts and Genomics Centre.