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Focal Easy Guide to Final Cut Pro X 3rd edition [Hardback]

4.29/5 (21 ratings by Goodreads)
  • Formāts: Hardback, 428 pages, height x width: 229x152 mm, weight: 980 g, 1000 Illustrations, color
  • Izdošanas datums: 23-Aug-2019
  • Izdevniecība: Routledge
  • ISBN-10: 1138050784
  • ISBN-13: 9781138050785
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  • Hardback
  • Cena: 275,79 €
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Focal Easy Guide to Final Cut Pro X 3rd editionPalielināt
  • Formāts: Hardback, 428 pages, height x width: 229x152 mm, weight: 980 g, 1000 Illustrations, color
  • Izdošanas datums: 23-Aug-2019
  • Izdevniecība: Routledge
  • ISBN-10: 1138050784
  • ISBN-13: 9781138050785
Citas grāmatas par šo tēmu:
Permanent link: https://www.kriso.lv/db/9781138050785.html
Keywords:
The newly revised third edition of Rick Youngs The Focal Easy Guide to Final Cut Pro X is the ultimate mentor for getting up and running with Apples professional editing software, regardless of your skill level. In this step-by-step, full-color guide, Rick clearly explains the key concepts and essential knowledge needed to edit your project from start to finish, providing clear, time-saving instructions on producing and outputting using Final Cut Pro X.

This new edition includes:











A thorough introduction to Final Cut Pro X and the philosophy by which the software works





Complete coverage of the post production process, including setup, importing and organizing media, editing, audio and output





Additional sections on Multicam Editing, working with Proxies, effective Media Management, the Magnetic Timeline, Batch Share and Effects Production





New chapters, covering in detail: Roles, Color Correction and the Touch Bar





Instructions on encoding, distributing and archiving your completed projects





And an accompanying eResource featuring downloadable video footage that you can edit with using the techniques covered in the book

Packed with tutorials and real-world examples, The Focal Easy Guide to Final Cut Pro X will take you through the ins and outs of the software and have you editing and outputting your movies in no time!

Published July 2019

Recenzijas

"Rick always seems to find the essentials so necessary to learn and effectively work with Final Cut Pro. . . He cuts to the chase with very specific, step-by-step instructions and how-tos, making it seem as if he were the instructor sitting right next to you in a private lesson."

Steve Douglas, Videographer; Writer and Reviewer, www.kenstone.net

"Speed, quality, and organization are imperative in todays video editing environment. Rick has written an easy-to-follow guide for editors of all levels that will have you editing and exporting your footage quickly, so you can share your work with the world."

Chip Dizįrd, Media Professor; Final Cut Pro X Certified Trainer; Co-founder, WebVideoChefs.com

"It is the clearest, easiest to use guide I've ever seen! The explanations are concise and easy to follow, and the ample illustrations on every page show exactly what to do. It makes even complex operations easy to understand and perform."

Dan Cross, Professor of Film, Southwestern Illinois College

Introduction xiii
1 System Setup
1(12)
A Word about Preferences
2(1)
Editing Preferences
2(2)
Playback Preferences
4(1)
Background Render
5(1)
Import Preferences
6(5)
Closing Summary for Preferences
11(2)
2 The Interface
13(14)
The Four-window Interface (Default)
14(3)
The Five-window Interface
17(1)
Further Interface Details
18(1)
Working with Dual Monitor Displays
19(5)
Customizing, Saving and Naming a Workspace
24(1)
Working with Dual Viewers
25(2)
3 Importing Media
27(20)
Importing Media into Final Cut Pro X
28(1)
Understanding the Final Cut Pro X File Structure
29(1)
Creating a Library
30(1)
Importing from Camera or Media Card
31(5)
Importing Media from Hard Drive
36(2)
Import from Tape
38(2)
Create Archive
40(3)
Importing to Events by Dragging
43(4)
4 Organization
47(36)
Organizational Concepts within Final Cut Pro X
48(3)
Creating Libraries, Events and Projects
51(3)
Getting Practical: Hands-on Reviewing and Organizing of Footage
54(3)
Reviewing Footage
57(1)
Rating Footage
58(3)
Marking Sections within Clips
61(2)
Labeling and Searching Clips
63(2)
Adding Notes to Clips
65(2)
Batch Renaming of Clips
67(5)
Keywording
72(4)
Library Smart Collections
76(1)
Custom Smart Collections
76(7)
5 Editing
83(86)
The Process
84(1)
Creating a New Project
85(2)
Manually Setting Up a Project
87(1)
Basic Cutting
88(3)
Moving Clips around in the Timeline
91(2)
Separating Audio from Video
93(4)
The Concept of Connected Clips
97(3)
Directing the Flow of Video and Audio
100(2)
Insert Editing
102(2)
Overwrite Editing
104(1)
Marking a Range in the Timeline
105(1)
Editing Overview
106(2)
Editing Tools
108(3)
Turning Skimming On and Off
111(1)
Moving and Overriding the Clip Connection Point
112(1)
The Concept of Storylines
113(2)
Trimming (in General)
115(1)
Working with the Trim Tool
116(2)
Slide Edits
118(1)
The Precision Editor
119(3)
Trimming While Playing Back in the Timeline
122(2)
Retiming
124(2)
Create a Freeze Frame
126(1)
Setting Clip Durations
127(1)
Solo Clips
128(1)
Disable Clips
129(1)
Compound Clips
130(2)
Whizzing around the Timeline Using Markers
132(3)
Reveal All the Clips Used in Your Project
135(1)
Locating Clips in the Event Library or on the Hard Drive
136(1)
Cut, Copy and Paste
137(1)
Show Used Media and Show Unused Media
138(1)
Automatic Backups of Libraries, Events and Projects
139(1)
Versioning
140(1)
Creating Custom Project Sizes
141(2)
Active Clip Indicator
143(1)
Auditioning
144(2)
Rendering
146(1)
Adjusting Represented Size of Image
147(1)
Switching between Better Quality and Better Performance
147(1)
Working with Proxies
148(3)
Multicam Editing
151(1)
Creating a Multicam Clip
152(4)
Editing Multicam Clips
156(5)
Copying Media between Libraries and Events
161(2)
Organizing Media Browser using Folders
163(2)
Storing the Library Media on an External Drive
165(1)
Consolidating Media
166(1)
Modify Project Settings for an Existing Project
167(1)
Putting It all Together
168(1)
6 Audio
169(36)
Sound Mixing
170(1)
Back to Basics
170(3)
Adjusting the Audio Level within a Clip
173(2)
Fading Audio
175(1)
Fading Audio Using the Range Tool
176(1)
Keyframing Audio
177(1)
Adding Audio Mixes
178(2)
Expand Audio Components
180(2)
Detaching Audio and Expand Audio Components in Detail
182(4)
Break Apart Clip Items
186(2)
Relationship of the Inspector to Audio Output
188(1)
Setting Audio Pan Controls
189(3)
Switching Audio Tracks On and Off in the Inspector
192(1)
Boosting Audio Levels with the Gain Filter
193(3)
Keyframing Audio Gain
196(3)
Automated Loudness: Setting Audio Levels Quickly
199(1)
Graphic Equalizer
200(3)
Working with Audio Effects
203(2)
7 Roles
205(24)
Roles
206(1)
Assigning Roles
207(4)
Why Use Roles?
211(1)
The Timeline Index
212(2)
Getting Practical with Roles
214(5)
Reordering of Audio Roles in the Timeline using the Index
219(2)
Working with Subroles
221(1)
Getting to Grips with Roles
222(1)
Outputting Roles
223(6)
8 Effects
229(82)
Types of Effects
230(2)
Video and Audio Effects
232(2)
Transitions
234(2)
Text
236(6)
Creating a Static Title
242(3)
Going Wacky with Fonts
245(3)
Fading Titles On and Off and Adjusting Transparency
248(2)
Keyframing Text
250(3)
Show Title/Action Safe Zones
253(1)
Generators
254(2)
Pre-built Effects
256(4)
Previewing Effects
260(1)
Transform Controls
260(1)
Transform
261(1)
Crop Controls
262(1)
Trimming Images
263(2)
Cropping Images
265(1)
Working with the Ken Burns Effect
266(3)
Distort Controls
269(3)
Basic Keyframing
272(3)
Stabilization
275(1)
Working with Masks
276(1)
Draw Mask
277(5)
Graduated Mask
282(4)
Shape Mask
286(4)
Vignette Mask
290(2)
Tips for Masking
292(1)
Keyframing a Mask
293(4)
Keying: Chroma Key
297(4)
Keying: Luma Key
301(4)
Save Effects Preset
305(2)
Paste Attributes
307(4)
9 Color Correction
311(76)
Color Correction
312(1)
Color Presets---Easy Color Correcting
313(2)
Balance Color and White Balance Correction
315(2)
Match Color
317(1)
Color Tools in Final Cut Pro X
318(2)
Understanding the Color Board
320(2)
Adjusting Color with the Color Board
322(3)
Adding a Shape Mask
325(3)
Adjusting Saturation with the Color Board
328(2)
Adjusting Exposure with the Color Board
330(2)
Real-world Color Correction
332(1)
Keeping Video Levels Legal
333(2)
Reading Video Levels Using the Waveform Monitor
335(2)
Correcting Video Levels
337(2)
The Broadcast Safe Filter
339(2)
Working with the Color Wheels
341(4)
Adjusting Color, Saturation and Exposure using the Color Wheels
345(7)
Curves
352(9)
Hue Saturation Curves
361(3)
Hue vs Hue
364(3)
Hue vs Sat
367(1)
Hue vs Luma
368(4)
Luma vs Sat
372(3)
Sat vs Sat
375(3)
Orange vs Sat
378(2)
Keyframing Color Correction
380(4)
Stacking Effects (and Rules to Live by!)
384(3)
10 Share and Archive
387(20)
Export Media Using Share
388(5)
Batch Share from Final Cut Pro X
393(1)
Add Destinations to Share
394(1)
Media Management
395(1)
Delete Render Files for Library, Projects or Events
395(2)
Relink Media
397(4)
Archive and Backup
401(4)
Working with XML
405(2)
11 The Touch Bar
407(12)
Using the Touch Bar while Editing in the Timeline
409(1)
Using the Touch Bar for Setting Audio in the Timeline
410(3)
Override Clip Connections using the Touch Bar
413(1)
Trimming using the Touch Bar
414(1)
Timeline Navigation using the Touch Bar
415(1)
Working with Text using the Touch Bar
416(2)
Standard Touch Bar Controls
418(1)
12 Enjoy the Ride
419(2)
Index 421
Rick Young has worked in broadcast television, corporate and events production, for close to three decades. He is a freelance television director, lighting cameraman, editor and filmmaker. As an editor Rick has cut film, worked in both offline and online tape suites, and also with several different non-linear editing systems. Clients Rick has worked for include the BBC, Sky, ITN, CNBC and Reuters. Check out Ricks latest venture, a website devoted to those passionate about lighting and cinematography: www.dedo.tv.