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Forest Penjing: Enjoy the Miniature Landscape by Growing, Care and Appreciation of Chinese Bonsai Trees [Mīkstie vāki]

  • Formāts: Paperback / softback, 116 pages, height x width x depth: 260x184x10 mm, weight: 417 g
  • Izdošanas datums: 25-Jan-2022
  • Izdevniecība: SCPG Publishing Corporation
  • ISBN-10: 1938368576
  • ISBN-13: 9781938368578
Citas grāmatas par šo tēmu:
  • Mīkstie vāki
  • Cena: 24,80 €
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  • Formāts: Paperback / softback, 116 pages, height x width x depth: 260x184x10 mm, weight: 417 g
  • Izdošanas datums: 25-Jan-2022
  • Izdevniecība: SCPG Publishing Corporation
  • ISBN-10: 1938368576
  • ISBN-13: 9781938368578
Citas grāmatas par šo tēmu:
The word penjing can be roughly translated from the Chinese as "potted scenery." It is the original, older form of the art of bonsai. Penjing aims to embody entire natural scenes within individual works. Penjing is sometimes described as Chinese landscape painting in three dimensions. It aims to make viewers feel as though they were really in nature, contemplating the ripples on the surface of a lake or sheltering from the sun in the shade of a tree. It is an art form that is still, yet full of dynamic energy, embodying the natural beauty of trees, stones, and water. The book gives detailed guidance and instruction to those who wish to create a vivid miniature landscape of their own. It also describes the creation process of several outstanding examples of forest penjing, with accompanying photographs from each stage of their “journey” towards completion.Meant for beginners and experts alike, the information and techniques outlined in this book can help sow the seed of a new love for penjing or to refine the craft of a seasoned penjing designer.
Foreword 9(2)
Preface 11(3)
Chapter I The Beauty of Forest Penjing
14(11)
1 Natural and Ecological Beauty
16(6)
2 Poetic Beauty
22(3)
Chapter II Techniques of Forest Penjing Production
25(35)
1 Types of Natural Forests
26(2)
2 Material Selection for Forest Penjing
28(9)
3 Forms of Forest Penjing
37(10)
4 Tools and Instruments
47(3)
5 Source Material Processing
50(4)
6 Making Forest Penjing
54(6)
Chapter III Artistic Principles of Forest Penjing
60(16)
1 Differentiating Between Primary and Secondary
63(1)
2 Deciding on Orientation and Angle
64(1)
3 Density Variation
64(2)
4 Leaving Blank Space
66(1)
5 Producing an Echoing Harmony
67(1)
6 Creating Harmonious Competition
68(1)
7 Tempering Hardness with Softness
68(1)
8 Balancing Light and Heavy
69(1)
9 Being Both Bold and Refined
69(1)
10 Balancing Between Concealing and Revealing
70(1)
11 Improving the Creator's Comprehensive Quality
70(6)
Chapter IV Care and Maintenance of Forest Penjing
76(9)
1 Placement
78(2)
2 Watering
80(1)
3 Fertilizing
80(1)
4 Pruning
81(1)
5 Shaping
82(1)
6 Repotting
82(1)
7 Pests and Diseases
83(2)
Chapter V Works of Forest Penjing
85(26)
1 Sunlight Slanting Through a Thin Forest (Japanese Maple)
86(4)
2 Spring Running Wild (Flowering Quince)
90(3)
3 Autumn Colors (Japanese Maple)
93(5)
4 Spring Blossoms and Autumn Fruits (Pomegranate)
98(3)
5 Dancing Mountain Forest (Trident Maple)
101(4)
6 Listening to Spring Water (Five-Needle Pine)
105(6)
Chapter VI Display of Forest Penjing
111
1 Outdoor Display
112(2)
2 Indoor Display
114
Zhao Qingquan (1949-) is a master of the Chinese art of penjing, an International Bonsai Instructor at Bonsai Clubs International, and an International Consultant for the World Bonsai Friendship Federation. He pioneered a new form of penjing -- the water-and-land penjing. An internationally renowned master, Zhao has attended conferences and given lectures and demonstrations around the world. In 2001, his penjing Trident Maples was added to the collection of the National Bonsai and Penjing Museum of the US National Arboretum.