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Form and Order in the Anglo-Saxon World, AD 400-1100: Anglo-Saxon Studies in Archaeology and History Volume 16 [Mīkstie vāki]

  • Formāts: Paperback / softback, 128 pages, 72 b/w illus
  • Sērija : Anglo-Saxon Studies in Archaeology and History 16
  • Izdošanas datums: 11-Nov-2009
  • Izdevniecība: Oxford University School of Archaeology
  • ISBN-10: 1905905130
  • ISBN-13: 9781905905133
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  • Mīkstie vāki
  • Cena: 48,21 €
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  • Formāts: Paperback / softback, 128 pages, 72 b/w illus
  • Sērija : Anglo-Saxon Studies in Archaeology and History 16
  • Izdošanas datums: 11-Nov-2009
  • Izdevniecība: Oxford University School of Archaeology
  • ISBN-10: 1905905130
  • ISBN-13: 9781905905133
Citas grāmatas par šo tēmu:
The nine papers of this volume are a selection of those given at the interdisciplinary colloquium Shaping Understanding; Form and Order in the Anglo-Saxon World, which was held in March 2001 at the British Museum. Published in an oversized format (8.25x11.75") and heavily illustrated with b&w plates of excellent quality, the volume is devoted to the history of Anglo-Saxon manuscripts, sculpture, metal arts, and poetry. Two of the papers present overviews of the field: Richard N. Bailey's on the meanings of the forms and orderings in Anglo-Saxon art and Susan Youngs' on the origin of manuscript decorative motifs in Celtic metalwork. Other subjects include the distribution of verse types in Old English poetry, by Geoffrey Russom (English, Brown U., Rhode Island) and the importance of the chi-rho in insular and Anglo-Saxon manuscript decoration. The volume, which is not indexed, is distributed in North America by The David Brown Book Co. Annotation ©2010 Book News, Inc., Portland, OR (booknews.com)
List of Contributors
vii
Preface ix
Leslie Webster
Medium and Message in Early Anglo-Saxon Animal Art: Some Observations on the Contexts of Salin's Style I in England
1(12)
Tania M. Dickinson
`... And Pretty Coins All in a Row'
13(5)
Anna Gannon
Anglo-Saxon Art: Some Forms, Orderings and their Meanings
18(13)
Richard N. Bailey
The Church Triumphant: The Figural Columns of Early Ninth-century Anglo-Saxon England
31(14)
Jane Hawkes
From Metalwork to Manuscript: Some Observations on the Use of Celtic Art in Insular Manuscripts
45(20)
Susan Youngs
Framing the Book of Durrow Inside/Outside the Anglo-Saxon World
65(14)
Nancy Netzer
The Sign at the Cross-roads: The Matthean Nomen Sacrum in Anglo-Saxon Gospel Books before Alfred the Great
79(10)
Carol A. Farr
The Last Chi-rho in the West? From Insular to Anglo-Saxon in the Boulogne 10 Gospels
89(19)
Richard Gameson
On the Distribution of Verse Types in Old English Poetry
108
Geoffrey Russom
Dr Sally Crawford and Dr Katharina Ulmschneider are Senior Research Fellows at the Institute of Archaeology, Oxford. They are the leading experts on the life and works of the eminent Celtic Art scholar Professor Paul Jacobsthal. Leslie Webster is Keeper Emerita of the British Museums Department of Britain, Europe and Prehistory, and former Senior Curator of the Early Medieval Collections; she is also currently Visiting Professor at the Institute of Archaeology, UCL. She lectures and publishes widely on Anglo-Saxon art and archaeology, and has curated major exhibitions on Anglo-Saxon and Insular themes. Her most recent book is Anglo-Saxon Art: a New History (British Museum 2016).