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E-grāmata: Framing Law and Crime: An Interdisciplinary Anthology

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This cutting-edge edited collection brings together 17 scholarly essays on two of cinema and televisions most enduring and powerful themes: law and crime. With contributions by many of the most prominent scholars in law, sociology, criminology, and film, Framing Law and Crime offers a critical survey of a variety of genres and media, integrating descriptions of technique with critical analysis, and incorporating historical and socio-political critique. The first set of essays brings together accounts of the history of the Law and Cinema Movement; the groundbreaking genre of post-apocalyptic fiction; and the policy-setting genesis of a Canadian documentary. The second section of the book turns to the examination of a range of international or global films, with an eye to assessing the strengths, frailties, and possible functions of law, as depicted in fictional cinema. After an international focus in the second section, the third section focuses on law and crime in American film and television, inclusive of both fictional and documentary modes of narration. This sections expansion beyond film narratives to include television series attempts to broaden the scope of the edited collection, in terms of media discussed; it is also a nod to how the big screen, although still a dominant force in American popular culture, now has to compete, to some extent, with the small screen, for influence over the collective American popular cultural imaginary. The fourth section, titled brings together various chapters that attempt to instantiate how a Gothic Criminology could be useful, as an interpretative framework in analyzing depictions of law and crime in film and television. The fifth and final section covers issues of pedagogy, epistemology, and ethics in relation to moving images of law and crime. Merging wide-ranging analyses with nuanced scholarly interpretations, Framing Law and Crime examines key concepts and showcases original research reflecting the latest interdisciplinary trends in the scholarship of the moving image. It addresses, not only scholars, but also fans, and will heighten the appreciation of connoisseurs and newcomers to these topics alike.

Recenzijas

This edited collection is a truly remarkable interdisciplinary anthology. It is an admirable example of the possibilities inherent in holding meaningful conversations between the different disciplines making claims on the phenomenon of crime. Taken together the contributions in this volume lay down ethical, epistemological and empirical challenges to those who claim to see and know the world as if such seeing and knowing was rooted in facts separable from fiction. In this book all data have something to say about the world and its power relations if we have a loose enough imagination to listen.  In particular, Framing the Law and Crime offers a notable and hugely valuable advancement on what has become known as cultural criminology providing a stimulating intervention in, and important development of, that agenda. It is an essential, cutting edge read for any social scientist endeavouring to understand the social world and the possibilities for making sense of it. -- Sandra Walklate, Eleanor Rathbone Chair of Sociology, University of Liverpool, England, U.K. and Professor of Criminology, Monash University, Australia; Editor in Chief, British Journal of Criminology The study of the interface between law and the media of popular culture now spans numerous academic disciplines and is practiced everywhere in the world. Framing Law and Crime: An Interdisciplinary Anthology is a welcome addition to the literature on this subject. Some of the authors of the provocative essays in this volume are law professors but others come from criminology, sociology, psychology, and other disciplines. All of the entries concern visual media and the criminal law process, but in vastly different ways. They offer the reader insights on such diverse subjects as Baltimore policemen, survival in prison, rape revenge, serial killers, the Bosnian tragedy, and washed-up lawyers as well as profound analyses of film theory, epistemology, and criminology. Everyone with a professional or personal interest in popular culture and its relationship to law will benefit from reading these essays. -- Michael Asimow, Visiting Professor of Law, Stanford Law School; Professor of Law Emeritus, UCLA School of Law; co-author of Law and Popular Culture: A Course Book; Reel Justice: The Courtroom Goes to the Movies; and Lawyers in Your Living Room! Law on Television.

Acknowledgments ix
Introduction: Attempting to Frame Law and Crime: An Experiment in Interdisciplinary Commensurability 1(24)
Caroline Joan "Kay" S. Picart
Michael Hviid Jacobsen
Cecil Greek
Part I Cinematic Histories and Real/Reel Dystopias of Law and Crime
1 Law and Cinema Movement
25(34)
Stefan Machura
2 The Crisis of Law and the Imaginary of Disaster: Reading Post-Apocalyptic Fictions
59(22)
Majid Yar
3 A Canadian Perspective on Documentary Film: Drug Addict
81(24)
Susan Boyd
Part II Jurisprudence in International Films
4 In the Land of Blood and Honey: What's Fair or Just in Love and War Crimes? Lessons for Transitional Justice
105(30)
Carrie Menkel-Meadow
5 Multifocal Judgment, Intersecting Legal Proceedings, and Conservativism: A Separation and Rashomon
135(30)
Orit Kamir
6 Beyond the Courtroom: Vigilantism, Revenge, and Rape-Revenge Films in the Cinema of Justice
165(38)
Peter Robson
Part III Law and Crime in American Film and Television
7 Alfred Hitchcock: Visions of Guilt and Innocence
203(26)
Mathieu Deflem
8 Heroes for Hard Times: The Wire's "Good Police"
229(14)
John Denvir
9 Documenting Crime: Genre, Verity, and Filmmaker as Avenger
243(24)
Matthew Sorrento
10 Screening the Law: Ideology and Law in American Popular Culture
267(50)
Naomi Mezey
Mark C. Niles
Part IV Film, Crime, and the Social World
11 Race and Serial Killing in the Media: The Case of Wayne Williams
317(26)
Caroline Joan "Kay" S. Picart
12 Globalization and the Rise of the Behemoth: A Study in Gothic Criminology
343(28)
Cecil Greek
13 A Depiction of Evil, Order, and Chaos: The Symbiotic Relationship of Law and the Supernatural in Film and Television
371(30)
Farah Britto
Cecil Greek
Part V Pedagogy, Epistemology, and Ethics in Films of Law and Crime
14 Contours of a Cinematic Criminology: Distillation, Dramatization, Distortion, and Anecdotal Data
401(32)
Michael Hviid Jacobsen
Anders Petersen
15 Fact, Fantasy, Fallacy: Division between Fanciful Musings and Factual Mutterings
433(22)
Jon Frauley
16 Tobias Beecher: Law as a Refuge from Uncertainty?
455(22)
Steve Greenfield
17 Nationalities, Histories, Rhetorics: Real/Reel Representations of the Holocaust and Holocaust Trials and a Poethics of Film and Law
477(32)
Caroline Joan "Kay" S. Picart
Index 509(14)
About the Editors and Contributors 523
Caroline Joan "Kay" S. Picart is a scholar and attorney at law practicing in federal and state appellate criminal law, and publishes peer reviewed journal articles and books principally on law, criminology, sociology, and film.

Michael Hviid Jacobsen is professor of sociology in the Department of Sociology and Social Work, Aalborg University.

Cecil Greek is associate professor of sociology at the University of South Florida.