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E-grāmata: French Cinema Book

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Edited by (Birkbeck, University of London, UK), Edited by (University of Roehampton, UK)
  • Formāts: 370 pages
  • Izdošanas datums: 25-Jul-2019
  • Izdevniecība: BFI Publishing
  • Valoda: eng
  • ISBN-13: 9781838718862
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French Cinema BookPalielināt
  • Formāts: 370 pages
  • Izdošanas datums: 25-Jul-2019
  • Izdevniecība: BFI Publishing
  • Valoda: eng
  • ISBN-13: 9781838718862
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The French Cinema Book offers an innovative and accessible account of the richness and diversity of French film history from the 1890s to the 2010s. This revised, updated and expanded new edition contains contributions from thirty-six leading commentators on French cinema from around the world.

 

Michael Temple and Michael Witt assemble a broad range of approaches to the study and appreciation of French cinema:

·         PEOPLE: Who are the men and women who have made French cinema happen?

·         BUSINESS: What is the industrial culture in which French cinema has evolved?

·         TECHNOLOGY: To what extent have technological factors determined the course of French cinema?

·         FORMS: How can we study the diversity of film forms practiced across French cinema, and how have the formal ‘languages’ of film changed over time?

·         REPRESENTATIONS: What have French films shown us of France, its society, its concerns, and the changing lives of its citizens?

·         SPECTATORS: How has the audience’s experience of film-going changed in France over time?

·         DEBATES: How has cinema been represented and discussed in French culture?

 

Whether you are a student, teacher, specialist or simply a fan of French cinema, this book is essential reading.



Papildus informācija

A comprehensively revised and expanded new edition of this classic textbook, introducing key aspects of French cinema industry and culture from 1890 to the present.
Acknowledgments ix
Notes on Contributors x
Introduction xv
Michael Temple
Michael Witt
PART ONE 1890--1920
1(58)
1 People: The Men and Women Who Made French Cinema
3(11)
Richard Abel
2 Business: The Birth of the Industry
14(7)
Laurent Le Forestier
3 Technology: Innovation, Standardisation and Commercialisation in Early Film Technology
21(7)
Laurent Mannoni
4 Forms: The Shifting Boundaries of Art and Industry
28(10)
Ian Christie
5 Representations: Our Little Planet
38(8)
Teresa Castro
6 Spectators: The Cinemising Process: Film-Going in the Silent Era
46(7)
Elizabeth Ezra
7 Debates: Early Developments in Film-Thinking
53(6)
Monica Dall'Asta
PART TWO 1920--50
59(92)
8 People: Migration and Exile in the Classical Period
61(12)
Alastalr Phillips
9 Business: Anarchy and Order in the French Film Industry
73(8)
Colin Crisp
10 Technology: Plant, Imported Technologies and Film Style
81(8)
Charles O'Brien
11 Forms: The Place and Desire of Avant-Garde and Experimental Forms
89(12)
Jennifer Wild
12 Forms: The Art of Spectacle: The Aesthetics of Classical French Cinema
101(11)
Ginette Vincendeau
13 Representations: The Geography and Topography of French Cinema
112(7)
Keith Reader
14 Representations: Gender Representations in French Fiction Films
119(8)
Noel Burch
Genevieve Sellier
15 Representations: Region, Colony and Nation in French Documentary Films
127(7)
Alison J. Murray Levine
16 Spectators: In the Dark: Looking for the French Film Public
134(9)
Michael Temple
Muriel Tinel-Temple
17 Debates: Trends and Developments in Film Criticism and Theory from the 1920s to the 1940s
143(8)
Monica Dall'Asta
PART THREE 1950--80
151(90)
18 People: Film-Making as a Collaborative Activity: The Contribution of Cinematographers, Screenwriters and Actors
153(11)
Alison Smith
19 Business: The End of a Golden Era for the Industry
164(8)
Laurent Creton
Anne Jackel
20 Technology: Technological Innovation and Change from the Mainstream to the Margins
172(8)
Michael Witt
21 Forms: The Diversity of Film-Making Forms and Practices during the Thirty Glorious Years
180(11)
Michael Temple
Michael Witt
22 Forms: Forms of Resistance and Revolt: `We Are in Agreement with All That Has Struggled, and Is Struggling Still, since the World Began'
191(13)
Nicole Brenez
23 Representations: A Camera of One's Own: Video in Feminist Hands
204(7)
Helene Fleckinger
24 Representations: Material Turns: French Cinema and the Construction of Everyday Life
211(8)
Sam Di Iorio
25 Representations: A Greater France? French Cinema from the Colonial to the Postcolonial Period
219(8)
Sebastien Denis
26 Spectators: Going Back Home
227(7)
Franck Le Gac
27 Debates: Bazin and His Legacies
234(7)
Daniel Morgan
PART FOUR 1980--PRESENT
241(94)
28 People: The Human Factor: Producers, Directors, Actors
243(11)
Jean-Michel Frodon
29 Business: A Business Model under Threat?
254(10)
Laurent Creton
Anne Jackel
30 Technology: `Delay the Start to Hasten the Finish': French Exhibitors and the Digital Revolution
264(10)
Kira Kitsopanidou
31 Forms: The Documentary Renaissance
274(11)
Michael Witt
32 Forms: From Cinema to Film Arts
285(12)
Nicole Brenez
33 Representations: Fiction, Documentary and the Political
297(7)
Martin O'Shaughnessy
34 Representations: Representations of Ethnic Minorities in French Cinema since 1980
304(9)
Will Higbee
35 Representations: From Gay Visibility to Queer In/Visibilities
313(8)
James S. Williams
36 Spectators: The Spectator as Expert -- French Cinephilia Today
321(7)
Laurent Jullier
Jean-Marc Leveratto
37 Debates: Philosophy and Film: Re-Framing the Cinematic Century
328(7)
Hunter Vaughan
Further Reading 335(9)
Online Resources 344(4)
Index 348
Michael Temple is Reader in Film and Media at Birkbeck College, University of London, UK, and Director of Birkbeck Institute for the Moving Image and the Essay Film Festival. He is the author of Jean Vigo (2005), and has co-edited several books about Jean-Luc Godard, as well as Decades Never Start on Time: A Richard Roud Anthology (2014). Michael Witt is Professor of Cinema and Co-Director of the Centre for Research in Film and Audiovisual Cultures at the University of Roehampton, London, UK. He has published widely on French film history in journals such as Screen, Trafic and New Left Review and co-curated seasons of French experimental cinema, documentary, and the work of Jean-Luc Godard for institutions such as Tate Modern and BFI Southbank. He is the co-editor of For Ever Godard (2004) and Jean-Luc Godard: Documents (2006), and the author of Jean-Luc Godard, Cinema Historian (2013).
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