Atjaunināt sīkdatņu piekrišanu

E-grāmata: From Bayreuth to Burkina Faso: Christoph Schlingensief's Opera Village Africa as Postcolonial Gesamtkunstwerk?

  • Formāts: 294 pages
  • Izdošanas datums: 30-Nov-2022
  • Izdevniecība: Leuven University Press
  • Valoda: eng
  • ISBN-13: 9789461664938
Citas grāmatas par šo tēmu:
  • Formāts - PDF+DRM
  • Cena: 61,74 €*
  • * ši ir gala cena, t.i., netiek piemērotas nekādas papildus atlaides
  • Ielikt grozā
  • Pievienot vēlmju sarakstam
  • Šī e-grāmata paredzēta tikai personīgai lietošanai. E-grāmatas nav iespējams atgriezt un nauda par iegādātajām e-grāmatām netiek atmaksāta.
From Bayreuth to Burkina Faso: Christoph Schlingensief's Opera Village Africa as Postcolonial Gesamtkunstwerk?Palielināt
  • Formāts: 294 pages
  • Izdošanas datums: 30-Nov-2022
  • Izdevniecība: Leuven University Press
  • Valoda: eng
  • ISBN-13: 9789461664938
Citas grāmatas par šo tēmu:

DRM restrictions

  • Kopēšana (kopēt/ievietot):

    nav atļauts

  • Drukāšana:

    nav atļauts

  • Lietošana:

    Digitālo tiesību pārvaldība (Digital Rights Management (DRM))
    Izdevējs ir piegādājis šo grāmatu šifrētā veidā, kas nozīmē, ka jums ir jāinstalē bezmaksas programmatūra, lai to atbloķētu un lasītu. Lai lasītu šo e-grāmatu, jums ir jāizveido Adobe ID. Vairāk informācijas šeit. E-grāmatu var lasīt un lejupielādēt līdz 6 ierīcēm (vienam lietotājam ar vienu un to pašu Adobe ID).

    Nepieciešamā programmatūra
    Lai lasītu šo e-grāmatu mobilajā ierīcē (tālrunī vai planšetdatorā), jums būs jāinstalē šī bezmaksas lietotne: PocketBook Reader (iOS / Android)

    Lai lejupielādētu un lasītu šo e-grāmatu datorā vai Mac datorā, jums ir nepieciešamid Adobe Digital Editions (šī ir bezmaksas lietotne, kas īpaši izstrādāta e-grāmatām. Tā nav tas pats, kas Adobe Reader, kas, iespējams, jau ir jūsu datorā.)

    Jūs nevarat lasīt šo e-grāmatu, izmantojot Amazon Kindle.

Opera Village, a participatory art experiment by the late German multimedia artist Christoph Schlingensief, serves as a testing ground for a critical interrogation of Richard Wagner's notion of the Gesamtkunstwerk. Sarah Hegenbart traces the path from Wagner's introduction of the Gesamtkunstwerk in Bayreuth to Schlingensief's attempt to charge the idea of the total artwork with new meaning by transposing it to the West African country Burkina Faso. Schlingensief developed Opera Village in collaboration with the world-renowned architect Francis Kere. This final project of Schlingensief is inspired by and illuminates the diverse themes that informed his artistic practice, including coming to terms with the German past, anti-Semitism, critical race theory, and questions of postcolonial (self-)criticism.

From Bayreuth to Burkina Faso introduces the notion of the postcolonial Gesamtkunstwerk to disrupt the Eurocentric perspective on art history, exploring how the socio-political force of a postcolonial Gesamtkunstwerk could affect processes of transcultural identity construction. It reveals how Schlingensief translocated the Wagnerian concept to Burkina Faso to address German colonial history and engage with it from the perspective of multidirectional memory cultures.

Recenzijas

The author offers fresh theoretical perspectives on Schlingensiefs work, as when they connect it to concepts such as narcissism or dialogical images. Also the authors great field research in

Burkina Faso and the first-hand interviews conducted there distinguish the book from previous studies.Ilinca Todorut, Babes-Bolyai University, Cluj-Napoca This is the first major study of the Opera village. The author has an excellent command not only of the scholarship on Schlingensief but also on Wagner, and all the current discussions on post-colonialism that continue to preoccupy the public sphere. It is an extremely timely contribution to a set of topical and also controversial discussions. Christopher Balme, LMU Munich This book makes significant strides not only in understanding Schlingensiefs work in Africa but also in addressing the complexities when it comes to German-language theater in the Global South. - Katherine Pollock, German Studies Review, vol. 46 no. 3, 2023, p. 521-523. https://doi.org/10.1353/gsr.2023.a910200

Acknowledgements 9(4)
Introduction: Opera of Ambiguities 13(24)
Chapter One Egomania - Germany Without Hope? Rectifying the impression that Schlingensief staged a Wagnerian Gesamtkunstwerk at the Venice Biennial 2011
37(20)
Chapter Two From Bayreuth to Burkina Faso: Stripping the Gesamtkunstwerk of its German coordinates
57(24)
Chapter Three The Mission of a Contemporary Parsifal: Redeeming Germany in Burkina Faso
81(24)
Chapter Four Revolving Opera and Psychic Interiors: The Animatograph
105(26)
Chapter Five Readymade and Azione Scenica: SchlingensiePs Expanded Definition of Opera
131(26)
Chapter Six Opera Village as postcolonial Gesamtkunstwerk?
157(24)
Conclusion: The Gesamtkunstwerk: Smashed or revived? 181(4)
Notes 185(54)
Bibliography 239(34)
Index 273
Sarah Hegenbart is lecturer in art history at Technical University of Munich and currently acts as a substitute for the professorship of art research with a focus on contemporary arts at the Braunschweig University of Art (HBK Braunschweig).
Biežāk uzdotie jautājumi par e-grāmatām Biežāk uzdotie jautājumi par e-grāmatām
Permanent link: https://www.kriso.lv/db/97894616649382e.html
Keywords: