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From Lived Experience to the Written Word: Reconstructing Practical Knowledge in the Early Modern World [Mīkstie vāki]

4.10/5 (10 ratings by Goodreads)
  • Formāts: Paperback / softback, 352 pages, height x width: 241x222 mm, 75 color plates, 41 halftones
  • Izdošanas datums: 23-Sep-2022
  • Izdevniecība: University of Chicago Press
  • ISBN-10: 0226818241
  • ISBN-13: 9780226818245
  • Mīkstie vāki
  • Cena: 39,11 €
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  • Formāts: Paperback / softback, 352 pages, height x width: 241x222 mm, 75 color plates, 41 halftones
  • Izdošanas datums: 23-Sep-2022
  • Izdevniecība: University of Chicago Press
  • ISBN-10: 0226818241
  • ISBN-13: 9780226818245
"This book focuses on how literate artisans began to write about their discoveries starting around 1400: in other words, it explores the origins of technical writing. Artisans and artists began to publish handbooks, guides, treatises, tip sheets, graphs and recipe books rather than simply pass along their knowledge in the workshop. And they tried to articulate what the new knowledge meant. The popularity of these texts coincided with the founding of a "new philosophy" that sought to investigate nature ina new way. Smith shows how this moment began in the unceasing trials of the craft workshop, and ended in the experimentation of the natural scientific laboratory. These epistemological developments have continued to the present day and still inform how we think about scientific knowledge"--

How and why early modern European artisans began to record their knowledge.

In From Lived Experience to the Written Word, Pamela H. Smith considers how and why, beginning in 1400 CE, European craftspeople began to write down their making practices. Rather than simply passing along knowledge in the workshop, these literate artisans chose to publish handbooks, guides, treatises, tip sheets, graphs, and recipe books, sparking early technical writing and laying the groundwork for how we think about scientific knowledge today.
 
Focusing on metalworking from 1400–1800 CE, Smith looks at the nature of craft knowledge and skill, studying present-day and historical practices, objects, recipes, and artisanal manuals. From these sources, she considers how we can reconstruct centuries of largely lost knowledge. In doing so, she aims not only to unearth the techniques, material processes, and embodied experience of the past but also to gain insight into the lifeworld of artisans and their understandings of matter.

Recenzijas

"This book is a cogently original account of skilled practice, its expression in writing, and its significance for the culture of knowledge as the new sciences developed in early modern Europe. With roots in the world-renewed Making and Knowing Project, it offers an important addition to the histories of skilled craft practice, of science and technology, and of the premodern and early modern periods." -- Pamela O. Long, author of Engineering the Eternal City "This is a brilliant, groundbreaking, and timely book. Through a particularly novel and exciting approach, Smith offers the first book-length study on the way early modern practitioners wrote about their skills. It is a must read for the growing community of scholars interested in material culture and in the ways how bodies, minds, things, and materials interact with each other." -- Christine Goettler, author of Last Things

Introduction: Lived Experience and the Written Word 1(20)
Part 1 Vernacular Theorizing in Craft
1 Is Handwork Knowledge?
21(22)
2 The Metalworker's Philosophy
43(22)
3 Thinking with Lizards
65(26)
Part 2 Writing Down Experience
4 Artisan Authors
91(26)
5 Writing Kunst
117(22)
6 Recipes for Kunst
139(12)
Part 3 Reading and Collecting
7 Who Read and Used Little Books of Art?
151(26)
8 Kunst as Power: Making and Collecting
177(26)
Part 4 Making and Knowing
9 Reconstructing Practical Knowledge: Hastening to Experience
203(28)
10 A Lexicon for Mind-Body Knowing
231(20)
Epilogue: Global Routes of Practical Knowledge 251(12)
Acknowledgments 263(4)
Notes 267(26)
References 293(36)
Index 329
Pamela H. Smith is the Seth Low Professor of History at Columbia University and founding director of the Center for Science and Society and of its cluster project, the Making and Knowing Project. She is the author of The Business of Alchemy and The Body of the Artisan, the latter also published by the University of Chicago Press. She is the co-editor of Ways of Making and Knowing and The Matter of Art and editor of Entangled Itineraries.