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E-grāmata: From Networks to Netflix: A Guide to Changing Channels 2nd edition [Taylor & Francis e-book]

Edited by (University of Wisconsin, Madison, USA)
  • Formāts: 450 pages, 2 Tables, black and white; 43 Halftones, black and white; 43 Illustrations, black and white
  • Izdošanas datums: 26-Jul-2022
  • Izdevniecība: Routledge
  • ISBN-13: 9781003099499
  • Taylor & Francis e-book
  • Cena: 155,64 €*
  • * this price gives unlimited concurrent access for unlimited time
  • Standarta cena: 222,34 €
  • Ietaupiet 30%
  • Formāts: 450 pages, 2 Tables, black and white; 43 Halftones, black and white; 43 Illustrations, black and white
  • Izdošanas datums: 26-Jul-2022
  • Izdevniecība: Routledge
  • ISBN-13: 9781003099499
"Now in a second edition, this textbook surveys the channels, platforms, and programming through which television distribution operates, with a diverse selection of contributors providing thorough exploration of global media industries in flux. Even as legacy media industries experience significant disruption in the face of streaming and online delivery, the power of the television channel persists. Far from disappearing, television channels have multiplied and adapted to meet the needs of old and new industry players alike. Television viewers now navigate complex choices among broadcast, cable, and streaming services across a host of different devices. From Networks to Netflix guides students, instructors, and scholars through that complex and transformed channel landscape to reveal how these industry changes unfold and why they matter. This second edition features new players like Disney+, HBO Max, Crunchyroll, Hotstar, and more, while attending to TV services across six continentsthe world. An ideal resource for students and scholars of media studies, media theory, and media industries, this book continues to offer a concrete, tangible way to grasp the foundations of television-and television studies-even as they continue to be rewritten"--

Now in a second edition, this textbook surveys the channels, platforms, and programming through which television distribution operates, with a diverse selection of contributors providing thorough exploration of global media industries in flux.

Introduction
1 Pluto TV: Channels, Portals, and the Changing Television Cosmos
3(22)
Derek Johnson
Broadcast Legacies
2 ABC: Crisis, Risk, and the Logics of Change
25(12)
Kristen J. Warner
3 The CW: Media Conglomerates in Partnership
37(10)
Caryn Murphy
4 PBS: Crowdsourcing Culture Since 1969
47(12)
Michele Hilmes
5 Telemundo: Telenovelas for the Twenty-First Century
59(10)
Juan Llamas-Rodriguez
6 TV Globo: Global Expansions and Cross-media Convergence from Broadcast to Streaming
69(10)
Courtney Brannon Donoghue
7 MeTV: Time TV's Last Stand?
79(12)
Derek Kompare
Cable and Satellite Survivors
8 NewsNation: Local Broadcasting, National Cable Channels, and the Evolution of WGN
91(10)
Christine Becker
9 Cartoon Network: Adult Swim and the Evolving Use of "Edge"
101(10)
Jacob Mertens
Lauren E. Wilks
10 Nick Jr.: Shifting Conglomerate Strategies from Scheduling to Intellectual Property
111(10)
Erin Copple Smith
11 Freeform: Shaking off the Family Brand within Conglomerate Family
121(12)
Barbara Selznick
12 Comedy Central: Trying to Grow Up by Getting Younger
133(12)
Nick Marx
13 Bravo: Branding, Fandom, and the Lifestyle Network
145(10)
Martina Baldwin
Suzanne Leonard
14 AMC: Story Sync and Frictionless Fandom
155(10)
Suzanne Scott
15 Starz: Distinction, Value, and Fandom in Premium TV
165(10)
Myles McNutt
16 Playboy TV: Contradictions, Confusion, and Post-network Pornography
175(10)
Peter Alilunas
17 El Rey: Latino Indie Auteur as Channel Identity
185(16)
Alisa Perren
Streaming Ventures
18 Netflix: Streaming Channel Brands as Global Meaning Systems
201(12)
Timothy Havens
Ryan Stoldt
19 YouTube: The Interface between Television and Social Media Entertainment
213(10)
Stuart Cunningham
Smith Mehta
Gabriela Lunardi
Guy Healy
20 IQIYI: China's Internet Tigers Take Television
223(12)
Michael Curtin
Yongli Li
21 Amazon Prime Video: Scale, Complexity, and Television as Widget
235(12)
Karen Petruska
22 The Roku Channel: Vertically Integrated Connected TV
247(12)
Ramon Lobato
Eleanor Patterson
23 OTV: Open Television: The Development Process
259(10)
Aymar Jean Christian
24 Revry: Making the Case for LGBTQ Channels
269(10)
Julia Himberg
25 IROKOtv" Drama for the "Small-Small" Screen
279(12)
Tori Omega Arthur
26 Crunchyroll: Contested Authenticity in the Creation of Niche Brand Communities
291(10)
Susan Noh
27 Viki: Governing Transnational Fandom via Platforms
301(10)
Wan-Jun Lu
28 Twitch, TV: Tele-visualizing the Arcade
311(14)
Matthew Thomas Payne
Television Plus
29 Hulu: Negotiating National and International Streaming
325(10)
Evan Elkins
30 Hotstar: Reimagining Television Audiences in Digital India
335(12)
Shanti Kumar
Aswin Punathambekar
31 Abema TV: Where Broadcasting and Streaming Collide
347(10)
Marc Steinberg
32 Mango TV: The Rise of a State-Controlled Entertainer
357(10)
Xiaoying Han
33 Disney+: Imagining Industrial Intertextuality
367(10)
Kyra Hunting
Jonathan Gray
34 ESPN+: Subscribing to Diversity, Marginalizing Women's Sports
377(10)
Jason Kido Lopez
35 Peacock: Network Heritage, Olympic Dreams, and the Transformation of NBC Sports
387(12)
Deborah L. Jaramillo
36 HBO Max: Media Conglomerates and the Organizational Logic of Streaming
399(10)
Gregory Steirer
37 Paramount+: "Peaking" Subscriber Interest in Legacy Television Franchises
409(14)
Derek Johnson
List of Contributors 423(8)
Index 431
Derek Johnson is Professor of Media and Cultural Studies in the Department of Communication Arts at the University of Wisconsin-Madison. His books include Transgenerational Media Industries: Adults, Children, and the Reproduction of Culture as well as Media Franchising: Creative License and Collaboration in the Culture Industries. He is also the co-author of Television Goes to the Movies, and the co-editor of books including Point of Sale: Analyzing Media Retail.