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E-grāmata: From Romanticism to Critical Theory: The Philosophy of German Literary Theory

  • Formāts: 368 pages
  • Izdošanas datums: 04-Jan-2002
  • Izdevniecība: Routledge
  • Valoda: eng
  • ISBN-13: 9780203026250
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  • Formāts: 368 pages
  • Izdošanas datums: 04-Jan-2002
  • Izdevniecība: Routledge
  • Valoda: eng
  • ISBN-13: 9780203026250
Citas grāmatas par šo tēmu:

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From Romanticism to Critical Theory explores the philosophical origins of literary theory via the tradition of German philosophy that began with the Romantic reaction to Kant. It traces the continuation of the Romantic tradition of Novalis, Friedrich Schlegel and Schleiermacher, in Heidegger's approaches to art and thruth, and in the Critical Theory of Benjamin and Adorno.
Andrew Bowie argues, against many current assumptions, that the key aspect of literary theory is not the demonstration of how meaning can be deconstructed, but rather the relevation of how questions of language and literature change modern philosophical conceptions of thruth. He shows how the dialogue between literary theory, hermeneutics and analytical philosophy can profit from a re-examination of the understanding of language, thruth and literature in modern German philosophy.
From Romanticism to Critical Theory will provide a vital new introduction to central theoretical questions for students of philosophy, literature, German studies, cultural and social theory.

Recenzijas

`Bowie argues brilliantly and persuasively for the continued relevance of the romantic project for contemporary thought...in the past few years I have found few books that display such a sovereignty with regard to the most difficult philosophical and aesthetic issues of the past two centuries.' - Robert Holub, University of California, Berkeley

`Bowie's study is an impressive and thoughtful contribution to an important debate...he provides a rich intellectual context for the understanding of modern and postmodern culture in general and of recent critical theory in particular' - Martin Swales, University College, London

'Bowie manages to tease out insights from the thinkers he discusses with remarkable dexterity,' - Austin Harrington, Radical Philosophy

'Bowie's splendid book ... remains at all times demanding, intelligible and highly readable ... immensely impressive ... the book is certain to be referred to for a long time to come and should be acquired by all university libraries.' - BARS Bulletin and Review

'This is an essential contribution to Romantic studies, and one that should set the terms of the debate for many years to come.' - Romanticism

Preface and acknowledgements vii
Introduction: renewing the theoretical canon 1(1)
The roots of literary theory
1(3)
Literature, aesthetics and ideology
4(9)
The Romantic heritage
13(3)
The truth of literature
16(12)
Philosophical origins: Kant, Jacobi, and the crisis of reason
28(25)
New frameworks
28(2)
Kant and the critique of the `ready-made world'
30(5)
Jacobi: `being' and the critique of metaphysics
35(6)
`Pure reason listens only to itself': from metaphysics to literary theory
41(12)
Shifting the ground: `where philosophy ceases literature must begin'
53(12)
`The philology of philosophy' (Friedrich Schlegel)
53(3)
Judgement, schema and language
56(5)
`To begin with one only spoke in poetry'
61(4)
The philosophy of critique and the critique of philosophy: Romantic literary theory
65(25)
`The ridiculous mistake, that people think they speak for the sake of things'
65(10)
`All highest truths of every kind are thoroughly trivial'
75(5)
`Transcendental literature'
80(6)
The aesthetic and the hermeneutic imperatives
86(4)
Interpretative reasons
90(14)
The `anarchy of convictions'
90(3)
Spirit and letter
93(6)
Knowing what we mean: the semantic and hermeneutic alternatives
99(5)
The ethics of interpretation: Schleiermacher
104(34)
Beginning in the middle
104(2)
Playing by the rules
106(10)
`Thought' and `feeling'
116(10)
`There is no such thing as a language'/`there is no such thing as literature'
126(12)
Being true: Dilthey, Husserl and Heidegger (1)
138(26)
Heideggerian questions
138(6)
Understanding and explaining
144(9)
Understanding being
153(11)
The truth of art: Heidegger (2)
164(29)
The turn to art
164(6)
Putting the truth into the work
170(12)
The subject of art
182(11)
Understanding Walter Benjamin
193(45)
Language and origins
193(12)
`The concept of art-critique in German Romanticism'
205(9)
Salvaging the truth
214(15)
Redemption or illusion?
229(9)
The culture of truth: Adorno
238(43)
Adorno and Benjamin: paradigms of modern aesthetics
238(10)
`Dreamlike anticipation': Adorno's earliest philosophy
248(3)
The `dissolution of what has up to now been called philosophy'
251(5)
Words put in question
256(9)
Art, schematism and philosophy
265(7)
Literature, truth and the critique of `identity'
272(9)
Conclusion 281(20)
Notes 301(34)
Bibliography 335(7)
Index 342
Andrew Bowie is Professor of European Philosophy at Anglia Polytechnic University in Cambridge. He is the author of Aesthetics and Subjectivity: From Kant to Nietzsche and Schelling and Modern European Philosophy.