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E-grāmata: From Steam to Screen: Cinema, the Railways and Modernity

(Independent Scholar, UK)
  • Formāts: 320 pages
  • Sērija : Cinema and Society
  • Izdošanas datums: 22-Mar-2018
  • Izdevniecība: I.B. Tauris
  • Valoda: eng
  • ISBN-13: 9781786723222
  • Formāts - EPUB+DRM
  • Cena: 33,80 €*
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  • Formāts: 320 pages
  • Sērija : Cinema and Society
  • Izdošanas datums: 22-Mar-2018
  • Izdevniecība: I.B. Tauris
  • Valoda: eng
  • ISBN-13: 9781786723222

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In late nineteenth and early twentieth century Britain, there was widespread fascination with the technological transformations wrought by modernity. Films, newspapers and literature told astonishing stories about technology, such as locomotives breaking speed records and moving images seemingly springing into life onscreen. And, whether in films about train travel, or in newspaper articles about movie theatres on trains, stories about the convergence of the railway and cinema were especially prominent. Together, the two technologies radically transformed how people interacted with the world around them, and became crucial to how British media reflected the nation's modernity and changing role within the empire. Rebecca Harrison draws on archival sources and an extensive corpus of films to trace the intertwined histories of the train and the screen for the first time. In doing so, she presents a new and illuminating material and cultural history of the period, and demonstrates the myriad ways railways and cinema coalesced to transform the population's everyday life. With examples taken from more than 240 newsreels and 40 feature-length films, From Steam to Screen is essential reading for students and researchers working on film studies and British history at the turn of the century and beyond.

The first study to contextualise fully the changes brought about by railways and cinema, and demonstrate the resultant impact on everyday life.

Recenzijas

A delightful book to read from start to finish fascinating. * Film Matters *

Papildus informācija

The first study to contextualise fully the changes brought about by railways and cinema, and demonstrate the resultant impact on everyday life.
List of Illustrations
ix
Acknowledgements xi
Additional Acknowledgements xiii
General Editor's Introduction xiv
Introduction 1(26)
Intersections
9(6)
Space and Time
15(4)
Approaching the Past
19(8)
1 Ghost Stories, Phantom Rides and Class at the Cinematograph Show
27(42)
Ghosts in Victorian Culture
30(8)
The Phantom Aesthetics of Early Cinema
38(4)
Class and the `Panicking Audience'
42(6)
Phantom Rides and Rural Modernity
48(7)
Railways and Countryside Cinematograph Shows
55(10)
Conclusion
65(4)
2 Ambulance Trains and Domestic Conflict in the First World War
69(40)
The Ambulance Train
73(9)
Visual Culture in the First World War
82(8)
The Ambulance Train on Screen
90(6)
A Shared Vocabulary
96(8)
Conclusion
104(5)
3 Train Crashes, Cinema Fires, and the Precarious Modern Woman
109(40)
The `Modern' Woman
114(8)
Dangerous Machines
122(7)
Precarious Women
129(6)
Precarious Modern Women and Onscreen Machines
135(11)
Conclusion
146(3)
4 Child Evacuees and Rural Modernity in the Second World War
149(38)
The (in)Visible Child in Urban and Rural Spaces
152(8)
Child Evacuees as Railway Tourists
160(7)
The Movie House and Making a `Home from Home'
167(11)
Film Exhibition and Children's Spectatorship
178(6)
Conclusion
184(3)
5 The Cinema Train, Modernity and Empire
187(42)
The Emergence of the Movie Coach
190(13)
Inside the Cinema Train
203(15)
The Cinema Trains Afterlife
218(8)
Conclusion
226(3)
Epilogue 229(10)
Notes 239(46)
Bibliography 285(10)
Index 295
Rebecca Harrison is a lecturer in British cinema at the University of Glasgow. She received her PhD from University College London, UCL, and has presented her research in peer-reviewed journals and at conferences internationally.