Atjaunināt sīkdatņu piekrišanu

E-grāmata: Gendered Identity and the Lost Female: Hybridity as a Partial Experience in the Anglophone Caribbean Performances

  • Formāts: EPUB+DRM
  • Izdošanas datums: 31-Aug-2022
  • Izdevniecība: Palgrave Macmillan
  • Valoda: eng
  • ISBN-13: 9789811949678
  • Formāts - EPUB+DRM
  • Cena: 106,47 €*
  • * ši ir gala cena, t.i., netiek piemērotas nekādas papildus atlaides
  • Ielikt grozā
  • Pievienot vēlmju sarakstam
  • Šī e-grāmata paredzēta tikai personīgai lietošanai. E-grāmatas nav iespējams atgriezt un nauda par iegādātajām e-grāmatām netiek atmaksāta.
  • Formāts: EPUB+DRM
  • Izdošanas datums: 31-Aug-2022
  • Izdevniecība: Palgrave Macmillan
  • Valoda: eng
  • ISBN-13: 9789811949678

DRM restrictions

  • Kopēšana (kopēt/ievietot):

    nav atļauts

  • Drukāšana:

    nav atļauts

  • Lietošana:

    Digitālo tiesību pārvaldība (Digital Rights Management (DRM))
    Izdevējs ir piegādājis šo grāmatu šifrētā veidā, kas nozīmē, ka jums ir jāinstalē bezmaksas programmatūra, lai to atbloķētu un lasītu. Lai lasītu šo e-grāmatu, jums ir jāizveido Adobe ID. Vairāk informācijas šeit. E-grāmatu var lasīt un lejupielādēt līdz 6 ierīcēm (vienam lietotājam ar vienu un to pašu Adobe ID).

    Nepieciešamā programmatūra
    Lai lasītu šo e-grāmatu mobilajā ierīcē (tālrunī vai planšetdatorā), jums būs jāinstalē šī bezmaksas lietotne: PocketBook Reader (iOS / Android)

    Lai lejupielādētu un lasītu šo e-grāmatu datorā vai Mac datorā, jums ir nepieciešamid Adobe Digital Editions (šī ir bezmaksas lietotne, kas īpaši izstrādāta e-grāmatām. Tā nav tas pats, kas Adobe Reader, kas, iespējams, jau ir jūsu datorā.)

    Jūs nevarat lasīt šo e-grāmatu, izmantojot Amazon Kindle.

?This book offers an exploration of the postcolonial hybrid experience in anglophone Caribbean plays and performance from a feminist perspective.

In a hitherto unattempted consideration of Caribbean theatre and performance, this study of gendered identities chronicles the postcolonial hybrid experience – and how it varies in the context of questions of sex, performance and social designation. In the process, it examines the diverse performances of the anglophone Caribbean. The work includes works by Caribbean anglophone playwrights like Derek Walcott, Mustapha Matura, Michael Gikes, Dennis Scott, Trevor Rhone, Earl Lovelace and Errol John with more recent works of Pat Cumper, Rawle Gibbons and Tony Hall. The study would also engage with Carnival, calypso and chutney music, while commenting on its evolving influences over the hybrid imagination.

Each section covers the dominant socio-political thematics associated with the tradition and its effect on it, followed by an analysis of contemporaneously significant literary and cultural works – plays, carnival narrative and calypso and chutney lyrics as well as the experiences of performers. From Lovelace’s fictional Jestina to the real-life Drupatee, the book critically explores the marginalization of female performances while forming a hybrid identity.

1 Independence and Oil Boom: Hybridity and the Changing Face of Caribbean Gender Identity
1(26)
1.1 Political and Economic Change
3(4)
1.2 Socio-Cultural Change
7(2)
1.3 Gender Politics in the Caribbean Before and Around 1972
9(16)
Works Cited
25(2)
2 Race, Performance, Identity, and the Possibility of an Incomplete Articulation of Hybridity
27(46)
2.1 Construction of Racial and Ethnic Identity in the Caribbean
27(11)
2.2 Concept of Hybridity and Its Incomplete Articulation
38(12)
2.3 The Interconnection of Drama, Calypso and Carnival
50(18)
Works Cited
68(5)
3 "To Put Two Cold Coins": The Polarized Identities in Caribbean Drama
73(70)
3.1 Folklore, Rituals and Carnival: Many Faces of Caribbean Theatrical Performances
74(8)
3.2 Dream on Monkey Mountain and Ti Jean and His Brothers: Walcott's Myth of Masculine Hybridity
82(16)
3.3 Internalized Hegemony and the Exaggeration of Complacence: Trevor D. Rhone's Old Story Time
98(11)
3.4 Motley of Choice and Change: Errol John's Moon on a Rainbow Shawl
109(10)
3.5 Rawle Gibbon's "I Lawah": The Canboulay in Theatre
119(7)
3.6 "woman like you... like me": Pat Camper's "The Rapist"
126(14)
Works Cited
140(3)
4 Carnival as a Partial Expression of Gendered Reality
143(44)
4.1 Carnival: Tradition or a Modern Bacchanalia
146(3)
4.2 Bakhtin and the Idea of the Carnivalesque
149(3)
4.3 Carnival as Ritual
152(6)
4.4 Canboulay: Emergence of a Carnival of Color
158(4)
4.5 Carnival and the Gender Equation
162(14)
4.6 The Changing Face of the Carnival
176(9)
Works Cited
185(2)
5 "Instead of Having One Race, You Know I Got Two": Calypso and Chutney as Voices from the Fringe
187(38)
5.1 Calypso and the Absence of "Jean" and "Dinah"
188(19)
5.2 Music Off the fahaj: Music of the Indo-Caribbean
207(15)
Works Cited
222(3)
6 Conclusion
225(8)
Works Cited
231(2)
Bibliography 233(10)
Index 243
Shrabani Basu is an Assistant Professor of English at Deshabandhu Mahavidyalaya, Chittaranjan, India. She holds PhD, MPhil and MA degrees from The English and Foreign Languages (EFL) University, Hyderabad. Her doctoral research focused on Caribbean performance studies. In recent years, she has shifted her focus to experiences of horror in the postcolonial realm. She predominantly publishes on postcolonial feminism.