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E-grāmata: Geopoetics in Practice

Edited by (University of Northern British Columbia, Canada), Edited by (Washington State University, U.S.A), Edited by (Hawaii), Edited by (New Mexico State University, USA)
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This breakthrough book examines dynamic intersections of poetics and geography. Gathering the essays of an international cohort whose work converges at the crossroads of poetics and the material world, Geopoetics in Practice offers insights into poetry, place, ecology, and writing the world through a critical-creative geographic lens.

This collection approaches geopoetics as a practice by bringing together contemporary geographers, poets, and artists who contribute their research, methodologies, and creative writing. The 24 chapters, divided into the sections Documenting, Reading, and Intervening, poetically engage discourses about space, power, difference, and landscape, as well as about human, non-human, and more-than-human relationships with Earth. Key explorations of this edited volume include how poets engage with geographical phenomena through poetry and how geographers use creativity to explore space, place, and environment.

This book makes a major contribution to the geohumanities and creative geographies by presenting geopoetics as a practice that compels its agents to take action. It will appeal to academics and students in the fields of creative writing, literature, geography, and the environmental and spatial humanities, as well as to readers from outside of the academy interested in where poetry and place overlap.
List of table
viii
List of figures
ix
Preface xi
Harriet Hawkins
Introduction: geopoetics as route-finding
1(14)
Eric Magrane
Linda Russo
Sarah de Leeuw
Craig Santos Perez
PART I Documenting
15(114)
1 Bodies belong to the world: on place, visuality, and vulnerability
17(12)
Kerry Banazek
2 A cosmology of nibi: picto-poetics and palimpsest in Anishinaabeg watery geographies
29(19)
Kimberly Blaeser
3 Terma: a dialogue
48(12)
Sameer Farooq
Fared Stanley
4 All visuals have sound: the verbalization of geography and the sound of landscape
60(14)
Cecilie Bjergas Jordheim
5 Karankawa Carancahua Carancagua Karankaway: centering Indigenous presence in Southeast Texas
74(14)
John Pluecker
6 Geopoetics of Intime and (Sund): performing geochronology in the North Adantic
88(13)
Angela Rawlings
7 Seismic, or topogorgical, poetry
101(16)
John Charles Ryan
8 rout/e
117(12)
Chris Turnbull
PART II Reading
129(128)
9 Lyric geography
131(32)
Maleea Acker
10 Ekphrastic poetry as method
163(9)
Candice P. Boyd
11 The topopoetics of dwelling as preservation in Lorine Niedecker's Paean to place
172(14)
Tim Cresswell
12 Poking holes in the colonial canoe: creative writing as intervention in a 19th-century travel writing narrative
186(13)
Sophie Anne Edwards
13 Thukela Poswayo's poetry of dwelling
199(13)
Emily McGiffin
14 Islote poetics: Notes from minor oudying islands
212(14)
Urayoan Noel
15 The unbending of the faculties: learning from Frederick Law Olmsted
226(18)
Jonathan Skinner
16 Borne-away: tracing a gendered dispossession by accumulation
244(13)
Diane Ward
PART III Intervening
257(109)
17 The limits and promise of urbopoetics: washpark, collaboration, and pedestrian practice
259(11)
Patrick Clifford
Tyrone Williams
18 Geopoetics as collaborative encounter: performing poetic political ecologies of the Colorado River
270(15)
Elissa Dickson
Nathan Clay
19 Negro-Mountain-Wolves/notes on region
285(12)
C.S. Giscombe
20 Hurricane poetics and crip psychogeographies
297(14)
Stephanie Heit
Petra Kuppers
21 Geopoetics, via Germany
311(13)
Angela Last
22 Indigenous Pacific Islander geopoetics
324(17)
Craig Santos Perez
23 Agitating a Copper Lyre; or, geolyricism for the age of digital reproduction
341(15)
Jennifer Scappettone
24 The poetic lexicon of waste: from asarotos oikos (A) to flowers (F)
356(10)
Lucie Taieb
Contributor biographies 366(5)
Acknowledgments 371(1)
Index 372
Eric Magrane is an assistant professor of geography at New Mexico State University. His work takes multiple forms, from scholarly to literary to artistic. He is co-editor of the hybrid field guide/anthology The Sonoran Desert: A Literary Field Guide.

Linda Russo, a clinical associate professor at Washington State University, teaches creative writing and literature and directs EcoArts on the Palouse. Her published works include Meaning to Go to the Origin in Some Way and Participant, both poetry, and the co-edited Counter-Desecration: A Glossary for Writing Within the Anthropocene.

Sarah de Leeuw, a professor with the Northern Medical Program of UBCs Faculty of Medicine, is a poet, critical geographer, and anti-colonial feminist researcher whose multidisciplinary work focuses on marginalized peoples and places. She is the author of multiple journal papers, entries, chapters, and books (both creative and academic), and a Canada Research Chair in Humanities and Health Inequities.

Craig Santos Perez is an Indigenous Chamorro poet and scholar from the Pacific Island of Guam. He is the author of four collections of poetry and the co-editor of three anthologies. He is an associate professor in the English department at the University of Hawaii, Mnoa.