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George Frederick Bodley and the Later Gothic Revival in Britain and America [Hardback]

  • Formāts: Hardback, 508 pages, height x width: 279x216 mm, weight: 2676 g, 200 color + 100 b-w illus.
  • Izdošanas datums: 28-Oct-2014
  • Izdevniecība: Yale University Press
  • ISBN-10: 0300208022
  • ISBN-13: 9780300208023
Citas grāmatas par šo tēmu:
  • Formāts: Hardback, 508 pages, height x width: 279x216 mm, weight: 2676 g, 200 color + 100 b-w illus.
  • Izdošanas datums: 28-Oct-2014
  • Izdevniecība: Yale University Press
  • ISBN-10: 0300208022
  • ISBN-13: 9780300208023
Citas grāmatas par šo tēmu:
"British architect George Frederick Bodley (1827-1907) fundamentally shaped the architecture, art, and design of the Anglican Church throughout England and the world; his work survives in the United States, Australia, India, and Italy, as well as the United Kingdom. This important book is the first to explore the life and work of this major Gothic Revival architect, a man with an evolving outlook on style and aesthetics who believed that every element of a building must be part of an integrated design strategy. A close colleague of William Morris and Edward Burne-Jones, Bodley was the first major patron of Morris's stained glass and, like Morris, was an accomplished textile and wallpaper designer. In 1874 Bodley founded Watts and Company-now celebrating its 140th anniversary-to manufacture ecclesiastical vestments, textiles, and wallpapers. In a seamless blend of architectural, art, and church history, this lavish volume features over 200 illustrations and offers impeccable scholarship on the work of an influential visionary of Victorian design. "--

British architect George Frederick Bodley (1827 1907) fundamentally shaped the architecture, art, and design of the Anglican Church throughout England and the world; his work survives in the United States, Australia, India, and Italy, as well as the United Kingdom. This important book is the first to explore the life and work of this major Gothic Revival architect, a man with an evolving outlook on style and aesthetics who believed that every element of a building must be part of an integrated design strategy. A close colleague of William Morris and Edward Burne-Jones, Bodley was the first major patron of Morris’s stained glass and, like Morris, was an accomplished textile and wallpaper designer. In 1874 Bodley founded Watts and Company now celebrating its 140th anniversary to manufacture ecclesiastical vestments, textiles, and wallpapers. In a seamless blend of architectural, art, and church history, this lavish volume features over 200 illustrations and offers impeccable scholarship on the work of an influential visionary of Victorian design.

Recenzijas

'George Frederick Bodley was the finest and most consistent practitioner of High Victorian Gothic architecture, and as such he richly merits this scholarly, well-illustrated and beautifully produced monograph. . .Hall gives us a vivid portrait of this spirited porcupine, analysing his principles and his undeviating pursuit of beauty (as he saw it). . .This is a great book to honour a great architect.Peyton Skipwith, Literary Review -- Peyton Skipwith * Literary Review * Michael Hall and Yale have combined to give him the magnificent tombstone tomb he deserves, academically disciplined, enthusiastically argued, flatteringly illustrated, merrily readable about his life as well as his art, his many pupils and assistants the subject of a useful appendix I suspect this is a great book; it is certainly the surprise of the year.Brian Sewell, Evening Standard. -- Brian Sewell * Evening Standard * One of the finest monographs on any English architect produced in a very long time. . . . All lovers of the architecture of the late nineteenth and early twentieth centuries would be remiss in not having Mr. Halls book on their shelves.Evan McWilliams, Sacred Architecture -- Evan McWilliams * Sacred Architecture *

Preface `The Most Distinguished Architect of Our Time' 1(8)
1 `Bitten with a Curiosity about the Art'
9(6)
2 In Scott's Office
15(15)
3 Pre-Raphaelite Architecture
30(20)
4 Modern Gothic
50(16)
5 `The Beginning of Days': AH Saints, Selsley
66(13)
6 From Restoration to Protection
79(15)
7 The Return to Englishness
94(19)
8 A New Domestic Ideal
113(16)
9 Anglo-aestheticism
129(23)
10 In Partnership
152(12)
11 Pendlebury and Hoar Cross
164(20)
12 Rethinking the Urban Church
184(19)
13 The Queen Anne School
203(17)
14 The Office: Pupils, Assistants and Friends
220(14)
15 Principles of Design
234(22)
16 Builders and Craftsmen
256(24)
17 `Like Greek Work': Clumber Chapel
280(18)
18 Two School Chapels
298(10)
19 Oxbridge Gothic
308(19)
20 Forgers of Old Documents?
327(18)
21 `Old-Fashioned' Houses and Gardens
345(13)
22 Four Late Churches
358(22)
23 Garner Alone
380(13)
24 The Cathedrals
393(23)
Conclusion: The Gothic Net 416(20)
Abbreviations 436(1)
Appendix 1 Pupils and Assistants 437(4)
Appendix 2 List of Works 441(17)
Notes 458(30)
Bibliography 488(6)
Acknowledgements And Picture Credits 494(3)
Index 497
Michael Hall is a noted architectural historian and the author of several books on Victorian architecture and the Gothic Revival.