This is the most comprehensive book ever published on the Chicago surrealist Gertrude Abercrombie (190977), a key figure in midcentury American surrealism. From the late 1930s until her death, Abercrombie made paintings populated by objects of personal significancemoons, towers, cats, pennants, Victorian furniture, shells, snails and doorsto create allegories for her own often precarious psychological states. Often presiding over these symbols was Abercrombie herself, who appears in numerous pictures as proud observer or witchy caricature.
Abercrombie exhibited in Chicago and New York in the 1940s and 50s, and her salon became a center of Midwestern culture, hosting jazz musicians (such as her close friend Dizzy Gillespie), writers and artists. This book includes new scholarship by Robert Cozzolino; a memoir of Abercrombie by Robert Storr; the artist's own writing; a definitive text by art historian Susan Weininger; and a memoir by the artist's daughter, Dinah Livingston.
